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A semi-autobiographical piece of work by author Charlotte Perkins Gilman, The Yellow Wallpaper provides a haunting, twisted account of a woman’s decent into the depths of insanity. An allegorical tale on finding ones own identity during a time when woman were seemingly relegated to being glorified housekeepers and nannies, the story is told through a first person account via the journal of a woman, known until the final two lines, as simply “The Narrator”. Gilman uses vivid and somewhat disturbing imagery to present the idea that the identity of a woman is linked substantially to the amount of free will at their disposal.

The Narrators lack of freedom is illustrated and alluded to in several different ways throughout the story. Staying in an asylum like abode, complete with bars on the windows, The Narrator is isolated almost completely, which begins to exacerbate her “mild hysteria” into a full-blown psychosis. The initially vague imagery visible to The Narrator
Within the dingy wallpaper gives way to the vivid hallucination of a woman trapped within the designs and patterns on the wall. The complete lack of input on her own medical treatment and the complete dismissal of The Narrators want and need for creative and intellectual stimulation through written word.

Finding one and establishing an identity beyond being a mindless homemaker is represented by The Narrators eventual switching of places with the woman visible to her on the walls. Not allowed the freedom to express through writing, the patterns and shapes become an involuntary creative outlet for The Narrator. The somewhat unappealing female shapes visible within the patterns help tie together the themes of identity and freedom from a feministic point of

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