...The debate about political violence and nonviolence is a major theme in the discussion about the struggle for independence in Northern Ireland. This conflict is dramatized in the two films in context in the form of the Ireland Republic army (IRA) where two main characters are portrayed as a protagonist and an antagonist to bring out the theme in the films. The Wind that Shakes the Barley is a film featured in the nineteenth century, by Ken Loach. Basing its storyline between the years 1920 and 1922, the film is founded on historical events. The film also employs a fictional cast of characters drawn from experiences of real-life participants. The rebellion involved between the Irish people and the British remains a painful event in the books of history, but that has not prevented it from undergoing intense public discussions. The film involves two characters who join an Irish army to fight for independence. The main themes that are drawn from the film mainly revolve around events related to independence. The film is set in a rural setting. The next film is Michael Collins, by Neil Jordan. This film is more accurate in the way it examines its information compared to the Wind that Shakes the Barley (McLoone 226). It is a historical biopic. The film may in fact base its storyline on an accurate follow up of events, but it contains some historical alterations. Many found the film as a rich representative of the Irish way of life while others found it more of a Hollywood production...
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...,Compare and contrast the narrative structure of at least two of the films studied. Your answer should also evaluate the reasons why these structures were chosen. Since the commercial success of Alejandro González Iñárritu’s Amores Perros in the year 2000, there has been an indubitable resurgence in the amount of interest in, and amount of films being produced within Mexico. This picture, as well as Y Tu Mamá También (2001) by Alfonso Cuarón both received worldwide acclaim and have set a high benchmark for the other Mexican releases since the millennium to live up to. This essay will explore the prominence of narrative structure in the aforementioned Amores Perros (2001), as well as Amat Escalante’s Los Bastardos (2008) and Guillermo Del Toro’s El Espinazo del Diablo (2001). The constituents of a film’s narrative structure come under two different entities: the content of the film’s story, and the way in which the story is presented to the spectator. Vis-à-vis the content of the films story, the essay will mention how, on a thematic level, these films each rely heavily on the use of violence to delineate its message and intentions. James Kendrick states that the use of violence in a film is employed as a structuring device and it is evident that each of these films uses violence for differing intentions, of which the essay will later make discernible. Subsequently, the essay will contrast the order in which the stories are presented to the viewer, chiefly, regarding how Amores...
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...Flies is a 1963 British film directed by Peter Brook based on the 1954 novel by William Golding. Both the book and movie of Lord of the Flies represent popular culture in the fact that the book started out being popularized by the working class and would later become a best seller and even move into the category of high culture by becoming required reading in many schools across the world as well as wining the Nobel Prize. The Lord of the Flies and book and movie demonstrate many of the traits that are often reproduced in various form media and often imitated in other works of film, television, and reading. Lord of the Flies was remade into another film in 1990 but the 1963 film is considered to be closer to the book and is the one that is used by this paper. The 1963 Lord of the Flies film is a black and white British film that is presented in the form of a third person narrative in which the audience is a outside party looking in on the cast of the film. The film is about a group of young pre-teen to teenage boys who crash land on an island somewhere is the specific ocean as a result of their plane being shoot down. In the background of the movie there is some type of war but the film never mentioned which war is taking place. With the film being based on a book from the 1950s and the film taking place in the 1960 it can be assumed that the war in question is either World War II or perhaps a future war. In the film the overall theme is that violence and hate are inherently...
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...Page 1 English 101 Sec 80655 4 April 2014 The Deer Hunter vs. We were Soldiers: The Evolution of War in Films In The Deer Hunter directed by Michael Cimino and We were Soldiers directed by Randall Wallace, both have plots that take place during the Vietnam War, involve the military, societal changes, and familial bonds. The message of each film essentially is sacrifice. The Deer Hunter and We were Soldiers use a group of three protagonists to convey its theme of sacrifice. When we take a closer look at them though we can see past the explosions and carnage that accompany most epic war films and see how war is depicted in a changing society. Society has dramatically changed since the post-Vietnam era of the 1970’s when The Deer Hunter was made, to the ultra patriotic times of an immediate post- 9/11 era when We were Soldiers was made . By demonstrating the differences between these films in the way that the military, society and family are depicted we see an evolvement of the way war is portrayed on film. First let’s take a look at the way the military is portrayed in The Deer Hunter. Having been made in a time of post-Vietnam The Deer Hunter depicts the military with the attitude of the times, in that the military was not looking out for our nation’s and soldier’s best interests. Cimino‘s depiction is of an army made up of men drafted into service. They are fulfilling their duty and making the sacrifices...
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...become a big topic of discussion among people in first world countries or countries that do not have war taking place on their own soil. A larger, overarching issue is the treatment of the immigrant and refugee as an object, as they are viewed as a nuisance and a commodity to be used and then discarded and neglected. Women not only struggle with how to survive, but also attempt to cope with the fact that they are losing their sense of self as their identity is being stripped by men that believe they are a commodity to be traded and discarded when no longer important to them. The migrant worker is in a similar situation where they are stripped of their own identity and put to work like a machine, attempting to support their family that...
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...NAME May 31, 2015 SPAN 2322 Critical Film Essay: Pan’s Labyrinth El laberinto del fauno, the original name given to the Mexican-Spanish film was both written and directed by Guillermo del Toro in 2006. This film takes place after the Spanish Civil War and covers the Francoist period we have discussed in class. After carefully watching this film a second time, I have a better understanding of the many elements portrayed in the film that I found confusing after watching it the first time. The biggest element for me being fantasy vs. reality (documentary) and the idea of “two Spains” that it portrays. As a representation of the effects of the Spanish Civil War, there are clearly two sides, the Popular Front and the Francoists. The Popular Front consisted of socialists, communists, Marxists, republicans, and even communists who formed a coalition and demanded an independent judiciary free from government control. Although the labyrinth is most associated with the idea of fairytale or fantasy in my opinion the Popular Front represent the “fantasy” aspect of the film, because what they were trying to accomplish would be seen as something improbable or unattainable to an outsider looking in or someone who associates themselves as a member of the Francoist movement. The Popular Front was portrayed as very poor throughout the film, depending heavily on the captain and his military for sources of food and hospitality. This preceding statement is exactly why the Popular Front...
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...Cinematic films have been around for many years and served as entertainment for society. Many of the blockbuster movies consisted of an apocalyptic setting that predicted the fate of the future. We fallen obsessed with these movies because of our endless curiosity about what the future holds. I for one watch apocalyptic films because each of them involve an interesting prediction of how our world will come to an end. Whether it be a zombie attack that infects everyone or if the water from the ocean wipe out civilization, each are caused by some sort of human involvement. Which is why these movies exist; to tell society that the end of the world will be inevitable and will be a result of human actions. These blockbuster movies like, Independence...
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...Filmmaker The Palestinian movie industry has significantly grown in the resent past despite the challenge they face with majority of the movies coming from different sources of film production. There lack adequate equipments that are used to produce the movies, and this poses a great challenge to the industry. Lack of funds to finance the movie production, further, poses a greater challenge in the industry. The various Palestinian movie production sites include the Authority of Palestinian, the different Diasporas in Palestinian and also other producers in Israel. The Palestinian Cinema can, therefore, be viewed as an opposing representation because it originated from the conflict between Palestinian and Israel. The conflict between Palestinian and Israel began man years ago due to the decision of the United States to form Israel. The conflicts between the two nations involve the Arabs who are the Palestinians and Jewish who are the Israelites. The war has resulted in death of many people and has further, led to discrepancies between the Israelites and many Arab nations. The differences between the Zionists and various Arab nations that are not involved in the actual conflict are as a result of their involvement in the war to assist the Palestinians. According to Bulton (2013), most of the Palestinian films are based on the background of the colonialism of Israel. Further, if focuses on the misconception of the visual manifestation of the existence of the Palestinians movies in...
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...Filmmaker The Palestinian movie industry has significantly grown in the resent past despite the challenge they face with majority of the movies coming from different sources of film production. There lack adequate equipments that are used to produce the movies, and this poses a great challenge to the industry. Lack of funds to finance the movie production, further, poses a greater challenge in the industry. The various Palestinian movie production sites include the Authority of Palestinian, the different Diasporas in Palestinian and also other producers in Israel. The Palestinian Cinema can, therefore, be viewed as an opposing representation because it originated from the conflict between Palestinian and Israel. The conflict between Palestinian and Israel began man years ago due to the decision of the United States to form Israel. The conflicts between the two nations involve the Arabs who are the Palestinians and Jewish who are the Israelites. The war has resulted in death of many people and has further, led to discrepancies between the Israelites and many Arab nations. The differences between the Zionists and various Arab nations that are not involved in the actual conflict are as a result of their involvement in the war to assist the Palestinians. According to Bulton (2013), most of the Palestinian films are based on the background of the colonialism of Israel. Further, if focuses on the misconception of the visual manifestation of the existence of the Palestinians movies in...
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...Nuclear weapons in the Cold War changed how wars were fought, war was no longer fought in a conventional sense, nuclear weapons meant that people lived in a constant state of fear. In order to ensure national security and protection states needed to have a strong deterrence policy, which would prevent another state from attacking them with nuclear weapons. The outcome of a nuclear war would be catastrophic meaning that it had to be avoided at all costs. In order to prevent nuclear war from happening nations needed to have a strong deterrence policy to protect themselves and not be viewed as vulnerable. Without deterrence catastrophes will inevitably occur, the film “Dr. Strangelove” illustrates what will happen when deterrence is over looked and nuclear action occurs, the result is destruction all because of the need to be more powerful. The film shows that while nation pride is important it is essential not to be reckless and blinded by hate and hubris when making important decisions that will directly impact many other people. It is a natural instinct for a nation to want to ensure national security; no country wants to seem vulnerable because then it becomes a target for other states to attack. It is important to show dominance and strength to preserve reputations and maintain...
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...them, they are also an integral part of that culture, a product of it, and therefore a reflection of prevailing concerns, attitudes, and beliefs. In considering the relationship between film and culture, it is important to keep in mind that, while certain ideologies may be prevalent in a given era, not only is American culture as diverse as the populations that form it, but it is also constantly changing from one period to the next. Mainstream films produced in the late 1940s and into the 1950s, for example, reflected the conservatism that dominated the sociopolitical arenas of the time. However, by the 1960s, a reactionary youth culture began to emerge in opposition to the dominant institutions, and these antiestablishment views soon found their way onto screen—a far cry from the attitudes most commonly represented only a few years earlier. In one sense, movies could be characterized as America’s storytellers. Not only do Hollywood films reflect certain commonly held attitudes and beliefs about what it means to be American, but they also portray contemporary trends, issues, and events, serving as records of the eras in which they were produced. Consider, for example, films about the September 11, 2001, terrorist attacks: Fahrenheit 9/11, World Trade Center, United 93, and others. These films grew out of a seminal event of the time, one that preoccupied the consciousness of Americans for years after it occurred. Source URL:...
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...from the house, his curiosity gets the best of him and he sneaks off to go exploring. It is on one of these adventures through the woods that he stumbles upon the barbed wire fence that encircles the neighboring concentration camp. Behind it he finds Shmuel (Jack Scanlon), a Jewish boy who is the same age as him. They quickly develop a friendship, interacting as much as they can while separated by the fence. Though they are both somewhat oblivious to the horrors taking place around them, they will both ultimately be affected by the events of the war. This film is very well done, yet difficult to watch. While there is no graphic violence depicted on the screen, the film is none the less heartbreaking. Because the story is told through the eyes of an 8-year-old boy, much of what we see seems mostly benign. Bruno simply doesn’t understand the things that he sees. Unfortunately for us, as adults, we do. All of the actors in the film are to be commended. Both young boys offer stellar performances. Butterfield, especially, shines as the naïve and curious 8-year-old German boy trying to figure out whether his father is good or bad, and attempting to understand the hatred of his relatives toward the Jews. Though the movie is being promoted for kids, parents should note that it is rated PG-13 due to its thematic...
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...When analysing films we come to look at the content and context of the film. From the content we discover in which time period and place the film is set and through the content such as the characters, events and plot, we get a greater insight as to what message the film is trying to convey or what it is about. In Ana’s Playground and The Cabin in the Woods discussions of gender are seen throughout the content and context of the film when it is analysed through its cinematic coding. Ana’s Playground, 2009 is a short film about a group of young children playing a game of soccer on the streets in a war-torn country. When their ball is kicked over a fence, Ana is faced to risk her life in a challenge to retrieve the soccer ball whilst a sniper is shooting at her. Violence is the main thematic value within Ana’s Playground as it is present throughout the whole film.The film gives us an insight of how children live and experience the violence that occurs within war-torn countries. The four children seen within this film is Ana, what appears to be her little sister, and two other boys. When Ana is chosen through the use of coin flipping, to retrieve the ball from over the fence, the audience would expect one of the boys to replace this life risking duty as this is a gender expectation from the audience. This shows that the female gender is represented as being obedient but also very vulnerable. From the very moment Ana is chosen to retrieve the ball, is a representation of her innocence...
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...displays a plot that depicts the hardships African American women went through in the 1900’s concerning racism, prejudices, and poverty. All of these works of art have been deemed as socially offensive, improper, or distasteful, however these are the exact reasons why they are so significant. Artistic endeavors, including film, do need socially unacceptable content in order to evoke emotion, fit into a specific genre, and to present familiar material in an unconventional way. Unpleasant images are a form of artistic symbolism that creates a story without any words. The audience can digest the meaning and emotion behind what is on screen without having to be told. For example, American History X displays racism through the use of symbols and colors when Derek, one of the main characters, steps out on his front porch half-naked showing his bare white skin covered in dark tattoos of swastikas and white-power mottos (Smith 249). The racism displayed on his body will likely remain in the audience’s head even after they have left the theatre. The film Apocalypse Now follows the journey of a man through the Vietnam War, while illuminating the horrors, violence, and affects it had on Americans. The vision of the Vietnam jungle, fire, and helicopters in the opening scene, accompanied by Jim Morrison’s...
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...scenes are the backbone of both stories and received the majority of criticism; being positive or negative depending on the movie. The Gibson film received negative criticism for the brutal beating Jesus endured on the last days of his life. The Spielberg film was praised for its violent depiction of an equally graphic scene of death and dismemberment, but felt with less anxiety because violence in war movies is expected and tolerated. The Gibson film comes under attack for the graphic nature of the beating Jesus received. The feelings of sadness and overwhelming helplessness come over the audience during the long and over dramatic brutality to one man “Jesus Christ.” We have been taught throughout history that Jesus died for us, making it personal because we feel we know him. The scene of Jesus` beating shows realism that most cannot believe a sadness that cannot be shaken or a helplessness that cannot be taken back. Up to the point in time, before “The Passion of Christ” was made people never had to put imagery the graphic nature of the events Jesus endured. It was never that emotional because people could not visualize the scene. The Spielberg film took high praise for the realism depicted in the movie and in the scene “The raid on Omaha beach”. I believe the nature of the scene to be more graphic and brutal by its massive loss of life. War has always held a level of glory throughout...
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