...Art of the Paleolithic The Paleolithic Period, which is Greek for “Old Stone Age”, is the earliest period in human history. Today, the Paleolithic is divided into three categories, the first being the Lower Paleolithic (between 2.5 million – 200,000 BCE). During this time, our ancestors, such as Homo erectus and Homo ergaster, lived in nomadic groups and began making the first stone tools. The second Paleolithic category is the Middle Paleolithic (200,000 – 45,000 BCE), marked by the first Homo sapiens sapiens beginning to develop modern behaviors: more sophisticated tools, hunting, and the start of symbolic/ritualistic behavior. By the Upper Paleolithic (ending approximately 10,000 BCE), Neanderthal man had disappeared completely, and our ancestors were exhibiting fully modern behaviors such as making a wide range of even more sophisticated tools out of stone, bone, and ivory; hunting and fishing; and creating various forms of art such as figures and cave paintings. In the absence of a written language, early humans were still able to communicate and express themselves, and their spirituality, using pictures instead of words. They could record the locations of successful hunting grounds and invoke the animal spirits to aid them in their endeavors. Cave Paintings Cave paintings are the oldest form of Paleolithic art found to date, and can be found on almost every continent in the world. Until recently, the Chauvet cave paintings in France were believed to be the...
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...the greatest portion of humanity’s time. Separated into three stages, Lower, Middle and Upper, the Paleolithic period is still very much unaccounted for. Archaeological digs have been going on for centuries across Europe and other important parts of the world, supporting the knowledge and theories archaeologists now know to create an understanding of our prehistoric world. The Upper Paleolithic is the last subdivision of the Paleolithic era and is known for its sudden progression of intricate stone artifacts, artistic expression and personal ornamentation. Nine major cultures have been associated with the Upper Paleolithic time period and the modern human. These cultures were some of the first to see humans using art and tools as a way of expression. They engraved animals onto their tools and used ornamentation as a way of status and heritage. Early Upper Paleolithic art originated in the Aurignacian culture of Europe around 40,000 years ago, and continued onto the Mesolithic period. The Aurignacian culture derives its name from the type site Aurignac, found in France and has the oldest known examples of figure art. These modern homo sapiens were known to have developed the Venus figures, stone statues that took on a womanly figure. The statues, archaeologists believe, were to be symbols of a mother...
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...though women have been creating art since the beginning of the Homo sapiens species it was not until the late 1960’s and 1970’s when female artists began to receive the recognition they deserved for their talent and art. Early women in the world of art have been faced with challenges due to gender biases, often being encountered with difficulties when it came to training, traveling, selling their art, as well as even receiving credit for their own work. However, even with so many obstacles facing early women artists, some managed to be an exception and become successful fine artists of their time. What did this handful of women do differently to become successful and break barriers for their time? Dating back to the prehistoric area up...
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...Olivia Wind Fakes and Forgeries in Archaeology Miriam Clinton Draft 2 of 2 (Final) Paleolithic Cave Art and its Implications on Human Animal Relationships Unraveling the mystery of the Upper Paleolithic period is a task that proves exciting yet frustrating. Much of the culture of the Upper Paleolithic people remains unknown to modern day humans. Remnants of these people’s past can be found displayed across walls and crafted into figurines within caves throughout Western Europe. The fine art crafted by these people is impressive and reflective of their intellect. Most of the artwork found belonging to this time period depicts animals or mythical beasts. Upper Paleolithic societies had some kind of relationship with animals and studying these relationships can provide interesting information about different Upper Paleolithic cultures. Kenneth Feder, Amy Paterson and Patricia Rice, Michael Balter, and Nicholas Conrad all discuss possible implications of the artwork in their respective writing. All four sources agree that cave art provides insight into the human animal relationship of the Upper Paleolithic period. One primary relationship researchers have been working for decades to illuminate is the connection between artwork and the hunting patterns of the ancient people that made it. In their research, Rice and Paterson explore the interrelationships between cave art and bones, and try to determine what information can be extracted from them. In their report, they consider...
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...1) I believe that although there is no dialogue or actors in this film, there is still a discernable narrative that guides the film. The first shots in the film are entirely of naturally occurring landscapes and phenomenon that occur on Earth. Although no dialogue is ever spoken, the music combined with the scenic nature shots create a sort of “build up” to the next element introduced to the film, humans. The narrative throughout Koyaanisqatsi, seems to be a reflection of the increasing impact that sentient life has on a planet. It is interesting, however, to observe which footage Reggio used to depict this mounting involvement of humans and technology into the plot. At first, I thought Reggio was attempting to make a statement about the harmful impact of environmental pollution caused by man. However, as the film progressed, the footage of technology and man seemed to play an indifferent role towards nature. The footage of factories and vivid time-lapse shots of city skylines at night are not portrayed in a negative light but instead in more of a chaotic one. In my interpretation, this chaos of the human impact on nature and the growing complexity of technology are depicted because that is simply how life has become for modern humans. Life is chaotic and the addition of increasingly intelligent beings trying to make order out of chaos will ultimately be futile. In other words, the very attempt at creating order out of chaos is chaotic in and of itself. The footage of nature...
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...‘journey of mankind’, we know that the modern human who recognizes as Homosapien, live in Africa over 160000 years ago. The archeological evidence has showed that our mtDNA and Ychromosome ancestors are found in East Africa.[1] From 160000 to 135000 years, there were four groups of traveller who known as hunter-gatherer carried the first generation of mtDNA gene types ‘L1’by started their routes from south to the Cape of Good Hope, south-west to Congo Basin and west to Ivory Coast.[2] There was a creature could adapt well with the environmental changes is prehistoric man. They lived in the grasslands of Africa, the tropical rainforest of South-East Asia and the more temperate areas of southern Europe. The changing in climate, amount of free water and rainfall had affected the amount of lands that used by prehistoric man for feeding the herds and growing the plants. Climatic changes had lead to the evolution of prehistoric man himself such as development of stone tools, site organization, the building of shelter and the use of clothing. From 135000 to 115000 years, a group traveller across a green Sahara via the open of northern gate, up the Nile to the Levant.[3] According to The 1st Exit written by Stephen Oppenheimer, humans had moved out from Africa in the end. The timing and routes were determined by the climate change. There were a two potential routes, one is northern and one is southern. First group of modern human left Africa over 120000 years ago through an open northern...
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...Frank Krause May 4, 2015 His 101-001 The History of the Bow and Arrow in Early Western Civilization Early prehistoric humans hunted with ancient spears. The bow and arrow is one of man’s most ancient technologies in prehistoric hunting and war weaponry. The development of the bow and arrow allowed early western civilization to evolve by providing a more effective weapon than the spear, which was used for hunting, protection, and war. Stone Age humans were the first to use the bow and arrow, in which there is no argument this ancient weapon helped save many lives by providing safety during hunting and war. Spears were used for hunting and protection prior to the invention of the bow and arrow. The arrow, essentially is a specialized...
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...HUMANITIES 1 (RESEARCH PAPER) HISTORY OF PAINTINGS AND ARTISTS IN THE WORLD ADRIAN M SITCHON PROF. PEREZ 4TH YEAR/BS.HRM/NS (SUBMITTED BY) TABLE OF CONTENT INTRODUCTION HISTORY BODY * EASTERN PAINTING * WESTERN PAINTING * 20th-CENTURY MODERN * AND CONTEMPORARY DEFINITION OF TERMS * FAMOUS PAINTERS * AND BIOGRAPHY * Paintings of famous painters CONCLUSION RECOMMENDATION REFERENCE INTRODUCTION: Painting can be done in a variety of media. For example, Oils, Watercolour, Acrylics, Gouache and Tempera. Paints are made from a pigment, and a binder. Binder is relatively cheap, while pigment is much more expensive. Pigments are a colored powder, made from organic or inorganic materials. (This is different than a colorant, which dyes or stains a color.) All paints use the same basic pigments, but the binder changes. The binder for acrylics dries quickly and the paint is more like a plastic than oils which have an oil based binder and dry slowly. Oil Paints are often built up in layers or glazes. The other paints---Watercolour, Acrylics, Gouache, and Tempera---are water-based, meaning the paint can be diluted with water and clean-up can be done with soap and water. Oil paints, on the other hand, require paint thinner to clean brushes. The number and variety of painting techniques is endless. Besides quality of paint, factors affecting color quality include: paint opacity, glossiness of painting surface...
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...Cambridge University Press 978-0-521-43544-4 - Liberties Lost: Caribbean Indigenous Societies and Slave Systems Hilary McD. Beckles and Verene A. Shepherd Excerpt More information Chapter 1 The indigenous Caribbean people Fighting on arrival, fighting for survival .... Bob Marley Three thousand years before the Christian era a distinct Caribbean civilisation was established. These civilisations had a strong influence on the peoples of the ancient world. They, together with other communities, helped shape the way society was organised, how work, money and the economy were planned, and how human culture was created and developed. Together with their continental cousins in Mexico, Guatemala, Peru and elsewhere, the ancient Caribbean communities engaged with and used their environment in dynamic and creative ways. The Caribbean, then, was home to an old and ancient cultural civilisation that continues to shape and inform our present-day understanding and identity. In this chapter we will learn about: 1. The culture of indigenous Caribbean people 2. The Ciboney 3. The Taino 4. The Kalinago 5. Continental cousins: Maya, Aztec, and Inca 1 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-43544-4 - Liberties Lost: Caribbean Indigenous Societies and Slave Systems Hilary McD. Beckles and Verene A. Shepherd Excerpt More information 1 The culture of indigenous Caribbean people It has taken...
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...by forms of natural selection or from adaptations to a harsh environment. For example, people living at or near the equator have ectomorphic body builds. Body builds that can dissipate heat through greater surface area per unit volume which can be seen in the long and lean bodies of the people. I think that more people need to be educated of the concept that more genetic diversity occurs within ethnic groups and races then between them. By teaching this concept, the idea of racism towards others would end. 5. I have picked Homo neanderthalensis or Neanderthals to describe. Neanderthals lived from 250 to 30 thousands years ago. The locations of Neanderthal fossils varies but they are centered around Europe, The Levant, and Western Asia. There are many morphological attributes given to this taxon. Due to the good fossil record and preservation for Neanderthals, scientists have concluded that the Neanderthals had a robust body build and cranium. The preservation of the fossil record also allowed scientists to observe the differences between Neanderthals and anatomically modern humans. Overall, Neanderthals are more robust and shorter in stature than modern humans are. This robustness in Neanderthals means that they had a broader thorax and a wider pelvis. The limb bones were more stronger and curved than modern humans and Neanderthals also had midfacial prognathism. The robust crania also links Neanderthals with larger brains than anatomical modern humans as well. The...
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...CAN PAST TALK TO US INTRODUCTION 1. A few years back a movie titled ‘Jurassic Park’ was released and soon became box office hit. When I saw the movie I was astonished and impressed by the on screen appearance of the huge creatures, the dinosaurs, of different variety. The object of appreciation was, of course, the computer generated graphics and animation. But more than that, I was really amazed by the knowledge the people had about these wild monsters, who are the species extinct for almost 65 million years. How do these people come to know how did these creatures look like, what were their food habits, how did they live and how did they evolve? A question came to my mind, ‘CAN PAST TALK TO US?’ . 2. A few years later another movie was released, ‘The Mummy’. This time it was the Egyptian culture that was depicted. Incidentally this culture has also been extinct for thousands of years. It is believed that this culture was in existence some 4500 years ago. Where did the knowledge of the life style of the ancient Egyptians, their religious practices, their culture, their language and their houses, clothes and weapons come from? Could the past possibly have talked to the producers? 3. I am sure these questions must have surfaced in your minds also. If I was to answer these questions, I would say, yes, the past can talk to us. But only through an interpreter. This interpreter is called an ‘ARCHAEOLOGIST’. 4. Good morning lady and gentlemen, today...
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...UNIVERSITY OF CENTRAL ASIA FALL SEMESTER 2014 History of Art Dr Raymond-Josef Hoffmann Description: This course is an introduction to art as the embodiment of cultural, social, and political values, ranging from ancient civilizations to the modern period. The class examines painting, sculpture, and architecture , and both domestic and ornamental artifacts of Near Eastern, Mediterranean and Western civilisations. Various historical periods will be considered through an examination of creative practices, themes, and visual forms. Examples of the work of representative artists and movements, from Praxiteles in ancient Greece to recent artists will be explored. The course will also consider cultural and artistic exchanges between societies of Europe, the Americas, Asia (including central Asia), and Africa, when appropriate. Human beings have been culture-makers and illustrators from the beginning: the history of our species on earth can be traced from early cave drawings and implements for eating and hunting to decorative arts, gothic cathedrals, skyscrapers to non-cognitive forms of expression that defy interpretation. This course is an exploration of an essential aspect of our attempts to shape the world and to create an environment in which self-expression, pleasure, ideology and aspiration can thrive. 1. Structure: The course comprises two 80 minute discussion/seminars based on specific works of art each week. The topics and readings are given in the schedule...
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...Early greek illustrative features The final years of the 18th century brought an increasing interest in classical buildings to both the United States and Europe. This was first based on Roman models (Federal style), but archaeological investigation in the early 19th century emphasized Greece as the Mother of Rome which, in turn, shifted interest to Grecian models. The style is an adaptation of the classic Greek temple front employing details of Doric, Ionic or Corinthian order To the popular mind the Greek temple was associated with the origins of American democracy in ancient Greece. Greece's involvement in a war for independence (1821-30) aroused much sympathy in the newly independent United States. Further, the War of 1812 fought against England diminished American affection for British influence, including the still dominant Adam ("Federal" in U.S.) style in domestic architecture. The popularity of Greek Revival led it to be called the National Style. Newly established towns throughout the country even took names such as Athens, Sparta, and Ithaca. Identifying features: * Most have porticos (either entry or full-width) supported by prominent square or rounded columns, typically of Doric style, but also Ionic and Corinthian * Gabled or hipped roof of low pitch * Cornice line of main roof and porch roofs emphasized with wide band of trim (this represents the classical entablature and is usually divided into two parts: the frieze above and architrave below) ...
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...Topics in Native Hawaiian Law – Fall 2013, Prof. Sproat Final Paper – December 20, 2013 Oliver Manglona Affording the Commonwealth of the Northern Mariana Island’s Groundwater Constitutional Protection: A Contextual Review of Groundwater Use and Management I. Introduction Chamorro elders often speak about the abundance of freshwater when they were growing up. They established personal relationships with these waters and gave them Chamorro names. Uncle Ben from Songsong Village, Rota recalled one particular spring, which he called “Agaton.” According to Uncle Ben, “Agaton” came from Bobo Mames. Bobo in Chamorro means, “spring” and Mames means, “sweet.” Thus, Agaton refers to the “Sweet Spring.” Uncle Ben recalled that Agaton would flow directly behind his house, which fed the marshland in his parent’s backyard. He reminisced about how he and his younger brothers would often go to the marshland at night to pick Ayuyu (Coconut Crab). He then lamented, “Oh, how I miss those days.” Uncle Ben also shared that in the early 1940s almost everyone dug wells. He noted that his father and mother would walk several miles to Songsong Village to fetch pails of water from a dug-up well that had supplied the entire village before European contact, as well as during the Spanish, German, and Japanese occupations. He described it as “fresh,” “cold,” and “sweet.” He again lamented, “Oh, how I miss those days.” Uncle Ben’s recollections raise concerns regarding the future...
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...Form Aboriginal Australia [pic] Find out how you can connect with the world’s oldest living culture. Discover it the same way Aboriginal Australians have passed it down for at least 50,000 years - through art, dance, myths, music and the land itself. See Aboriginal art and contemporary dance in the cities. Or head to the outback and listen to Dreamtime myths of creation by the campfire. Let Aboriginal Australians help you understand this ancient land and its spirituality and wonder. Six special places you can connect to Aboriginal Australia [pic] Uluru-Kata Tjuta National Park, Northern Territory Visit Uluru and you’ll see why the rock and surrounding land have such huge spiritual significance for the Anangu Aboriginal people. According to their creation myths, ancestral spirits formed Uluru, which lies in Australia's red centre like an enormous, moody heart. Aboriginal guides will share these ancient tales as you walk around the rock’s base. Just 32 kilometres away is another sacred site - Kata Tjuta. You’ll be awestruck by these steep, rounded, russet domes over 3,500 hectares. [pic] Kimberley, Western Australia Featuring vast horizons and ancient gorges, the Kimberley region is one of the world’s last great wilderness areas. See Wandjina figures painted in caves and the mysterious Gwion Gwion paintings. Ride a camel on Broome’s breathtaking Cable Beach and 4WD the red-dirt road along the Dampier Peninsula. Learn the legend of the orange and black beehive domes of the...
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