...English IV 26 April 2018 Symbolism in 1984 In the novel 1984 by George Orwell, Orwell utilizes many symbols that help develop the storyline, introduce and help build characters description for the reader to better understand the novel. Orwell wrote 1984 as a political message and to warn the future generations about dangerous societies watching over their people. Orwell created a fictional dystopia with a psychological and physical control over its people and the rebellious in the society who want a way out of the life they are living. Through the overflowing use of symbols such as Big Brother, Winston’s journal, glass paperweight, and doublethink Orwell is able to create a connection to the major themes in the novel...
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...Big Brother is fictional character and symbol in the novel 1984. In this society, every citizen is under surveillance by “Big Brother”. Mainly in the telescreens, except the Proles. Winston’s change to a reformed party member from rebel is done in three parts, “learning, acceptance, and understanding. The learning process Winston goes through symbolizes the beatings and degradation he went through, he gets accused of many crimes that he did not actually commit. They accused him of the crimes mainly “to humiliate him and destroy his power of arguing and reasoning.” It does work; he admits to the crimes, because he had lost the will to fight anymore, because he was scared of the punishment that could come from denying them. Winston began...
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...George Orwell uses 1984 to show how the government can control everyone in the country and remain in control by exploiting the people’s right to privacy, their right to social life, the right to access accurate information to have an opinion. When the government can maintain absolute power over the people, it is possible to stop any kind of revolution against them. In the today’s world, technology is the same as the government from 1984. The government exploits the right of privacy by watching over everyone at every moment, having children to be loyal to the government and controlling people’s thoughts. The government watches over everyone by an electronic object called telescreen. When Winston is at his home, “Any sound that Winston made,...
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...dreams. Furthermore, “morph” means “morphine” which is used in medicine as tranquillizer. Morpheus lives in another world and he always be stand by Neo. Neo is nick name of Thomas Anderson in matrix. According to mysticism Neo is referred to as "the One". In Christianity “one” symbolizes Jesus Christ. The name Thomas is Hebrew and means "twin." As Thomas, he works for a software company. As Neo, he is a computer hacker in matrix who wakes up in the real world. In Christianity, Jesus dies on the cross, but later is resurrected and ascends up to heaven. In the movie, Neo dies but later comes back to life. At the end of the movie, Neo resurrects and flies up into the sky. Trinity is the third character. According to Pythagoras, three is the perfect number. In Christianity, there are three holy power: The Father, The Son, The Holy Spirit. From this point of view, Morpheus is The Father, Neo is The Son and Trinity is The Holy Spirit. The Oracle is a person who was intermediary between God and people in Greek history. Also, she is a soothsayer in the movie. Cypher is a form of “Cipher”. In some computational systems, Cipher means “zero”. It can be referred as no value. His devilish beard and his red dress symbolizes Satan. The Agents represent human races. Their sunglasses are a sign for human mysterious and dark side. They don’t take off even if it rains....
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...Institut Alpin Videmanette in Switzerland, she moved to London. She began working with children, eventually becoming a kindergarten teacher at the Young England School. Diana was no stranger to the British royal family, having reportedly played with Prince Andrew and Prince Edward as a child while her family rented Park House, an estate owned by Queen Elizabeth II. In 1977, she became reacquainted with their older brother, Prince Charles, who was 13 years her senior. As the heir to the British throne, Prince Charles was usually the subject of media attention and his courtship of Diana was no exception. Garden-loving prince and the shy young woman with an interest in fashion and popular culture. When the couple married on July 29, 1981, the ceremony was broadcast on television around the world, with millions of people tuning in to see what many considered to be the wedding of the century. Marriage and Divorce On June 21, 1982, Diana and Charles had their first child: Prince William Arthur Philip Louis, then Prince Harry more than two years later on September 15, 1984. Overwhelmed by her royal duties and the intense media...
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...1984 By George Orwell Download free eBooks of classic literature, books and novels at Planet eBook. Subscribe to our free eBooks blog and email newsletter. Part One 1984 Chapter 1 I t was a bright cold day in April, and the clocks were striking thirteen. Winston Smith, his chin nuzzled into his breast in an effort to escape the vile wind, slipped quickly through the glass doors of Victory Mansions, though not quickly enough to prevent a swirl of gritty dust from entering along with him. The hallway smelt of boiled cabbage and old rag mats. At one end of it a coloured poster, too large for indoor display, had been tacked to the wall. It depicted simply an enormous face, more than a metre wide: the face of a man of about forty-five, with a heavy black moustache and ruggedly handsome features. Winston made for the stairs. It was no use trying the lift. Even at the best of times it was seldom working, and at present the electric current was cut off during daylight hours. It was part of the economy drive in preparation for Hate Week. The flat was seven flights up, and Winston, who was thirty-nine and had a varicose ulcer above his right ankle, went slowly, resting several times on the way. On each landing, opposite the lift-shaft, the poster with the enormous face gazed from the wall. It was one of those pictures which are so contrived that the eyes follow you about when you move. BIG BROTHER IS WATCHING YOU, the caption beneath it ran. Inside the flat a fruity...
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...world. – Luciano Benetton, Founder Chairman I am not here to sell pullovers, but to promote an image... Benetton’s advertising draws public attention to universal themes like racial integration, the protection of the environment, Aids... – Oliviero Toscani, Benetton Art Director and Photographer Benetton Group: Unconventional Advertising The group’s principal brands included United Colors of Benetton (UCB), Sisley, PlayLife, Nordica, Prince, Rollerblade, and Killer Loop. The Benetton family (comprised of three brothers and a sister) established the Benetton chain in a small Italian town in 1955. To support his family, Luciano Benetton (born 1935), dropped out of school to sell apparel. His sister Guiliana (born 1937) worked as a knitter in a local factory. Recognizing the potential for a new business, Luciano and Guiliana decided to start their own apparel company. They started off small by selling sweaters and as the business grew, the remaining two brothers joined in the activities of the company. Each of the four siblings took responsibility for one aspect of the business—Luciano concentrated on marketing; Guiliana directed the design department; Gilberto (born 1941) handled administration and finance; and Carlo (born 1943) managed production. As business picked up, the company entered into an agreement to open a store for the exclusive marketing of apparel. The first store was opened in 1969 and was an immediate success. B enetton Group is engaged in the manufacturing...
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...gamblers who were born to lose and was of no use in society. The Yakuza have different identities, to some they are violence specialists, to some gangsters, to some extortionists, to some gamblers, to some the Japanese mafia. While it is not wrong to have such impressions on the yakuza, this not completely true as there is so much more behind the yakuza than just being violent gangsters. Also according to Siniawer, he does not want to call the yakuza, “gangsters” because sometimes “it may evoke romantic images of Prohibition-era bosses”, which will inaccurately depict the yakuza. The yakuza are essentially different from the (Sicilian) mafia, in the sense that the perception of the mafia as an unambiguously predatory entity locked in bloody combat with the state, which are exemplified by such crimes as the assassination of the Italian prosecutors Giovanni Falcone and Paolo Borsellino. This was different with the yakuza who proudly displayed the name of their gang, and its crest, and crest at the entrance. (Hill, 2003: 6-7) This is also shown in movies like Brother, in which the Cuban mafia could not understand the way in which the Japanese carried out their operation methods and were eventually out played by the yakuza for a while. The yakuza are also made up of different groups of people. The more prominent groups are mainly the Bakuto and Tekiya. Bakuto were usually gamblers who were in charge of...
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...Дневник читателя READER’S JOURNAL Ernest Hemingway. The Old Man and the Sea (1952). Joseph Heller. Catch-22 (1961). Tennessee Williams. A Streetcar Named Desire (1959). Iris Murdoch. The Black Prince (1973). Jerome David Salinger. The Catcher in the Rye (1951). Michael Ondaatje. The English Patient (1992). Ray Bradbury. Fahrenheit 451 (1953). Ken Kesey. One Flew Over the Cuckoo’s Nest (1962). Edward Albee. Who’s Afraid of Virginia Woolf? (1962). Arthur Miller. Death of a Salesman (1949). ------------------------------------------------- ------------------------------------------------- Ernest Hemingway. The Old Man and the Sea (1952). ------------------------------------------------- ------------------------------------------------- FULL TITLE · The Old Man and the Sea ------------------------------------------------- ------------------------------------------------- AUTHOR · Ernest Hemingway ------------------------------------------------- ------------------------------------------------- TYPE OF WORK · Novella ------------------------------------------------- ------------------------------------------------- GENRE · Parable; tragedy ------------------------------------------------- ------------------------------------------------- LANGUAGE · English ------------------------------------------------- ------------------------------------------------- TIME AND PLACE WRITTEN · 1951, Cuba ------------------------------------------------- ...
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...Converse Inc. Situational Analysis ID: 936605550 ID: 911484064 ID: 933327329 ID: 919538922 ID: 938345647 Table of Contents Company Analysis ……………………………………………………………………………………………………………………………….. 3-‐6 Consumer Analysis………………………………………………………………………………………………………………………….……. 6-‐7 Product Analysis……………………………………………………………………………………………………………………..……………. 7-‐9 Competitive Analysis……………………………………………………………………………………………………………………………. 9-‐14 Market Analysis……………………………………………………………………………………………………………………………………. 14-‐15 Other Considerations (Past and Present Communications)…………………………………………………………………… 15-‐17 SWOT………………………………………………………………………………………………………………………………………………….… 18-‐19 Primary Research Considerations………………………………………………………………………………………………………….. 19 Work Cited and Appendix……………………………………………………………………………………………………………………… 20-‐29 2 ID: 936605550 ID: 911484064 ID: 933327329 ...
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...1984 George Orwell 1949 Chapter 1 It was a bright cold day in April, and the clocks were striking thirteen. Winston Smith, his chin nuzzled into his breast in an effort to escape the vile wind, slipped quickly through the glass doors of Victory Mansions, though not quickly enough to prevent a swirl of gritty dust from entering along with him. The hallway smelt of boiled cabbage and old rag mats. At one end of it a coloured poster, too large for indoor display, had been tacked to the wall. It depicted simply an enormous face, more than a metre wide: the face of a man of about forty-five, with a heavy black moustache and ruggedly handsome features. Winston made for the stairs. It was no use trying the lift. Even at the best of times it was seldom working, and at present the electric current was cut off during daylight hours. It was part of the economy drive in preparation for Hate Week. The flat was seven flights up, and Winston, who was thirty-nine and had a varicose ulcer above his right ankle, went slowly, resting several times on the way. On each landing, opposite the lift-shaft, the poster with the enormous face gazed from the wall. It was one of those pictures which are so contrived that the eyes follow you about when you move. BIG BROTHER IS WATCHING YOU, the caption beneath it ran. Inside the flat a fruity voice was reading out a list of figures which had something to do with the production of pig-iron. The voice came from an oblong metal plaque like a dulled mirror which...
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... James Legge says in his translation of I Ching: Book Of Changes (1996), “The desire to seek answers and to predict the future is as old as civilization itself.” Mankind has always had a desire to know what the future holds. Evidence shows that methods of divination, also known as fortune telling, were used by the ancient Egyptians, Chinese, Babylonians and the Sumerians (who resided in what is now Iraq) as early as six‐thousand years ago. Divination was originally a device of royalty and has often been an essential part of religion and medicine. Significant leaders and royalty often employed priests, doctors, soothsayers and astrologers as advisers and consultants on what the future held. Every civilization has held a belief in at least some type of divination. The point of divination in the ancient world was to ascertain the will of the gods. In fact, divination is so called because it is assumed to be a gift of the divine, a gift from the gods. This gift of obtaining knowledge of the unknown uses a wide range of tools and an enormous variety of techniques, as we will see in this course. No matter which method is used, the most imperative aspect is the interpretation and presentation of what is seen. The general consensus is that divination falls into three categories: interpretation of natural phenomena, (known as augury and includes such things as water, flight of a bird, shape of a flame, cloud formations...
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...Chapter Four Creating my embodied knowing In being a leader Chapter Four connects my learning from experience, the creation of my embodied knowing as a leader, my integration of ideas from the literature on leadership and my support for individuals to develop their capacities as I discover and manage resources to support visions of an improved educational system. I conclude by emphasizing the importance of my knowledge-creation in my professional practice as a Superintendent of Schools and by asking and answering the question: Why is there no simple or even complex answer to “what is educational leadership?” In the rhythm of the work, my efforts are often full of risk, sometimes disastrous, at which point I fall back, renew my energy and with my recognized tenacity, try another route. I will reveal as well how I carry that spirit, that life-affirming energy (Bataille, 1962; Whitehead, 1999) embodied in my whole being with a passion and internal power to effect good. Feminist Barbara Du Bois (1983) writes of "passionate scholarship" as being "science-making, which is rooted in, animated by and expressive of our values" (p. 113) (Belenky, et. al., 1986, p. 141). One of the reasons I can accomplish as much as I do is that the work and the relationships appear to be many and complex but because they are inter-related and connected they provide a synergy that produces results in numbers of seemingly different and unrelated focus areas. I find that as I am supporting...
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...Cinema of France From Wikipedia, the free encyclopedia See also: French comedy films Cinema of France | Gaumont palace in Paris, c.1914 | Number ofscreens | 5,653 (2014)[1] | Main distributors | Twentieth Century Fox(14.6%) Warner Bros. (9.8%) UGC (6.9%)[1] | Produced feature films (2014)[1][2] | Total | 258 | Animated | 9 (3.49%) | Documentary | 37 (14.34%) | Number of admissions (2014)[1][2] | Total | 208.9768 million | National films | 91.26 million (44.4%) | Gross box office (2014)[1][2] | Total | €1.33 billion | National films | €563.01 million (43.1%) | Cinema of France refers to the film industry based in France. The French cinema comprises the art of film and creative movies made within the nation of France or by French filmmakers abroad. France is the birthplace of cinema and was responsible for many of its significant contributions to the art form and the film-making process itself.[3] Several important cinematic movements, including the Nouvelle Vague, began in the country. It is noted for having a particularly strong film industry, due in part to protections afforded by the French government.[3] Apart from its strong and innovative film tradition, France has also been a gathering spot for artists from across Europe and the world. For this reason, French cinema is sometimes intertwined with the cinema of foreign nations. Directors from nations such as Poland (Roman Polanski, Krzysztof Kieślowski, and Andrzej Żuławski), Argentina(Gaspar...
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...Fairclough’s critical discourse analysis (henceforth CDA). CDA focuses on the relation between language use and social reality. It combines three forms of analysis. The first is linguistic analysis of text. It deals with wording, grammar, syntax, cohesion, metaphor, transitivity, and so forth The second deals with discursive practice which is an analysis of the (processes of) production, distribution and consumption of texts. At this stage we look at inter-textuality and inter-discursivity. The third form studies the socio-cognitive effects of discursive practice, in particular, reproduction or transformation of status quo. Definitions of the key concepts are given in the introduction of this book. One of the issues to be dealt with is to what extent iddir can be considered indigenous. The paper is divided into four sections. The first section is a review of several publications on iddir. The second section is an overview of data gathered through field work. The third section contains a critical correlation of theoretical insights gathered through literature review (section one) and empirical insights gathered through fieldwork (section two). The final section contains some conclusions concerning indigenous knowledge and sustainable development. A Journey on the Landscape of ‘Iddir’ This section reviews literature on iddirs in Ethiopia, their origin and development,significance and function, as well as their relation to the government. The literature is vast and diverse, and is...
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