...love jones A Videotape Analysis Paper New Line Cinema’s romantic comedy love jones by Theodore Witcher examines the battle of the sexes by asking (1) whether the third time is, indeed, a charm and (2) can your soulmate of the opposite sex be found, and if so, can the faith, and love between you move mountains? Struggling photographer Nina Mosley (Nia Long) and struggling writer Darius Lovehall (Larenz Tate) have a lot in common, but they aren’t exactly prime candidates for a serious affair. The consummate ladies man, Darius’ silky smooth presentation promises more sell than substance. And Nina’s recently jilted heart isn’t looking for anymore of love’s kind of trouble. love jones begins with Nina and her good girlfriend Josie Nichols (Lisa Nicole Carson) packing up what’s left of Nina’s disappointing relationship. Fearful that the scars left from this failed romance may be too deep for her to heal, Josie takes her to a night-time poetry-slam at the Sanctuary, where she encounters Darius for the first time. The Sanctuary is the local haven where poetry is the prime draw, and a favorite night spot for Darius and his friends Savon Garrison (Isaiah Washington), Eddie Coles (Leonard Roberts), Sheila Downes (Bernadette Clark, and Hollywood (Bill Bellamy). “The romance dies between couples,” we overhear Darius telling his friends from his intellectual set, “because they’ve (people) given up on the possibility of it.” In an awkward introduction at the bar, Nina catches...
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...Perspectives of adult friendships * Importance of friendship in adulthood * Cross-sex friendships * Male vs Female Friendships * Loss and friendship in adulthood * 2. Love relationship * Love * Importance of love relationships * Marriage * Conclusion * Reference List * Introduction The Best Man Holiday is an intriguing piece of art which explores the complexities of various forms of relationships within adulthood. It looks at how friendships can be broken and repaired, aspects of marriage, love and trust. It looks at the tight ropes that get walked within cross-sex friendships and many more aspects of the functioning and importance of relationships in adulthood and ageing. The movie is a sequel to The Best Man and is set within the Christmas season. At this stage many relationships are strained between the individuals who have been the closest of friends since their college days, the strain being a result of events that happened a few years prior. The friends get together at the home of their football star friend, Lance Armstrong, mainly due to the common love and respect they have for his wife Mia; as she is the anchor that keeps them all together. As the movie unfolds, many elements of relationships and their importance are explored, in turn, as I touch on the different themes going forward in this...
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...love that gets in the way of their friendship causes the audience to question the personalities of the two women, who were often referred to as one. In A Midsummer Night’s Dream the introduction of Puck’s love potion alters the balance of love between the four romantics, and turns Hermia and Helena against each other, but ultimately shows that Hermia and Helena essentially are the same. Hermia and Helena’s relationship and personalities change in light of the love potion, but throughout most of their lives they have kept a sister-like friendship. When Helena comes upon Demetrius, Hermia, and Lysander in the woods, and in assuming Hermia has plotted against her, she refers to their friendship that has grown over many years. She refers to “the sisters’ vows, the hours we have spent,” and “all the school-days’ friendship, childhood innocence”(3.2.?). Here it is evident that they are and have been such good friends that they vowed into a sisterhood together. Helena goes on to say that they did everything together and are so much alike that they are practically one person. She says, “As if our hands, our sides, voices and minds,/Had been incorporate. So we grew together,”(3.2?). Helena implies they nearly share the same soul when she says, “with two seeming bodies, but one heart”(3.2.?). There is much evidence to support that Helena and Hermia have been not only friends, but like sisters since their childhood adolescence. Furthermore, that this sisterhood has grown into a bond so strong...
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...Practical Philosophy November 2001 Plato’s theory of Love: Rationality as Passion Lydia Amir 'I … profess to understand nothing but matters of love.' Socrates in Plato’s Symposium. times, when due to their education and to political changes, women earned the right to love and to be loved as equals to men. When one dispels these misunderstandings related to the popular notion of Platonic love, one finds a great richness and depth in Plato’s theory of love. In explaining why love is so important to us and yet why it fails us so often, Plato’s view of love seems applicable to our time. It is common knowledge that a very high rate of divorce threatens our marriages. We expect a lot from the sexual passion we call love, but usually end up disappointed when the romance goes away. Yet we keep getting married, thinking that we are going to be the ones that will beat the system. If we fail, we change our partner and try again. We end up our love life as we began it, confused, afraid and as disappointed as we were hopeful. The malaise that characterises our love lives naturally finds its way to the philosophical consulting room. In this paper I shall attempt to show how Plato’s view of love can be helpful both in dispelling our confusion about love and in proposing some solutions to our suffering. A comprehensive account of Plato’s complex theory of love, an exhaustive presentation of the controversies involved in interpreting it or a thorough discussion of the problems it creates...
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...narrator · The primary narrator is Robert Walton, who, in his letters, quotes Victor Frankenstein’s first-person narrative at length; Victor, in turn, quotes the monster’s first-person narrative; in addition, the lesser characters Elizabeth Lavenza and Alphonse Frankenstein narrate parts of the story through their letters to Victor. climax · The murder of Elizabeth Lavenza on the night of her wedding to Victor Frankenstein in Chapter 23 protagonist · Victor Frankenstein antagonist · Frankenstein’s monster setting (time) · Eighteenth century setting (place) · Geneva; the Swiss Alps; Ingolstadt; England and Scotland; the northern ice point of view · The point of view shifts with the narration, from Robert Walton to Victor Frankenstein to Frankenstein’s monster, then back to Walton, with a few digressions in the form of letters from Elizabeth Lavenza and Alphonse Frankenstein. falling action · After the murder of Elizabeth Lavenza, when Victor Frankenstein chases the monster to the northern ice, is rescued by Robert Walton, narrates his story, and dies tense · Past foreshadowing · Ubiquitous—throughout his narrative, Victor uses words such as “fate” and “omen” to hint at the tragedy that has befallen him; additionally, he occasionally pauses in his recounting to collect himself in the face of frightening memories. tone · Gothic, Romantic, emotional, tragic, fatalistic themes · Dangerous knowledge; sublime nature; texts; secrecy; monstrosity motifs · Passive women; abortion ...
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...good man for he refused to kill Gaston and didn't want to stoop to his level. Gaston: A highly egotistical hunter who vies for Belle's hand in marriage and is determined not to let anyone else win her heart, even if it means killing her true love. He is a big line-ups of good-looking men with deep voices". Gaston is the main villain in the “Beauty and the Beast” movie. He is a sexist, chauvinistic hunter who wants to marry Belle just so he can brag about it and to give him sons that he can mold at his will. Belle sees him as nothing more than a rude, selfish, chauvinist, barbarian-brained lunkhead and sexist man who is unworthy of her time. Lumiere: He was the Beast's chef when the enchantress out the spell on everyone in the castle. Then, he turned into a chandelier. He is a suave, vivacious gentleman. When Belle enters the castle, he helps her and the Beast fall in love. The kind-hearted but rebellious maître d' of the Beast's castle, he has been transformed into a candelabra. He has a habit of disobeying his master's strict rules,...
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...House of the Sleeping Beauties possesses themes of inevitable death, senility versus youth, and nostalgic love. These themes are relevant to Kawabata, who was growing old, experienced heartbreak, and had seen all of his close family die when he was young. Kawabata formulated the plot for House of the Sleeping Beauties by drawing from his personal experience of having withdrawals from sleep medication which caused him to drift between sleep and wakefulness (Haruki 434). Eguchi possesses a multitude of similarities to Kawabata. Emulating Kawabata, Eguchi was elderly, orphaned, and bereft of his lovers. The themes of eroticism and death that permeate the novel, both in its premise and culmination, feign the romantic pursuits of Kawabata’s adulthood and the tragedies of his childhood. Kawabata ends The House of the Sleeping Beauties very abruptly, not providing much resolution to readers, which makes sense if one views the novel as a chronicle of his life. Kawabata’s life had not ended; therefore, there would be no clear ending to the story. Evidently, House of the Sleeping Beauties evidently a manifestation of Kawabata’s internal conflict over age and...
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...to what society expects of them. However, more frequently it is linked to the idea of love and relationships; and in Shakespeare’s “Romeo and Juliet” that is certainly the translation that is examined. Act 2, Scene 2 of the play in question is where the famous “balcony” scene takes place. It is the location where both lovers declare their mutual love for eachother and their desire to commit to eachother. Very quickly Juliet commits to “… follow thee my lord throughout the world”. In short she falls in love with him so entirely that the instantly commits to conforming to the role of a woman that was expected by society in Verona during the Shakespearian era – to become her husband’s “servant”. Of course by 2015 standards that would seem awful to most people, however, in the 15th century this was very much the accepted view. Juliet refers to Romeo as her “lord” for his duty to her once married was to provide for her, and offer her the security that her father’s wealth did not as women were unable to inherit their father’s estate. In return married women were expected to be grateful for the opportunity of marriage and were required to show this by baring her husband’s children (heirs), maintaining the home her husband provided her with, and to obey her husband’s every decision or request. Up until this point however, Juliet seemed to reject this convention. Earlier on in the play when her mother had asked her if she had ever thought of marriage she had replied “it is an honour I...
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...The sonnet tradition A sonnet is a form of poem written in an iambic pentameter, meaning it has 14 lines with three quatrains (4 lines rhyming ABAB) and a couplet (2 lines rhyming AA). The sonnets originated from an Italian poet called Fransesco Petrarca, who wrote love poems, later known as sonnets, to a woman he called Laura in the 1300s. After the woman’s death the poems were published, and, with their huge popularity, writing a sonnet became a way of declaring your love to unattainable women. The sonnets were always themed around about unrequited love and despair. The concept of the sonnets spread quickly around Italy and France but waited to be taken up by the Englishmen until the 1500s. Sir Thomas Wyatt started translating some of Petracra’s sonnets into English, thereby making them readable for the people of Britain. Wyatt wrote his own sonnets as well and he added a new theme as a contrast to the formerly known one, a theme in which the writer wants to break free of the love that enslaves him. The English poet Henry Howard took up writing sonnets as well, and he added male friendship as another theme to write a sonnet about. He also came up with the iambic pentameter, which later became the official structure of a sonnet. Even though these two poets made sonnets and published them together, the sonnet tradition didn’t gain much popularity amongst the people until the 1590s. Writing sonnets suddenly became a trend and loads of authors jumped on the wagon. Sir Philip...
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...instead getting stuck in a provincial town where nothing ever happens and trying and failing at a domestic life. This leads to a hot-and-cold emotional affair with a young law student named Leon, followed by a much more serious affair with a major womanizer named Rodolphe. An unceremonial dumping by Rodolphe after she offers to leave her husband for him and bring her daughter along leads to a short period again in her life as a pious born-again Christian. A reacquaintance with Leon, the now successful young urban lawyer, leads her to embark on a sexually explicit affair. Meanwhile, Emma, given over to vanity, purchases increasing amounts of luxury items on credit from the crafty merchant, Lheureux, and crushing levels of debts mount quickly. When Lheureux calls in Bovary's debt, Emma pleads for money from several people, including Léon and Rodolphe, only to be turned down. In despair, she swallows...
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...Introduction Many literary critics consider Mary Shelley's Frankenstein as one of the most impressive and imaginative Gothic horror novels of all times. In the novel, Shelley managed to create one of the most phenomenal creatures in literary history: Frankenstein monster. The epistolary style that the author employs allows the reader to view the circumstances from varied viewpoints and draw conclusions from the plot and the characters. The book The plot has a variety of story-lines rolled into one. The main however is about a Doctor Victor Frankenstein who though born to a well-to-do and loving family, is over- ambitious and thirsts to prove himself. After achieving excelling academically, he designs a technique of creating life from a fusion of inanimate objects, dead bodies an animal parts. The doctor is not satisfied with achieving conventional feats but is determined to create a living being. It is this ambition that leads to the creation after years of painstaking work. It is this creation that leads to Victor's downfall. The creation is 8 feat tall and due to the use of human parts that do not march his massive size, is hideous. He is described as having watery yellow eyes, a withered, yellowish, translucent skin which barely conceals his muscular system and blood vessels. The only good aspects of his appearance are his perfect, white teeth, long black hair and his black lips. The doctor, who had hoped to create a beautiful being is shocked by his creation...
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...man does, indeed, discover the difference is what sets him off into emotional collapse. One of the main similarities between the two stories is the fact that the main character, who is also the protagonist, has built up incredible,yet unrealistic, expectations of women, having focused upon one in particular towards which he places all his unrequited affection. The expectation these men hold when finally "face to face with their object of worship" (Wells, 1993, p. 127) is what sends the final and crushing blow of reality: The rejection they suffer is far too great for them to bear. Updike is famous for taking other author's works and twisting them so that they reflect a more contemporary flavor. While the story remains the same, the climate is singular only to Updike. This is the reason why there are similarities as well as deviations from Joyce's original piece. Plot, theme and detail are three of the most resembling aspects of the two stories over all other literary components; characteristic of both writers' works, each rendition offers its own unique perspective upon the young man's romantic infatuation. Not only are descriptive phrases shared by both stories, but parallels occur with each ending, as well (Doloff 113). What is even more telling of Updike's imitation of Joyce's Araby is the fact that the A & P title is hauntingly close in pronunciation to the original story's title. The theme of A & P and Araby are so close to each other that the subtle differences might be somewhat...
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...e! ! Jealousy!in!Close!Relationships!Among!Emerging!Adults! by! Katrina!Poetzl!Blomquist! Department!of!Psychology!and!Neuroscience! Duke!University! ! Date:_______________________! Approved:! ! ___________________________! Martha!Putallaz,!Supervisor! ! ___________________________! James!Moody! ! ___________________________! Philip!Costanzo! ! ___________________________! John!Curry! ! ! ! Dissertation!submitted!in!partial!fulfillment!of! the!requirements!for!the!degree!of!Doctor! of!Philosophy!in!the!Department!of! Psychology!and!Neuroscience!in!the!Graduate!School! of!Duke!University! ! 2014! ! ! ! ! ABSTRACT! Jealousy!in!Close!Relationships!Among!Emerging!Adults! by! Katrina!Poetzl!Blomquist! Department!of!Psychology!and!Neuroscience! Duke!University! ! Date:_______________________! Approved:! ! ___________________________! Martha!Putallaz,!Supervisor! ! ___________________________! James!Moody! ! ___________________________! Philip!Costanzo! ! ___________________________! John!Curry! ! An!abstract!of!a!dissertation!submitted!in!partial! fulfillment!of!the!requirements!for!the!degree! of!Doctor!of!Philosophy!in!the!Department!of! Psychology!and!Neuroscience!in!the!Graduate!School!of! Duke!University! ! 2014! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Copyright!by! Katrina!Poetzl!Blomquist! 2014! ! ! ! Abstract ...
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...to define what I thought of my own body, and now I realize that no matter how thin you are, no matter how beautiful you are, someone will always call you ugly because it is impossible to please the world.” (Demi Lovato, 2014). In today’s society young women are constantly struggling mentally, physically and psychologically with accepting their own bodies. According to the Gale Encyclopedia of Mental Disorders (2003), this trend started since the Renaissance period where self-starvation was practiced for religious purposes, however due to the growing influence of the Media, eating disorders have become more popular in the twentieth century and as a result the death rate has climbed horrifyingly (Frey, 2003). The Media has a heavy influence on how young women in the United States view and modify their bodies to achieve a perfect body type, however this ideology can lead to negative outcomes such as; low self-esteem, body dissatisfaction and eating disorders, as well as affect other spheres of life. In examining the role of the Media and the negative effects it has on an individual one can clearly see that the issue have gotten to the point where young women live a life where they are mentally tormented and pressured to achieve one body type. Media attacks the subconscious mind and imprint false images of beauty which in turn leads to downward social comparison and allows young women to feel insecure in their own skin which leads them to a web of negative thoughts and feelings about...
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...Stanza 1 Summary Get out the microscope, because we’re going through this poem line-by-line. Line 1 I am silver and exact. I have no preconceptions. While "Sylvia" might sound a little bit like silver, we're pretty sure from this first-person declaration that Plath isn't the speaker in this poem. Instead, we have to think back to the title: what is silver and exact? Well, a mirror! We know mirrors don't talk – but that just makes us more curious about what this mirror is going to say. We know from looking at them that mirrors are silver and give an exact reflection of what is in front of them. The second part of the line is not so simple. This mirror is telling us it has no preconceptions. The mirror doesn't change what it shows you based on it's understanding of who you are, or whether you're having a bad day or a good day – it just shows what it sees. So, while this mirror may be personified in the poem, it doesn't, like most people, let what it has seen before affect what it does in the present. Line 2 Whatever I see, I swallow immediately. Now the personification becomes a little weirder. We can imagine a person who is exact, who has no preconceptions, but a person who swallows everything he sees – now that's a stretch. To figure out this line, it helps to think of what mirrors do to everything they see – they reflect it. Swallowing everything, then, is a metaphor for reflecting everything. The substitution of "swallowing" for "reflecting" makes this...
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