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White In Hamlet

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Thesis: The ability to convey emotion is more restricted to the actor’s performance in the black and white representations of Hamlet.
Characters in black and white have to act remarkable because they do not have colour to rely on; to make their performance look better. Black and white enhances the impact of violence and the opposition of good and evil. In Sir Lawrence Olivier’s adaptation of Hamlet, the scene is shot in black and white. He does not have colour, so he acts in a way which conveys the message and displays Hamlet’s internal struggle. His soliloquy includes many uses of props; he has a knife pointing at him which represents his suicidal thoughts. The waves symbolize his re-occurring suicidal and conflicting thoughts. The rock indicates …show more content…
Branagh’s adaptation takes place at the Elsinore Castle which is colourful, clean and polished. He has a clean and perfectly groomed mustache which indicates that he is pristine and determined. He does not show as much as facial expressions and change of tones as Olivier and Burton do because he has the ability to depend on on colour. He uses one consistent whispering tone and has a knife which he is pointing towards his reflection in the mirror. Claudius and Polonius are on the other side of the mirror and this indicates that he is threatening Claudius. In Branagh’s version he is not the main focus because there is Claudius and Polonius on the other side and there is a lot of colour present. His version does not make the viewer use their imagination because everything is already there to see. There is no mystery or shadows present in his adaptation because the colour strips it all away, black and white allows to highlight key scenes. When Branagh’s Hamlet comes to realization there is no change of mood and tone, he is very consistent and steady, where as in Sir Lawrence Olivier’s and Richard Burton’s adaptation’ s almost everything

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