...than the rest of the people around them, then they suddenly lose that mentality, who is it to blame for their downfall? It could be a number of different instances, including internal and external influences. Internal influences would include their own thoughts and thought processes and external influences would include other people’s influence. Internal influences are the major ones here for they cannot be dealt with easily as the person is the only one who can fix it. While with external influences can just be ignored, internal cannot be ignored. In the play Macbeth by William Shakespeare, the downfall of Macbeth includes external influences by his wife, the witches, and internal influences from himself....
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...Macbeth: A Tragic Hero? William Shakespeare's tragedy, Macbeth, attains a protagonist that evidently portrays himself as a tragic hero. A tragic hero is a character that is not completely good or evil and has a tragic flaw that eventually leads to his downfall. Macbeth is the epitome of a tragic hero because he starts off as a noble man until his own actions, also influenced by others, bring him to his own death. The events that help take Macbeth to his end are the prophecies told to him by the three witches, Lady Macbeth's pressure that drives him into committing horrible actions, and his own ambition that takes over him and leaves him as nothing but a power and money hungry character. Macbeth starts off with Macbeth and Banquo being praised after battling bravely in a war against the Irish Invaders. “At the beginning of the play, he seems the epitome of a loyal subject, valiantly fighting the rebel forces to protect the king and preserve his power.” (Elaine Pilkington 1) King Duncan believed that Macbeth was tremendously heroic in the battle and decided to name him the new thane of Cawdor after executing the old one because of his betrayal. However, before hearing from the King, Macbeth and Banquo were on their way to the King's court when they were suddenly accompanied by three witches.The witches greet Macbeth as the thane of Glamis, which was his original and only title, and as the thane of Cawdor, which Macbeth was not yet informed of. The witches also tell Macbeth...
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...tragic downfall of a Scottish lord who committed multiple murders. Macbeth, the protagonist of the play, killed numerous people to get what he wanted; however some of the murders were unavoidable. Although some of the murders were unavoidable, Macbeth is still guilty for the wrongful murders of Banquo and the Macduff family. He killed his fellow countrymen for power, which is unacceptable in any circumstances, but in Duncan’s case Macbeth was pressured by others to commit the deed. Macbeth is personally responsible for the death of Banquo, but he is not responsible for Duncan’s and the Macduff family’s deaths. To begin with, Macbeth is not responsible for Duncan’s death as Macbeth was pressured to kill him. Lady Macbeth, Macbeth’s wife, pressured him into killing Duncan. Macbeth is innocent in this murder as he was being emasculated and used by his own wife. The guilt should be on Lady Macbeth as it was her that told Macbeth to kill Duncan. Lady Macbeth. Was the hope drunk/...
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...This essay will prove that Macbeth is an evil man and was not overpowered by ambition to get what he wanted. This essay will also determine that certain characters like the witches did not force him to do evil; they simply triggered it. In the beginning of the play, Macbeth is shown as a hero in the Scottish army that is ironic because Macbeth has defeated a traitor and he will become one. We feel that a person of his loyalty could never commit evil unless he had a good reason or if he would be provoked. After Macbeth's first meeting with the witches, we learn from his aside that he has thought about killing Duncan " My thought, whose murder yet is but fantastical" 1(Macbeth 1.3.152). Macbeth also says " If chance will have me king, why, chance may crown me without my stir." 2(Macbeth 1.4.157-159) which means that maybe he does not have to murder the king to gain that title. Luck has been very generous to him and might continue and make him king. Macbeth's true evil thoughts about being king are first shown when he finds out that king Duncan has named his son Malcolm as Prince of Cumberland. He now shows his evil and his true feelings. " Stars, hide your fires; Let not night see my black and deep desires. The eye wink at the hand; yet let that be Which the eye fears, when it is done, to see." 3(Macbeth 1.4.57-60) Macbeth is actually seeking help from the dark and supernatural. Macbeth is saying that he does not want to see the evil that he...
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...William Shakespeare’s play, Macbeth, takes place in 11th century Scotland, and has its own portrayal of that society. Although it may not be entirely accurate, the society that Shakespeare develops has distinctive gender roles and societal expectations for each gender. In this society lives Macbeth, a military nobleman trusted by the king who eventually becomes king himself, but through a murder encouraged by his wife, Lady Macbeth. His reign is tainted with inhumane acts such as murdering the family of his former friends, and hiring assassins to kill one of his friends. At the conclusion of the play, Lady Macbeth dies from unknown causes, Macbeth is murdered by Macduff, another nobleman, and Scotland rejoices because Macbeth’s reign of terror...
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...Lady Macbeth can be seen as the dominant half in the relationship between Macbeth and his lady, often convincing, persuading and willing Macbeth to do her bidding. Lady Macbeth can even be seen as a tragic heroine, a term made famous by Shakespeare’s numerous tragedies. However, just like all tragic heroes, Lady Macbeth’s hamartia or tragic flaw would lead to her demise. In exploring the character that is Lady Macbeth, we can see many flaws in her character such as greed, ambition, dishonestly and manipulative to name a few. A tragic flaw, as defined by Merriem-Webster dictionary, is a flaw in character that brings about the downfall of a hero in a tragedy. Lady Macbeth’s greed for power coupled with her moral righteousness led to her demise. This is evident after first, persuading Macbeth to kill the king in order for her to become Queen, second, planning Kind Duncan’s death to the minute detail, and third, being flooded with guilt and blame afterwards leading to her suicide. After Macbeth’s confrontation with the three witches who said that Macbeth will be named Thane of Crawdor and eventually become King of Scotland, the audience got a first glimpse of Macbeth’s ambition. Once shared with Lady Macbeth, she states he is too full of “th’ milk of human kindness” meaning he is too soft to become king (1.5.15). She quickly realizes in order for Macbeth to become King and she to be Queen she has to persuade Macbeth to kill King Duncan. Her ambition stretches so far that she says...
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...Deceit A typical characteristic one can observe in many of Shakespeare’s plays is how people deceive one another, so their own personal desires can be met. “Hamlet, Prince of Denmark,” “The Tragedy of Orthello, the Moor of Venice,” and “Macbeth” all consist of characters that are not what they appear to be. In the plays Claudius, Iago, and Macbeth present to the public a wholesome image; however, each of them possess a hidden agenda that creates chaos in the plays which one can observe through their spoken lines and their influences. These three characters are antagonists who cause demise in their respective plays. These villains are willing to fight for what they want, even if the death and destruction total is high. Claudius, Iago, and Macbeth will not be undermined at all. These plays illustrate how much planning and work takes place when they plan their attacks against those who are oblivious to their deceit. Shakespeare’s evil doers are not simple people. Claudius’s character in “Hamlet” epitomizes what extent people go to, so their plans work as they intend. For example, King Claudius’s speech to the council and a few other people in Act I, scene ii seems to be a normal speech one would give after the death of a ruler to rally everyone together. He says, “To bear our hearts in grief, and our whole kingdom/ To be contracted in one brow of woe,/ Yet so far hath discretion fought with nature/ That we with wisest sorrow think on him/ Together with remembrance...
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...Macbeth Essay – Is Lady Macbeth more responsible than Macbeth for the murder of King Duncan? Is Lady Macbeth a more evil character than her husband? Why? Macbeth is a play that was written by William Shakespeare in 1606. The story is basically revolves around a prophecies that was told to Macbeth, which in hearing the prophecies sparks Macbeth’s ambitions, which lead him on a path that would inevitably lead to his downfall. Lady Macbeth and Macbeth himself share responsibility for the murder of King Duncan. Even though Macbeth was the one to actually end his life Lady Macbeth is as much to blame as he is. Her responsibility is shown through her manipulating and influencing him. Lady Macbeth’s character is shown throughout the play with her ambition, slyness and control over Macbeth, it shows over the course of the play that though Macbeth’s ambitions are great hers are much greater. Her ambition is so extreme that she would even go as far as to cast her femininity away: “Come, you spirits That tend on mortal thoughts, unsex me here, And fill me from the crown to the toe top-full Of direst cruelty! make thick my blood; Stop up the access and passage to remorse, That no compunctious visitings of nature Shake my fell purpose, nor keep peace between The effect and it! Come to my woman's breasts, And take my milk for gall” Lady Macbeth believes that ‘remorse’ is a factor in her femininity of which she must rid herself of if she wished to continue. She also must...
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...The king hears of Macbeth’s victory and decides to give him the title of thane of Cawdor. - Scene 3 + 4 The witches meet Macbeth and Banquo on a heath and give them a prediction of the future. They predict that Macbeth will become Thane of Glamis (his current title at the time of meeting with the witches), Thane of Cawdor, and eventually King. For Banquo, the witches say he will be lesser and greater than Macbeth, not as fortunate, but happier, and his sons will be king. Macbeth inquires more, but the witches dismiss him. Macbeth can’t believe that it comes true when he becomes Thane of Cawdor, and wants to become King but Malcolm, the prince of Cumberland, stands in his way. - Scene 5, 6 + 7 Macbeth sends a letter to his wife, Lady Macbeth, and after she reads it, she fears that his nature “is too full of the milk of human kindness.” She believes that Macbeth will not take the actions necessary to become King without her help. She plans on killing Duncan that very night and tells Macbeth to “look like the innocent flower, but be the serpent under it”. When Macbeth becomes reluctant, Lady Macbeth persuades him by questioning his manhood, saying that she would go to extents such as bashing her own child’s brains out if it meant Macbeth would become king. She tells Macbeth that he needs more courage. The plan that they come to is that they will drug the King’s guards, kill Duncan in his sleep, and then frame the guards. Act 2 - Scene 1 Banquo enters Macbeth’s castle with his...
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...ambition get the best of him, and that became the fault for his downfall. What started out as a good hearted loyal soldier, became a man who let his greed get the better of his morals and values, soon he lost his sense of purpose and became a bloodthirsty king, with the help of his wife and her encouragement throughout the beginning of the play. When Macbeth and Banquo left the battle, they came across three witches in a bleak place near the battlefield. The...
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...The role of women in Shakespearean plays In order to proceed in exploring the women’s role in Shakespearean plays, one should consider first the social context to which they belong, i.e. the Elizabethan society, as well as the theme and the plot in which they appear. Despite the power of Elisabeth I, women during this time had very little authority, autonomy, or recognition. Women gained their status based on the position of either their father or their husband. Even more restricting than economic rights were the social and political rights of women. They were expected to be silent observers, submissive to their husbands. Women who attempted to assert their views were seen as a threat to social order. This is significant in that the maintenance of social order was an extremely important aspect of Elizabethan society. Shakespeare is highly sensitive to his target audience in every step of the writing process. He actively plays upon the beliefs and fears of the Elizabethans. With characters such as Goneril and Cleopatra, Shakespeare demonstrates the devastating effects of female rebellion against social order. Shakespeare invokes sympathy in the audience by creating characters of extreme feminine virtue such as Cordelia, Miranda. However, Shakespeare often creates ambiguous emotions in the audience by introducing an element of intelligence and boldness in the case of Isabella and Desdemona. Despite the relative insignificance of women in Elisabethan social order, Shakespeare...
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...Who was William Shakespeare? Shakespeare is William Shakespeare, one of the English-speaking world's greatest playwrights and poets, who possessed a great knowledge of human nature and transformed the English theatre. Yet many facts of his life remain a mystery. Some have been acquired from painstaking looks at the records of the time, so that this summary is based on generally agreed facts. It has been said that we only know three things about Shakespeare: that he was born, married and died. He was baptised on April 26, 1564; we do not know his birth date, but many scholars believe it was April 23, 1564. His father was John Shakespeare (who was a glover and leather merchant) and his mother Mary Arden (who was a landed local heiress). John had a remarkable run of success as a merchant, alderman, and high bailiff of Stratford, during William's early childhood. His fortunes declined, however, in the late 1570s. William lived for most of his early life in Stratford-upon-Avon. We do not know exactly when he went to London but he is said to have arrived in 1592. There is great conjecture about Shakespeare's childhood years, especially regarding his education. It is surmised by scholars that Shakespeare attended the free grammar school in Stratford, which at the time had a reputation to rival that of Eton. While there are no records extant to prove this claim, Shakespeare's knowledge of Latin and Classical Greek would tend to support this theory. In addition, Shakespeare's...
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...Reading the Novel in English 1950–2000 i RTNA01 1 13/6/05, 5:28 PM READING THE NOVEL General Editor: Daniel R. Schwarz The aim of this series is to provide practical introductions to reading the novel in both the British and Irish, and the American traditions. Published Reading the Modern British and Irish Novel 1890–1930 Reading the Novel in English 1950–2000 Daniel R. Schwarz Brian W. Shaffer Forthcoming Reading the Eighteenth-Century Novel Paula R. Backscheider Reading the Nineteenth-Century Novel Harry E. Shaw and Alison Case Reading the American Novel 1780–1865 Shirley Samuels Reading the American Novel 1865–1914 G. R. Thompson Reading the Twentieth-Century American Novel James Phelan ii RTNA01 2 13/6/05, 5:28 PM Reading the Novel in English 1950–2000 Brian W. Shaffer iii RTNA01 3 13/6/05, 5:28 PM © 2006 by Brian W. Shaffer BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Brian W. Shaffer to be identified as the Author of this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and...
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...Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Bloom's Classic Critical Views alfred, lord Tennyson Benjamin Franklin The Brontës Charles Dickens edgar allan poe Geoffrey Chaucer George eliot George Gordon, lord Byron henry David Thoreau herman melville Jane austen John Donne and the metaphysical poets John milton Jonathan Swift mark Twain mary Shelley Nathaniel hawthorne Oscar Wilde percy Shelley ralph Waldo emerson robert Browning Samuel Taylor Coleridge Stephen Crane Walt Whitman William Blake William Shakespeare William Wordsworth Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Edited and with an Introduction by Sterling professor of the humanities Yale University harold Bloom Bloom’s Classic Critical Views: William Shakespeare Copyright © 2010 Infobase Publishing Introduction © 2010 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data William Shakespeare / edited and with an introduction by Harold Bloom : Neil Heims, volume editor. p. cm. — (Bloom’s classic critical views) Includes bibliographical references...
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...LOVE, ROSIE R Also by Cecelia Ahern PS, I Love You LOVE, ROSIE R Cecelia Ahern new york Copyright © 2005 Cecelia Ahern All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without the written permission of the Publisher. For information address Hyperion, 77 West 66th Street, New York, New York 10023-6298. Hyperion books are available for special promotions and premiums. For details contact Michael Rentas, Manager, Inventory and Premium Sales, Hyperion, 77 West 66th Street, 11th floor, New York, New York 10023, or call 212-456-0133. ISBN: 1-4013-8302-5 First eBook Edition: February 2005 For Mimmie, the dearest of them all . . . LOVE, ROSIE R part 1 8 chapter 1 k To Alex You are invited to my 7th birthday party on Tuesday the 8th of April in my house. We are having a magician and you can come to my house at 2 o’clock. It is over at 5 o’clock. I hope you will come, From your best friend Rosie To Rosie Yes I will come to your brithday party on Wensday. Form Alex To Alex My birthday party is on Tuesday not Wednesday. You can’t bring sandy to the party because mum says so. She is a smelly dog. From Rosie To Rosie I do not care wot your stupid mum says sandy wants to come. Form Alex 4 Cecelia Ahern To Alex My mum is not stupid you are. You are not aloud to bring the dog. She will brust the baloons. From Rosie To Rosie Then I am not going. Form Alex To Alex ...
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