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Wide Sargasso Sea

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Post-colonial Fiction Essay Assignment 2012
Topic: How does Wide Sargasso Sea revise or alter the way one reads Jane Eyre? Your answer should include reference to contrasting narrative techniques employed by the two authors.
Jane Eyre, written in 1847 by Charlotte Bronte, and Wide Sargasso Sea, written in 1966 by Jean Rhys, are two different novels, written in different eras and different backgrounds, thus are strongly related. In general terms, Wide Sargasso Sea can be considered to be a modernist revision of Charlotte Bronte’s Jane Eyre; it acts as its sequence. “Bertha” in Jane Eyre is “Antoinette” in Wide Sargasso Sea. However, after reading both novels, we perceive them in a completely different way, as the mainly the character of Bertha-Antoinette is dramatically shifted and is given a previously unheard voice.
Wide Sargasso Sea acts like a polyphonic novel in contrast with Jane Eyre which functions as a monophonic one. It is a post-colonial modernist narrative, in where we get a post-colonial point of view. It breaks all voices and perspectives together in which Antoinette has the role of a 19th century heroine in colonial Era. In effect, Wide Sargasso Sea challenges the point of view which we perceive from Jane Eyre since there is a different point of view than in Bronte’s novel.
Briefly, Rhys' novel is a retelling of Bronte’s novel where Rhys particularly pays attention to the negative effects that the culture of the Caribbean went through, due to the European colonization. Actually, Post-colonial writing revises European historical details, by giving accounts using different perspectives of the colonized peoples. In this novel specifically, Rhys manages to give voice to the previous Bronte’s Creole madwoman, now known as Antoinette. By imagining Antoinette's history before being locked in the attic, a terrible fate that Bronte led her to, Rhys questions the racially pejorative characterization of her literary ancestor and accuses colonialism. On top of this, Antoinette's anonymous English husband (Brontë's Rochester) represents the powerful colonizer.
Jean Rhys wished to alter the way someone saw Bertha in Bronte’s novel; he wanted to rename her, give her a name and a unique identity which lacked in Jane Eyre. Bronte creates a character which is rarely referenced in the novel and when it is in some parts of the novel, it is given a negative image. Jane Eyre is characterized from its title page as an “Autobiography”. Throughout the whole narrative, Jane is the only narrator and we perceive and witness situation, in the way that she wants us to. We see things from her single point of view, subjectively, unable to read other people’s lives or learn their way of thinking. The reader somehow feels enclosed or imprisoned in the narrator’s world. We get to know Bertha as the “madwoman in the attic”. A minor, two-dimensional, gothic caricature, a half-Creole and half-English woman, raised in Jamaica and who Mr. Rochester locked her for ages in the attic, claiming her madness. Unfortunately, the reader only has the chance to get to know Bertha, through Rochester’s and Jane’s voice as they are the ones who give information about her. Bertha is a voiceless woman and the reader cannot judge or decide if all the things he learns about her are valid without knowing her side of the story.
Characteristically, in Bronte’s novel we get Bertha’s image through Mr. Rochester words: “This is my wife. Your sister, Mason. Look at her. She is mad! So was her mother. So was her grandmother. Three generations of violent lunacy. I wasn't told about that, was I, Mason? All I was told about was that my father had made a suitable match, one that would prop up his dwindling fortune and give your family the Rochester name! I did what I was TOLD! And Bertha was kept away from me, until the wedding was cleverly done. Everyone got what they wanted... except me. Even she is better off here than she would be in a lunatic asylum, but I have spent the last fifteen years in TORMENT!”(Bronte, 337). This passage indicates that Bertha’s madness led to Rochester’s misery all those years.
On the contrary in Rhys’ novel there is a passage in which Christophine and Rochester have a conversation and Christophine says to Rochester: “Richard Mason is no brother to her. You think you fool me? You want her money but you don’t want her. It is in your mind to pretend she is mad. I know it. The doctors say what you tell them to say.” (Rhys, 132). Characteristically, here we get an image of reality, as Christophine reveals Rochester’s authentic intentions to Antoinette: he got married to her for her money, and he thought her to be a mad woman, leading her to a real madness therefore.
The two authors use contrastive narrative techniques to structure and form their novels. In both novels, by the first person narration the reader shares the narrator’s experience and identifies more straightforwardly with the character. Jane Eyre uses a single first person narrator, Jane, which is the only character who narrates throughout the whole novel and therefore Bertha is not in position to express her thoughts about the story. In the contrary, Wide Sargasso Sea alternates the first person narration either with Antoinette or Mr. Rochester and we get the perspective of Grace in some parts. However, Rhys correctly chose to use multiple narration in order for the reader to perceive things not for a single perspective and finally to read directly to Antoinette’s thoughts and feelings. Rhys changes the perspective on Jane Eyre by expressing the viewpoints of the different characters and approaches differently the first-person narrative technique previously used by Bronte.
Although in Jane Eyre Bertha has no identity and no power whatsoever, we see that Wide Sargasso Sea is kindly as a “rebellion” of Bertha, in which Bertha, now known as Antoinette has a shaped personality and character. Antoinette in Wide Sargasso Sea is the renamed Bertha where she is the central heroine; a three-dimensional individual, with a life and a personality. In Jane Eyre, Bertha is described by Jane as a mad entity, a terrifying stereotype and a dangerous madwoman who is given no voice and worth. She is marginalized by everyone throughout the whole narrative, whereas everybody alienates and avoids her, as they face her as a wild beast. Wide Sargasso Sea presents an alternative view of Bertha, a woman who finally has voice to tell her story and is portrayed as a character with intense feelings and an interesting and fascinating life story. Rhys chose to convey to the readers a woman who despite her inferior position in Jane Eyre becomes a rebel who in contrast with her personality in Jane Eyre, has power and worth.
Concluding, one can realize that regardless the different eras and different backgrounds which both novels were written; they have common aspects and can be compared. Rhys correctly chose to rewrite a sequence of Jane Eyre, as the reader finally gets Antoinette’s perspective which could not accomplish in Bronte’s novel. Therefore, after someone reads Rhys’ narrative, he/she forms a completely different idea about Antoinette’s character and personality.

Works-cited * Bronte, Charlotte. Jane Eyre. Ed. Stevie Davies. England: Penguin Classics, 2006. * Rhys, Jean. Wide Sargasso Sea. England: Penguin Classics, 2000. * Trish M.”Bertha' in Charlotte Bronte’s 'Jane Eyre' and Jean Rhys’s 'Wide Sargasso Sea' - Comparison and Analysis”. Hubpages, inc. 2 April 2012. <http://trish-m.hubpages.com/hub/Bertha-in-Jane-Eyre-and-Wide-Sargasso-Sea>.

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