...Through pushing away from the feminine and seeing marriage as a trap, Frederica and women can continue her journey and her education through traveling and moving through her hardships and finding success within herself. In Still Life, the heroine Frederica learns that she will be going to college at the University of Cambridge and traveling to France before the start her semester. While this is a continuation of the rejection of the feminine, it is also the beginning of hardships. Hardships according to Murdock the part of the journey that the heroine realizes that it is not easy to become equal in societies eyes. She will constantly battle the stereotypes of females and with each success she becomes stronger in her own character. As she...
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...with victories and a sense of self accomplishments. Motivation and determination seem to be the driven force that compels individuals to continue throughout this journey called life. In the short story titled, “A Worn Path”, the author Eudora Welty, creatively incorporates the use of theme and symbolism to effectively layout a storyline that depicts the path of life of an elderly black woman. In the short story, “A Worn Path”, the author uses symbolic language and theme to identify the conflicts, struggles, self-scarifies and determination that one must face throughout the journey of life. The use of this symbolic language allows the major themes of sacrificial love in the face of hardship and death to be easily identified throughout the story. ” A Worn Path” passes far beyond it’s time capsule and remarkable fusion a number of different elements which incorporate myths, legend, and religious undertones which provide the story with a universally understanding of life and the struggles and accomplishments individuals must face on this journey called life (Moberly, 2005). Throughout the short story, titled, “A Worn Path”, the author invokes language symbolism to create a storyline that captures the reader’s imagination and creates a simplistic approach to revealing the true paradox. In the booked titled, “Journey into Literature”, symbol is defined as something that has a literal identity, but also stands for something else-something that is widely understood and has been...
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...British-American writer Henry James. This “New Woman” moved away from the stereotypical woman during the Victorian era. The “New Woman” was educated, intelligent, and independent (Melani). One novel that represents these two types of women is Bram Stoker’s Dracula. The two female characters in the novel are Mina Murray Harker and Lucy Westenra. Both Mina and Lucy represent the typical woman in the Victorian era. For example, the Victorian women were portrayed as an innocent person. Lucy appears in...
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...primarily revolves around the lives of Gilgamesh and Enkidu. Throughout their journeys and adventures, they encounter female characters who significantly transform Gilgamesh’s and Enkidu’s lives. The females in this epic, especially Aruru, Shamhat, Ishtar, and Utnapishtim’s wife, influence Gilgamesh and Enkidu through power, annihilation, and sensuality. Aruru, the creation goddess, plays an extremely crucial role despite her brief appearance because she creates Enkidu out of clay to stop Gilgamesh’s behavior in Uruk. From this action, Aruru portrays a powerful role that all women have by possessing the ability to create new life on Earth. Although women are seen as merely servants to men in ancient society, the Epic of Gilgamesh emphasizes the importance and value of females through Aruru creating a new being, Enkidu. After Enkidu’s creation, he meets Shamhat, a temple prostitute, who transforms Enkidu’s life dramatically. She plays one of the most important roles in the epic because she has sex with Enkidu for seven days. As a result, he loses innocence, gains knowledge, and becomes civilized like a real man. From this situation, the story indicates that women possess the ability and power to influence a significant change in males. In addition, there seems to be a unique relationship between men and women. The consequence of Enkidu’s encounter with Shamhat hints that the interaction of men and women results in men cutting ties with nature, since Enkidu changes from wild animal...
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...Kendra Perkins Matt Fox Eng 112 14 December 2011 The Odyssey: Comparison of Genders in Greek Mythology The Odyssey by Homer may be seen by many as a heroic story of a man on his journey home; however, there is an underlying story of the trials in the roles of men and women and the relationships between them. Men and women are portrayed differently in Greece, as in other societies. Men are considered to be the more powerful of the two and are responsible for the protection of their home. Women, on the other hand, are thought to care for the children and are also responsible for the supervision of both the interior and exterior of the home while the men are away. As a man, Odysseus showed great leadership in the war at Troy and was considered the hero at the Trojan War. His wife Penelope, on the other hand, exemplified the role of a woman and leadership in her daily duties of caring for the home and all of their possessions within. In her attempts to do so, she was overcome by suitors and was unable to stop them from partaking of all of their meat and drinks. This essay will explain the underlying roles of men and women in ancient Greece as well as modern day. The beginning of the novel takes place in Ithaka at the home of Odysseus. Suitors have overrun his home in the pursuit of marrying his “widow” Penelope. Telemakhos, son of Odysseus, felt it was a shame that these men would come into their home and eat and drink their house empty. Athena, daughter of Zeus, came to Telemakhos...
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...Hero’s Journey Perspective The Heroine’s Journey: How Campbell’s Model Doesn’t Fit article proves to be the strongest argument by providing the readers with a modern perspective regarding the lack of progression the original Hero’s Journey consists of. To begin, the Hero’s Journey is undoubtedly, really outdated. Campbell’s study was established during a sexist time period where women were objects living in specific gender roles, women were settling for lifestyles less than ordinary. In fact, this is unconsciously reinforcing sexism into our brains today because genders are keeping within their roles; we aren’t learning from history but rather repeating it. With a society undergoing serious social transformations, the author reminds...
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...Essay #1 09 March 2016 Ambiguous Roles Throughout centuries women have tried to be equal to men, from their position in the workplace to voting rights, women have struggled to obtain the power that men withhold. In the ancient society, many would say that women had no power, but after reading The Epic of Gilgamesh and The Odyssey it revealed that the role of women is actually very diverse. In some readings, women play little to no role at all, but in others, women demonstrate their power and play vital roles. During this era, women endured many difficulties which had ultimately shaped them into a submissive figure. While women were not the most influential gods, nor the strongest or intelligent humans,...
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...Throughout Homer’s The Odyssey, Odysseus meets many women along the path he takes to make it back home. The women in the Odyssey are all unique and serve a different purpose in Odysseus’ life. Their individual personalities introduce new experiences to better equip Odysseus for what is to come, but their main purpose is to serve as ‘landmarks’ or ‘checkpoints’ for Odysseus. For example, take Penelope, Circe, and Athena. Penelope represents the end, for she is what Odysseus is trying to come back to. Circe would represent the middle, in which most of Odysseus’ battles were fought. And Athena represents the falling actions, the actions that happen after the conclusion. Circe, the powerful witch that caused Odysseus and his great men to falter, is representative of the middle of a book, where the rising actions would occur. On Circe’s island, the men get lured into Circe’s home for they are tricked by Circe’s...
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...A BLACK WOMAN’S JOURNEY: FOR COLORED GIRLS Created in 1975, For Colored Girls Who Have Considered Suicide/ When the Rainbow is Enuf, focuses on the struggles of black women not only from that era, but issues still pertaining to black women 35 years later. Shange’s powerful choreopoem is comprised of seven women trying to "sing a black girl's song…. Sing a song of life, she's been dead so long"(Shange 18), creating a voice for every woman. None of these women possess a name, only a color, to show that they represent all women of color. Shange includes themes of love, abandonment, sexuality, abortion, and domestic violence to emphasize what women in her community were and still are subjugated to. Through dance, poetry, and music these women slowly but surely find their true identity. Ntozake uses her work as a tool to empower all “colored girls” by creating these seven strong women that form a bond when they are able to find their identity as black women, and essentially in their journey make it to the end of their rainbows without committing suicide. When looking into Shange’s life there’s no question that situations, which she had observed day-to-day or experienced herself, were imposed on her writings. Born as Paulette Williams she was raised in a middle class family, which was not a childhood common for blacks. Her family moved to St. Louis and she attended a non-segregated school where she had to endure blatant racism at the mere age of eight years old. She rebelled...
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...and I had been traveling with our group for several months now. When we first set off on the Oregon Trail from Independence, Missouri, we never imagined that our journey would be so difficult. We left many of our loved ones behind because they were not strong enough to make the journey. Back in Missouri, the economy was harsh, especially to farmers such as us. The Panic of 1837 had greatly impacted us financially. The depression that followed motivated us to head west where the climate was less humid, the winters milder, and the land better suited to farm on. As a pioneer woman, I find my circumstances very daunting at times. Not only do I have to worry about my husband, but I have to make sure our son and daughter are cared for as well. This homestead life on the Oregon Trail has given me more responsibility, and I have faced challenges that I have never faced before. I am weary that this journey will never end. Every night as we set up camp, the other women and I prepare a meal. There are at least seventy fellow pioneers on this trip, and our supplies are limited, so we make do with what we have. I can see the faces of my fellow pioneers what this journey is doing to them. I can tell that they are weary. I can imagine that many of the men dream of sitting by a warm fire again, in a cabin, as their women prepare a meal on a stove in the kitchen. In reality, we have to cook by a campfire, food is getting scarce, and many times I find myself cooking the same things...
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...the mark of the nation’s unique identity. In cultural, political, and economic spheres, the status of most urban Zimbabwean women is still reflected as inferior to that of most men. During this economic and political crisis period, the prevailing gender power-relations evolved into gendered appraisals of the impact of the crisis and this created the potential for rather universal and androcentric conclusions. The consequent eclipse of female-centric voices of the political and gender struggle tends to suppress women’s perspectives, consequently inhibiting a gender-inclusive imagining of the nation. This article argues that discourses about gender struggle in Zimbabwe’s post-2000 crisis have not sufficiently addressed the question of space; that is, the significance of the oppressed women’s physical and social space in shaping their grievances and imaginings of exit routes. Similarly, the article argues that representations of this historic period in literary fiction have accentuated the wider political and economic struggles at the expense of other (especially gender) struggles, thereby rendering them inconsequential. Using two short stories by Valerie Tagwira (“Mainini Grace’s Promise” and “The Journey”), the article explores the stories’ focalization of gender-entangled women in an urban space to understand the literary evocation of the condition of women caught up in a crisis in urban settings. INTRODUCTION The Organization for Social Science Research in Eastern and...
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...The Odyssey. Through both of these stories we find a multitude of similarities between the journey of Odysseus and the journey of Inman. Both Inman and Odysseus begin their journeys in the same way. The two main characters are returning from very important wars for their home. Inman is returning from the Civil war. Although he fought for the losing side in the end Inman still fought in a war that is very important for his nation. Odysseus fights for the winning side in The Trojan War and it has an equal importance for his homeland. This sets the scene for both of their journeys home. Meanwhile both of our main characters have a lover who is struggling without them at home. Odysseus’s lover is penelope who must deal with all the suitors who think that Odysseus is dead because he has been...
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...of the cycle of life. We’re born, we live, we grow old, and we die. Where we go after that remains a mystery. Everyone has a fear of dying, since nobody know what happens, people often wonder where your go. Death is a recurring theme in life and in all forms of literature. Since this theme has become so popular, many different works of literature have been created from short stories to poems. As an effort to help society cope with the inevitable event of death, many stories were created showing a softer more serene side to death. The poem “Because I Could Not Stop for Death” by Emily Dickens, and allegory “I Used to Live Here Once”, by Jean Rhys both share an overall theme of death. There are also other themes such as acceptance, and journey. Although the story told by Rhys, ends very intensely, with the character realizing she has died. Both works still have the same theme. These two pieces of literature, share similar themes which are conveyed in different yet unique ways. Both works are told. To understand the work I will briefly describe who the authors are and about their background. Jean Rhys was born in a place in Dominica known as Rousseau, in 1890. Jean Rhys, not her name at birth was actually born Ella Gwendolyn Rees Williams until she changed it around 1924. Her father was from Britain and her mother was creole. Her great-grandfather, a slave owner owned a plantation in the Dominican Republic. She grew up predominantly around black people until she left to attend...
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...epic stories have sustained the test of time and evolved over the centuries? The Lord of the Rings trilogy, including The Fellowship of the Ring, The Two Towers, and The Return of the King, is one of the greatest examples of a modern day epic. What do The Iliad, The Odyssey, The Epic of Gilgamesh, and The Lord of the Rings all have in common? They all share typical characteristics of epic adventures in some form or another. Though the motives and reasons may differ, the theme of journeying is common to all epic adventures. In The Epic of Gilgamesh, King Gilgamesh sets out on a perilous adventure with his closest friend Enkidu in order to find enduring fame and glory. In The Odyssey, the main character Odysseus embarks on a 10 year-long journey through trials and tests to find his way back home to his wife and son. Epic hero Achilles, of The Iliad, sets out to fight in the legendary Trojan War. Similarly, Frodo Baggins, unassuming hero of The Lord of the Rings, sets out from his home and place of comfort to destroy the evil artifact, The One Ring, and restore peace and freedom to Middle Earth. Each of these stories centers on a “hero”, or main character, and the brave and virtuous deeds they enact. This praise of the hero’s deeds may be the author’s way of reflecting the characteristics they believe to be virtuous. These heroes are typically characterized as having a close and...
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...meet his potentials of leadership as he is often self-centered and sometimes depicted as inhumane. When his dear friend Enkidu dies, he sets off to find immortality. He eventually fails, but during his journey, he came to terms with his mortality and became a more compassionate person. Even though the main characters are men, the women play small but vital roles along his journey. The women in this epic reveal that they are solely responsible for the civilization of Gilgamesh and Enkidu by means of dream interpretation, sex, and motherly instincts, because the men of this epic do not have the ability to do them on their own. As king, Gilgamesh does things of his own accord and with his own judgment. He terrifies his city with his ruthless behavior, and even upsets the gods. He takes away sons from families, and has his way with newly wedded brides on their honeymoon before the grooms. As Gilgamesh sees women as merely sex objects, it’s difficult to imagine that when he needs direction he goes to his mother, Ninsun “who is well-beloved and wise (page 66).” It is interesting to see that Gilgamesh sees every other woman as a sex object, except his mother. Some theories to support this impression could be that she is different, because she is a goddess. She, unlike, other women, is a divinity. Or perhaps it could simply be the fact that having his way with his mother is a bizarre concept and also a practice of incest. Gilgamesh has these dreams that he always takes very seriously...
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