Writing and Literary Critique of Asian/Pacific American Literature

Throughout the history of the United States media, there are common stereotypes of females in films that are presented in the short story by Fong, Charlie Chan’ No More. I believe that the roles of Asian Americans are limited in films, such as gender and sexuality, by stereotyping females. Asian Americans are being portrayed as negative images through various media, from books, films, plays, and even television. “The audience would realize that media views Asians and Asian Americans as others that include exoticized women, asexual men, a yellow peril threat to the United States” (Ono & Pham, 2009). Throughout this essay, I am referencing the article by Fong, Charlie Chan’ No More, and Moon, a poem by Marilyn Chin, where they both talk about sexuality and gender. “Asian women, have often been depicted as almost completely sexual” (Fong, 177). In the short story as well as the poem, they can manipulate the messages of gender and sexuality of Asian American females that are being represented in both stories. Throughout Fong’s short story, there is a lot of controversy whether or not Asian American females are being portrayed with negative images, for example as sex objects. I also researched instances on the counter actions taken by Asian American females that protest the negative images, such as the dragon lady. I believe that Asian American females are being portrayed with such negative images, such as sex symbols in Fong’s short story. In Fong’s short story, I am able to indicate the issues, such as females being portrayed as the sex symbols. “Asian women’s sexuality is based on images of being petite, exotic, and eager to please and serve men” (Fong, 177). It is interesting that these characters are in roles that emphasize the exotic or sexual roles. For example, in Fong’s short story,