Proceeding for the School of Visual Arts Eighteenth Annual National Conference on Liberal Arts and the Education of Artists: Art and Story CONTENTS SECTION ONE: Marcel’s Studio Visit with Elstir……………………………………………………….. David Carrier SECTION TWO: Film and Video Narrative Brief Narrative on Film-The Case of John Updike……………………………………. Thomas P. Adler With a Pen of Light …………………………………………………………………… Michael Fink Media and the Message: Does Media Shape or Serve the Story: Visual Storytelling and New Media
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trans-historical characteristics (The Definition of Art, 2007). While there are many different viewpoints regarding the definition of art, the institutionalism view holds that to be a work of art, a thing must be an artifact of a created kind, by an artist, that is to be presented to an art world public. A diachronic view holds that artworks necessarily stand in an art-historical relation to earlier forms of artworks. This is further defined by Arthur Danto, who later clarified what it took to be considered
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About Art and Artists When I started taking this class this semester I wasn’t really sure exactly what to expect or which artists we were going to study. When I started this course I used to think that artists, as in painters, were all somewhat strange quiet people with few social skills. From my previous experience most of the people that I knew or knew about were a bit on the strange side. I knew a lot of unknown artists when I was younger and I still know some unknown artists now, it’s just
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At the turn of 20th century, the relationship between art and society was changing rapidly. Several art movements emerged, with artists strongly believing that the main goal of art was to influence and change status quo. This change was caused and influenced by several issues, such as rapid technological development, development of science, philosophy or photography, crucial cultural and political changes, first world war, etc. In this paper, I will discuss the aim and the effect of three important
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Erasmus believed in Christianity from the heart, not one of ceremonies or rulers. He thought that in order to improve society, all must read the Bible. Edward VI – The son of Henry VIII and Jane Seymour, he became King when he was nine years old. Too young to rule alone, so he was guided by adult advisors and only reigned for just six years Elizabeth I – The daughter of Henry VIII and Anne Boleyn, she became Queen after Mary died. Elizabeth spread Anglican and had tolerance for dissenters, the dissenters
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10) But, “with encouragement from her brother, Eunice decided to study with Vladimir Sokoloff, a teacher on the faculty at Curtis and the man with whom she had hoped to study had she been accepted there.” (Freyermuth, pg.4) To make money, Simone began performing at the Midtown Bar & Grill in Atlantic City. In order to get the job, the owner told Simone she would have to sing as well as play
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The painting of the Adoration of the Shepherds of c. 1607–10 by tan Italian artist Domenichino Zampieri. Oil canvas 143 x 115 cm has been in the National Gallery of Scotland in Edinburgh. Baroque Period Christ Before Pilate (oil on canvas) 417 x 36 cm, Munkacsy, Mihaly (1844-1900) ,Hungarian National Gallery, Budapest, Hungary , The Bridgeman Art Library. Realism Period The life of Jesus Christ is one that is both fascinating and a mystery. The true origin of when Christ was born is not truly
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channel MTV to a fame. Jackson's album “Thriller” (1982) is the best-selling album of all time with his other albums also in top 10. This unique case of extreme popularity and fame from such a young age made Michael Jackson a mysterious figure surrounded by more rumours and legends than any other artist. Even now, after his death in 2009, it's hard to tell what is true and what is false and even to describe what exactly image Michael Jackson has because his personality is really controversial and
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uncontrollable power, unpredictability, and potential for cataclysmic extremes—offered an alternative to the ordered world of Enlightenment thought. The violent and terrifying images of nature conjured by Romantic artists recalled the eighteenth-century aesthetic of the Sublime. An artist that stood out among the many individuals of this time was Joseph Mallord William Turner. Turner was one of the most influential landscape painters in England. His style consisted of oil painting, watercolour, and
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Introduction “Isn’t what matters that we be the masters of ourselves, the masters of women, and of love too?” Andre Breton’s words written into the Surrealist Manifesto itself set the stage for a movement which allows artists to freely embrace their sexuality and eroticism, while at the same time bridging the gap between reality and the dreamscape. These men’s “surreality” does not come without its drawbacks though, as it seems to have destructive, violent, and disturbing views of the opposite sex
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