Mr. King Honors English II Oct. 28, 2011 “Archetypes for a Contemporary Audience” Myths are an important cultural aspect that were, and are to this day, used commonly to help teach morals and life lessons. Strength, courage, and fortitude are just a few characteristics addressed in mythology. The archetypal layout of an exemplary story is composed of the Twelve Stages. The Twelve Stages of a hero’s journey are the steps every person must take in order to prove one’s self as a hero. Mythical heroes
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a par with me as a young girl do exist in the contemporary world. And whilst years of seemingly perfect yet failed relationships, contradictory evidence and vindictive and damning opposition stack up against me, I still earnestly believe in the literary complex of Prince Charming sweeping me off my feet and into my happy ending. But what if there is the possibility that simply waiting for Prince Charming is not the key to a happy ending? Contemporary women are not forced into chambers guarded by
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tainted with progressive, feminist values. Even though Lake is a woman, she still typifies the noir, solitary hero who stands up for justice even in the face of circumstances that would break the morale of anyone else. This is Singer’s big trick on the audience. We see, for instance, Lake’s intuition, coupled with her quick-thinking, which assured her successful investigation into Judy Garbman’s murder. She’s a woman who does this, but there’s nothing really “feminine” about this process. Her willingness
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dramatic archetypes, and scenic layout to mention a few. Those familiar with Mozart’s well-known operas can come to understand the infrequently performed ones by viewing them all as subcategories of one basic dramatic archetype, as presented by Rice in chapter 2. Also in this chapter is the insightful discussion of operatic genres, which goes beyond the basic explanation of subcategories. It demonstrations how terms were understood and used by Mozart, and their relation to a modern audience. Rice maintains
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Filmmaker Carl Denham and his film crew prepare to embark on an expedition to inhospitable and virtually unknown location. Legend has it that somewhere in the Indian Ocean lies an uncharted island inhabited by a primitive civilization. This civilization has remained isolated from the rest of the world hereby creating a mysterious and unique culture of adoration centered around a monstrous and prehistoric creature - Kong. This is the story that motivates Denham to set forward the expedition. He keeps
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Spike Jonze and Hollywood’s Tug-of-War “The other day, I was lucky enough to be at an event to bring the arts back into schools and got to see an amazing collaboration between Yo-Yo Ma and a young dancer in LA, Lil Buck. Someone who knows Yo-Yo Ma had seen Lil Buck on YouTube and put them together. The dancing is Lil Buck's own creation and unlike anything I've seen. Hope you enjoy.” This is the preface given by Spike Jonze, to a video he filmed in April of 2011. In this video, an L.A. street
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unnoticed. They may end up ignored while less profound actions and inventions are glorified. Ultimately, the reasoning behind such an occurrence comes down to context; whether or not an event or creation makes an impact depends as much upon the contemporary atmosphere as it does on the thing itself. Thus, when discussing any creation or event that has made a largely unparalleled impact on society and culture, it is important for one to discuss how the atmosphere of the time period enabled this to
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‘safe’ formats of film and of established folk legend. Irving’s tale, written in 1820, also works with antiquity, but in a different manner: it lives out colonial cultural anxieties of Irving’s present, as he seems to be concerned with constructing archetypes of folk and with placing folk culture in the new American literary landscape. Examining the two versions of the tale, then, provides a fascinating peek into the transformation of concerns and values in America from Irving’s nineteenth century landscape
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INTERPRETATIONS OF THE CIVIL WAR IN EARLY FILM One Film To Rule Them All In 1915, the blockbuster film, The Birth of a Nation swept the nation. In a pivotal scene, the attractive daughter of a former slave owner, whose cotton business had been ruined by the war, is stalked by a menacing looking black soldier, named Gus. He is shown with his shirt wide open and bare-chested. Flora, the stereotypical southern belle, notices the voyeur and is visibly shaken. Flora tries to hide from Gus
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A TEACHER’S GUIDE TO THE SIGNET CLASSICS EDITION OF G EORG E B E R N A R D S HAW ’S PYGMALION By LAURA REIS MAYER BUNCOMBE COUNTY SCHOOLS, ASHEVILLE, NORTH CAROLINA S E R I E S E D I T O R S JEANNE M. MCGLINN, Ph.D., University of North Carolina at Asheville and W. GEIGER ELLIS, Ed.D., University of Georgia, Professor Emeritus 2 A Teacher’s Guide to the Signet Classics Edition of George Bernard Shaw’s Pygmalion TABLE OF CONTENTS An Introduction ........................................
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