and the movement and actions of figures appearing within the film. The iconic Citizen Kane (Welles, 1941), a biopic that traces the life of fictional newspaper magnate Charles Kane, uses the elements of mise-en-scene to reinforce ‘loss’ as a recurring theme throughout the film. As a faceless reporter goes about collecting personal recounts of Kane, the stories told suggest that throughout the majority of his life, Kane was “moving inevitably toward [an inner state of] bitterness, disappointment and
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on Citizen Kane, Prentice-Hall Inc, Englewood Cliffs, New Jersey Used in finding definitions of sound. Citizen Kane. Dir. Orson Welles. Perf. Orson Welles, Joseph Cotten. Warner Bros., 1941. DVD. Ebert, Roger. “Citizen Kane”. 24 May, 1998. Web. Date of access 25 May 2012. Ebert’s article focuses on what defined the landmark 1941 film as the innovational piece of artwork it was and continues to be. Ebert himself describes Welles as a prodigy of his profession and follows the fictional Kane through
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Cinema 101 Monday May 27, 2014 Growing Apart: Distance and Loss in Citizen Kane Citizen Kane (Orson Welles, 1941) is an American drama film that narrates the story of a newspaper magnate who gained worldly success in his life, but he lost connection with people around him during this process. With the help of a series of flashbacks, the film illustrates Kane’s personal life. The film starts with the scene where Kane is on his deathbed and says the word ‘Rosebud’ before dying. A newspaper reporter
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Assignment: Bias, Rhetorical Devices, and Argumentation Assignment: Bias, Rhetorical Devices, and Argumentation The” Citizen Kane” speech given by Charles Foster Kane in 1941 campaigning for Governor is full of bias. The bias starts from the very beginning of his speech by addressing his audience, attacking his opponent by using various fallacies of incorrect argument. First he begins with attacking “boss Jim W. Getty and his political machine” one example or another, where he is saying
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are struggling and being harassed by the Riders and Shane seems as though he will be the hero that helps everyone even though he may have a bad past or running from something. The Starks will be the ones we see from a distances. CITIZEN KANE In the movie Citizen Kane I will begin to explain different scenes that I felt made this movie credible and stress the truth. The scene will show the
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paraphrased. I also certify that this paper was prepared by me specifically for the purpose of this assignment. Your Signature: __Brittany Reinhart_______________________________ Citizen Kane “…If I hadn’t been very rich, I might have been a really great man.” Citizen Kane is the story of a life filled with regret, broken friendships, and a tarnished political career. He led a powerful yet empty life, constantly yearning for love and fulfillment. As time progressed
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1. The three basic types of music heard in original scores during the silent film era, were adaptations, newly composed music, and arrangements. Adaptations of classical works are usually used in action and dramatic scenes and involve borrowing of a substantial portion of an existing composition for use in a film score. In The Birth of a Nation an example of adaptations was when a composition by Mozart was used for a scene that showed Lincoln’s assassination as well as for the ending of the entire
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is purely to put blame elsewhere as an excuse for the speaker’s neglect to make campaign promises. Scare tactic The speaker says “The working man and the slum child know they can expect my best efforts in their interests. The decent, ordinary citizens know that I'll do everything in my power to protect the underprivileged, the underpaid, and the underfed!” in an attempt to scare the audience into thinking the opposing party will not protect the underprivileged, underpaid, and underfed. Ad Hominen:
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Hollywood Revival While the generation of today is more focused on who wore what on the red carpet, some tend to forget the origins of modern fashion and how much of it has evolved from ideas that will soon be a 100 years old. Many actors nowadays neglect the common standard and look towards a unique style they can call their own, whereas many rely on commercial endorsement. Almost all the benchmarks followed by directors, actors and studios alike, come from, as most critics would agree, the golden
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called “objective reality". He saw neo-realism and other genres later on become more realistic looking. These directors would become known as invisible. You “look through” not at the film. André Bazin admired “Orson Welles,” who used deep focus in “Citizen Kane”. Myself and Bazin both advocate the use of deep focus, wide shots and shot-in-depth. Bazin referred to those three as "true continuity" through mise-en-scène. I love seeing everything in the frame. As film progressed through experimental trial
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