If I were going to attend a concert, I would typically buy a ticket for a big-name artist at a stadium-like venue such as Madison Square Garden. In this regard, the Rasputina concert was against my status quo. The first thing that I noticed was that I was by far the youngest person there. The main area of the Haunt had a quaint yet unfamiliar vibe. I think that the building itself, which displayed records and music-related relics on the walls, produced the quaint feeling while the attendees produced
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My first experience at a classical concert took place on Friday, November 14, 2014 at The Perelman Theater. I got to see the quartet Quatuor Ebene. The hour and fifteen minute performance was very enjoyable. The Perelman Theater is a 650 seat recital hall. The room is designed to create an intimate feel with 3 levels of seating. The room has amazing acoustics. Chairs in the first level of seating are able to retract in order to create a deeper stage, complete fly-loft, and orchestra pit. I sat
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Concert Review: Williamsburg Salsa Orchestra On September 26, 2015 the Williamsburg Salsa Orchestra from Brooklyn, New York visited SUNY Oswego for a performance. WSO is a group of musicians from Brooklyn, New York that combines the traditional sound of native salsa with the modern twist of pop and hip-hop to create a very unique sound. Their large set list was composed of bands such as The Black Keys, TV On the Radio, LCD Sound system and others. Many scholars have argued that WSO’s debut album
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I attended a small concert on Friday October 13th in Fullerton California at a bar named the Slidebar. The bands that performed were Livication, Special Blend, and the main performance was by Brewfish. These bands are all of the reggae/rock genre with Brewfish also containing a little alternative and pop as well. The Slidebar’s setup is very organized having a stage down a hall in the back room separated from the bar, which makes for a decently spacious event for a bar. The Slidebar’s purpose was
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The Williamsburg Symphonia Masterwork Concert #3 was breath taking. This concert was located in the Kimball Theater in Colonial Williamsburg Virginia. The concert of the Williamsburg Symphonia is Janna Hymes. The concert master for the Williamsburg Symphonia is Akemi Takayama. There was three please of music that was selected for this masterwork; the first peace was Symphony in G minor (Murray A42) Antonio Rosetti that was followed by Orchestral Suite: Incidental Music Pellets et Melisande, Op.80
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I went to the Three Way Jazz concert at Diablo Valley College on October 2, 2015. Three groups performed at this concert. They were: DVC Jazz Ensemble, DVC Night Jazz Band, and Rory Snyder’s Night Jazz Band. I chose to attend this performance for my concert report because I wanted to see and hear DVC’s jazz bands as well as learn more about the music department there. The first piece that I will talk about is a funk song called “Get In Line,” composed by Gordon Goodwin. This piece was performed
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The concert I attended was the “British Invasion” concert held at the Cal Poly Pomona Recital Hall. The concert itself was split into two part first played the Wind Ensemble which consisted of: two flutes, a piccolo, an oboe, six clarinets, one bass clarinet, a bassoon, two alto saxophones, a tenor saxophone, a baritone saxophone, six trumpets, four horns, three trombones, a euphorium, a tuba, and five percussion instruments. The first composition played by the ensemble was “Fanfare for the Lord
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of the highest forms of praise were delivered through the media, which proved to be beneficial for the United States in their propaganda race with the Soviet Union; such as in newspaper articles, television, and radio. For example, one Gillespie concert attendee in Zagreb, Yugoslavia, was moved when she exclaimed, “What this country needs is fewer ambassadors and more jam sessions!” According to Dr. Curtis Sandberg, jazz diplomacy had
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had Austin in a roar Sunday night. The 22 year old gave Stubb’s on 6th street a taste full of vibrant tunes that involved a beautiful blend of drums, horns, and a trumpet. On top of that, Chance’s own vocals echoed through the building. This live concert showcased the Family Matters group performance and Chance’s own strong melody infused vocals followed with a sold out crowd full of passionate energy that makes this show one that will be remembered eternally. The three keys to a great show similar
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an idea to utilize some of New York’s best talent- the theater community and beyond. Reaching out, dozens of performers gladly wanted to help further this. The response was so overwhelming, which resulted in Broadway Sings for Pride’s inaugural concert on
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