T. Harv Eker had once said, “Thoughts lead to feelings. Feelings lead to actions. Actions lead to results ”. In the passages “Dark They Were, and Golden Eyed” and “Zoo”, the characters use actions in a way that develops the plot of the story. In the story “Dark They Were, and Golden Eyed”, the Bittering family along with other Earthmen slowly turn into Martians. In the passage titled “Zoo”, there is a spaceship that travels to several strange planets, therefore filled with several strange creatures
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Name Course Tutor November 19th 2015 Dark They Were With Golden Eyes Ray Bradbury’s Dark They Were and Golden Eyed is about Harry Bittering and his family’s attempt to escape war on earth by building a colony on Mars. This suspense tale shows the effects of the Bittering’s odd new surroundings on Mars. Bradbury’s description of Mars and the Bittering family’s reactions to it give warning that something could go wrong. The atmosphere is one of foreboding and apprehension. Slowly, the circumstances
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recalling his own experiences. Many of his early stories are based, unsurprisingly, on his childhood experiences in Illinois. For example, "Homecoming" (Mademoiselle, 1946) was inspired by his relatives' marvelous Halloween parties, and "Uncle Einar" (Dark Carnival, 1947), a story about a man with green wings, is based loosely on one of Bradbury's uncles. Ray was married to Marguerite McClure from 1947 until her death. They
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Again. So, as usual, I went with Buffy to do laundry in her dark, dingy, musty smelling basement. Buffy was my babysitter, and I always loved going over to her house. There was always something to do, and even when there wasn’t she still managed to find something. We were never bored. There was, however, part of going to her house that I always dreaded. The dog. I don’t remember what his name was, but he was a full grown golden retriever, and I hated every second I spent near him. He was
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Theme Analysis Prompt Are you pleased or satisfied of where you are from? Or would you change it? In the story, “Dark They Were and Golden Eyed” by Ray Bradbury, a character named Harry Bittering adapted to the lifestyle of becoming a Martian, or in other words, he changed his culture. In the article, ‘I Am From” by Alicia Bareno, Alicia is possibly an immigrant who refuses to forget her culture. In each of these texts, the characters or authors themself either lose a culture or holds onto one
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1- THE SURVIVOR The nightmare haunted Abel with vicious delight. Sleeping became a phobia for this broken soul. A trembling golden "Chai" symbol, meaning "to live" in Hebrew, hung from a chain around his neck. He ran as if his life depended on it, through a claustrophobic, purple corridor that seemed to stretch on forever. Fancy ceiling chandeliers emitted a soft gloom on the grayish, stone ground. Weird fantasy-like painting, framed in gold, covered the side walls. They represented mythical monsters:
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The Distance to Andromeda by Gregorio C. Brillantes The Boy Ben, thirteen years old, sits there and wide-eyed before the screen of the theater, in the town of Tarlac, his heart thumps in awe and excitement, and his hands are balled into unconscious fists, as the spaceship burns its blue-flamed journey through the night of the universe that is forever silent with a high metallic hum. Enclosed in time within the rocket, the ship itself surrounded by timelessness, which is in turn framed by the boundaries
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than 350 authentic paintings that include the depiction of a great variety subjects, from mythological to historical to religious, have been identified to date as his. Powerful religious and political figures were impressed with his masterful artistic skills. But even more so, these luminaries were attracted to his innovative ability to express religious ideas and implant political meanings into his work that accorded with their ideals. His virtuosity allowed him to paint for the likes of high-ranking
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at dawn looking for an angry fix, angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machin- ery of night, who poverty and tatters and hollow-eyed and high sat up smoking in the supernatural darkness of cold-water flats floating across the tops of cities contemplating jazz, who bared their brains to Heaven under the El and
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paint off the flank of the car as he forced it up the alleyway in pursuit. There in the headlights sat their quarry, stationary at last after a quarter of an hour’s chase. The two riders were trapped between a towering brick wall and the police car, which was now crashing towards them like some growling, luminous-eyed predator. There was so little space between the car doors and the walls of the alley that Fisher and Anderson had difficulty extricating themselves from the vehicle. It injured their dignity
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