Romeo and Juliet | Shakespeare homepage | Romeo and Juliet | Entire play | ACT I PROLOGUE Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean. From forth the fatal loins of these two foes A pair of star-cross'd lovers take their life; Whose misadventured piteous overthrows Do with their death bury their parents' strife. The fearful passage of their death-mark'd love, And the
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January 9, 1986 There was no phone, and the window to the outside was too small for anyone but a small cat or a large rat to crawl through. Slitting her fingers through the envelope and withdrawing the letter yet again, she felt her remaining hope disappear instantly. The envelope that had been left in her office mailbox was supposed to have interested her. At first she had been excited but with every reading of it from agitation gave way to despair. Amanda Hylen had been awaited
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SIDDHARTHA An Indian Tale Hermann Hesse THE INTERNET ARCHIVE The Presidio San Francisco Contents FIRST PART THE SON OF THE BRAHMAN WITH THE SAMANAS GOTAMA AWAKENING SECOND PART KAMALA WITH THE CHILDLIKE PEOPLE SANSARA BY THE RIVER THE FERRYMAN THE SON OM GOVINDA 3 5 15 27 39 45 47 65 77 89 103 119 131 141 1 2 This etext was produced by Michael Pullen globaltraveler5565@yahoo.com, with original translations made by: Gunther Olesch, Anke Dreher, Amy Coulter, Stefan Langer, Semyon
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Literary Criticism The Two Gentlemen of Verona The Two Gentlemen of Verona is a comedy about the adventures of two bosom buddies, Valentine and Proteus. When Proteus falls in love with his best friend's girlfriend, the guys find themselves torn between the bonds of male friendship and romance. (If you're thinking all this sounds like a modern day "bromantic comedy," you're right. Two Gentlemen of Verona is the great, great grandfather of buddy flicks like the 2009 comedy I Love You Man.) Written
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Ministry of Education of the Republic of Moldova State Pedagogical University “Ion Creangă” Foreign Languages and Literature Faculty English Philology Department DIPLOMA PAPER Figurative Language, Language Shaped by Imagination in Katherine Mansfield’s Short Stories Submitted by: the 4th year student Paşcaneanu Mariana Group 404 Scientific adviser: Tataru Nina Senior Lecturer Chişinău 2012 Contents INTRODUCTION 2 CHAPTER I: SHORT STORY AS A FORM OF FICTION
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Introduction Palatalization is one of the biggest concerns in the Russian phonology. Palatalization is an articulation of a consonant in which the blade of the tongue moves toward the hard palate. For example, when the non-palatalized lateral approximant [l] sound of ‘лак’(‘lacquer’) is pronounced, the tip of the tongue presses up near the teeth and the central part of the tongue is low in the mouth. On the contrary, when the palatalized [l] in ‘лямка’ (‘sling’)is pronounced, the tip of thetongue
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In 1996 a best-selling book entitled The Millionaire Next Door caused a minor sensation. In contrast to the popular perception of millionaire lifestyles, this book reveals that most millionaires live frugal lives--buying used cars, purchasing their suits at JC Penney, and shopping for bargains. These very wealthy people feel no need to let the world know they can afford to live much better than their neighbors. Millions of other Americans, on the other hand, have a different relationship
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nn. 11-12 IV. Structure of this Catechism nn. 13-17 V. Practical Directions for Using this Catechism nn. 18-22 VI. Necessary Adaptations nn. 23-25 PART ONE: THE PROFESSION OF FAITH SECTION ONE "I BELIEVE" - "WE BELIEVE" n. 26 CHAPTER ONE MAN'S CAPACITY FOR GOD nn. 27-49 I. The Desire for God nn. 27-30 II. Ways of Coming to Know God nn. 31-35 III. The Knowledge of God According to the Church nn. 36-38 IV. How Can We Speak about God? nn.39-43 IN BRIEF nn. 44-49 CHAPTER TWO GOD COMES TO
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KING LEAR KING LEAR William Shakespeare 1606 KING LEAR Dramatis Personae Lear, King of Britain. King of France. Duke of Burgundy. Duke of Cornwall. Duke of Albany. Earl of Kent. Earl of Gloucester. Edgar, son of Gloucester. Edmund, bastard son to Gloucester. Curan, a courtier. Old Man, tenant to Gloucester. Doctor. Lear's Fool. Oswald, steward to Goneril. A Captain under Edmund's command. Gentlemen. A Herald. Servants to Cornwall. Goneril, daughter to Lear. Regan, daughter to Lear. Cordelia
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TYPE OF WORK: * Masterly work of Andrew Marvell * Lyrical poem * Love poem * Seducing poem * Carpedium poem * Metaphysical poem * Startling comparisons or contrasts of a metaphysical (spiritual, transcendent, abstract) quality to a concrete (physical, tangible, sensible) object. * Mockery or satirizing of idealized romantic poetry and divines of love through crude or shocking imagery * Gross exaggeration * Expression of personal, private feelings * Presentation of
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