Drama 2 - Semester 1 Study Guide and Review FORMAT OF TEST Section 1: Fundamentals & Acting (50 points) 20 questions (30 points) 3 short response (20 points) Section 2: Tragedy & Comedy (50 points) 20 questions (30 points) 3 short response (20 points) Section 3: Shakespeare (50 points) 20 questions (30 points) 3 short response (20 points) Section 4: Performance (50 points) Students will perform a monologue separately for Mr. Finley and be scored via the rubric
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theorists, there is also another category of people who claim that Shakespeare might have read Greek plays. I strongly believe that Sophocles and Euripides have considerably contributed to the writing of Shakespearean plays and I have proved that through the research I did for this dissertation. The first chapter presented some information about Aristotle and his elements for the ideal tragedy while I also pointed out how Aristotle’s and Shakespeare’s ideas are in some points different.
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elements of both disenchantment and re-enchantment. In The Birth of Tragedy Nietzsche represented disenchantment as the death of Greek tragedy and the tragic myth. Nietzsche wrote, “The forces of imagination and of Apollonian dream are saved only by myth from indiscriminate ramblings”.1 Myth frees the power of imagination and gives meaning to man’s life by bring members of society together under one identity. Nietzsche believed “The Greeks...employed
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thinks of tragedy we think of a terrible or horrible accident happening to a person or to a group of people, most of the times resulting in hospitalization or worse, death. Another example of this type of tragedy could be a loved one who goes away on vacation and contracts a rare and unusual disease which could possibly result in death. Not all types of tragedies always result in a certain death. Tragedy in a classical Greek sense sets up a protagonist to begin the action in the tragedy. What lead
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The term tragedy, both in Greek dramas and contemporary writing alike, is an emotion evoked by the inability of a person to fulfill a goal or potential that is reasonably within reach. When I think of tragedy, images of supremely gifted artists, writers, athletes, and other socially iconic individuals whose lives were cut short come to mind. But as most of us are already aware, tragedy does not solely strike the lives of the young and famous. We are all succeptable to it. Contrary to popular belief
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Definition of the Ludicrous, and a brief sketch of the rise of Comedy. VI Definition of Tragedy. VII The Plot must be a Whole. VIII The Plot must be a Unity. IX (Plot continued.) Dramatic Unity. X (Plot continued.) Definitions of Simple and Complex Plots. XI (Plot continued.) Reversal of the Situation, Recognition, and Tragic or disastrous Incident defined and explained. XII The ‘quantitative parts’ of Tragedy defined. XIII (Plot continued.) What
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Throughout ‘The Picture of Dorian Gray’ the reader is shown two sides to the character of Dorian. Whilst a strong dislike from the reader emerges as a result of the decisions he chooses to make, one can also sympathise with the character due to him being perceived as weak and easily influenced. One could argue that Oscar Wilde presents Dorian Gray as a selfish and self-centred character. This is shown through his constant disregard of other people’s feelings and his ignorant nature to put his needs
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plays, but in many modern plays (and some not so modern) it is difficult to make. Is Gregers Werle in The Wild Duck, for example, a hero or a villain? Another common term in drama is protagonist. Etymologically, it means the first contestant. In the Greek drama, where the term arose, all the parts were played by one, two, or three actors (the more actors, the later the play), and the best actor, who got the principal part(s), was the protagonist. The second best actor was called the euteragonist. Ideally
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In his many theories of literature, Greek philosopher Aristotle frequently referenced the principle of catharsis, the purgation of excessive emotions into an intermediate state. Additionally, the formidable playwright metaphorically compared this component’s impact on the soul to medicine on the human body. Consequently, throughout time, people regarded tragedies, including Sophocles’ Oedipus Rex, as a mechanism to achieve this psychological disposition. Using Aristotelian theory, one can experience
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the Dark Ages. It is perhaps even more ancient, developed by Ancient Greeks. The exact tale did not originate that far into the past, but its basic plot of a literary tragedy was invented long ago, and was adopted to modern times. West Side Story qualifies as a literary tragedy because the established tragic hero impacts the rise, climax, fall, and ultimate inescapable disaster of the story. The plot structure of a literary tragedy follows a very specific and necessary path throughout the story. The
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