In this The Met Museum, I caught sight of an oil painting that was called A Shaded Avenue. This beautiful oil painting was created by Jean Honore Fragonard who was French. This painting contained a trail through the trees, several people who were walking and talking, a blue sky with covered clouds and two sculptures that was near the load. There are blooming trees covering over all trail and creating shadow in ground. As for overview of this painting, about 75% is dark color and the rest is bright
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hand corner along with some of Lichtenstein's benday dots. The yellow is the lily pads at the the top of the page and the flower a little towards the middle. The blue is the lilies under the yellow flower. There are secondary colors also, green and orange. The green is apart of the bridge in the top right hand corner. The orange is in the bottom right hand corner where the water
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Stanton presents himself and perceives himself to be therefore deciding to become a part of Stanton’s political mentors. The members of Stanton’s “inner circle” consists of his wife, Susan Stanton, political advisor Richard Jemmons, spokesperson Daisy Green, and political guide Howard Ferguson. The six of them then travel to the state of New Hampshire,
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In a Gallery 801 which is full of paintings in color, Odalisque in Grisaille cannot be overlooked. It is quite a remarkable and unusual experience to see a painting of such smooth and fine detail completely in greyscale, especially so if you already have the color image of Ingres’ celebrated Grande Odalisque of 1814 in your head. Odalisque in Grisaille of 1824 serves as an unfinished repetition of Grande Odalisque, which for unknown reasons is reduced in size and simplified. The lack of color is
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want to shake. I touched the vinyl sleeve, the collar, and peeked at the mustard -colored lining. From the kitchen my mother yelled that my jacket was in the closet I raced to the closet to see, a black silver bikers jacket.I was so glad that the green ugly one was my brothers. I wanted to show off. It was big enough to the point that it would fit me for 3 years. I stared at it like it was my baby. I put on the beautiful jacket to see what i looked like. I put my hands in the pockets to see what
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I made sure I stayed in my bedroom. I heard Trent as he got Tia ready for bed. Water splashed, songs were sung, and stories were read. When I heard small footsteps running in the direction of my room, I knew that Tia was coming to say goodnight. I pretended to watch television as she busted through the room door. “Good night Mommy Lyric, I love you. Have sweet dreams okay” Tia said, before she jumped on the bed and gave me a big hug and a kiss. “I love you too” I responded, as she jumped down and
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avarice. Because Fitzgerald weaves colors into the setting, characters, and plot, the reader is able to comprehend why certain characters act the way they do and why some put up masks. Confidence and hope is found within the color green, a color in which correlates with the green light that is seen towards the end of chapter one. Fitzgerald’s paintbrush serves
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Alex Ingram 1349 words 9100 St. Charles Rock Road St. Louis, MO 63114 (314) 493-6100 ingrama020@ritenourschools.org Styles by Alex Ingram He walks up to the door, adjusts his tie and makes sure his t-shirt is tucked in. After that he combs over his “sick” pompadour. After he is satisfied. He gets out of his grandma’s Cadillac. He had “stylish” black pants that had the knees ripped, and
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decorative, needs some shelter; good growing, used as specimen and hedging. . 3ft €3 3ft €8-9 (potted) 5ft €15 5ft €20 (potted) 8ft €20-25 8ft €30-35 (potted) 9ft €25-30 9ft €35-40 (potted) 10ft €50 10ft €55 (rootballed) (Fagus sylvatica purpurea) Green Beech Grows up to 30m in most well drained soils even limey or acid; shade tolerant, used for hedging. 2-3ft €1.20-1.50 2-3ft €1.50 (potted) 3-4ft €2 3-4ft €6-7 (potted) 4-5ft €7 4-5ft €7-8 5-6ft €15 5-6ft €20 (potted) (Fagus sylvatica) Birches
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hard to forget. “Seen across the long stretch of years, the thing had more the appearance of an outpouring of pent-up fury than of an overflow of grief for her dead father (2 Larsen). I think with Clare having ivory skin, a scarlet mouth, and a green frock is important to her description because it helps her ‘Pass’ without people having second thoughts of her true identity. The Ivory skin is the most important out of all the others because that’s the first thing people notice when looking at Clare
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