West Side Story qualifies as a literary tragedy because the established tragic hero impacts the rise, climax, fall, and ultimate inescapable disaster of the story. The plot structure of a literary tragedy follows a very specific and necessary path throughout the story. The tale begins with hatred, fighting, and conflict, at nobody’s ideal. The plot requires a reason to escalate or rise, which is the Tony, the tragic hero, and his desire to reach his ideal of love. Other characters’ ideals are
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Holden Caulfield can be described as a tragic hero in the novel, The Catcher in the Rye. He has the potential to do something with his life, but fails due to his rejection of life for what it is and hesitation of growing up. He is caught in a downward spiral with his great adventure during the holiday season. He is put through a series of unfortunate events and must accept his fate. His adventure begins when he flunks four out of five of his courses at Pency Prep, a prestigious private school for
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Okonkwo is shown as a tragic hero, in the novel Things Fall Apart. To uncover the source of Okonkwo’s tragic flaw, a look into his past is nessacary. At first, we see Okonkwo as an arrogant, hardworking, warrior. This is his cultures vision of a great citizen. His father, Unoka was thought of as a failure. He is lazy and does not provide for his family. His culture views him as an unacceptable and an unsuccessful citizen, and Unoka was looked down upon. Okonkwo set a goal to be everything his father
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The Tragic and the Comic It has been said that tragedy is life viewed close at hand, while comedy is life viewed at a distance. It has also been said that life is comedy to the person who thinks and tragedy to the one who feels. The chief source of the comic is the incongruous, the unexpected. We expect one thing but find another. The Parable of the Blind by William Carlos Williams (based on a painting of the same name by Pieter Brueghel the Elder) This horrible but superb painting
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Antigone Essay The Tragic Hero in Antigone According to the dictionary, a tragic hero is a literary character who makes an error of judgment or has a fatal flaw that, combined with fate and external forces, brings on a tragedy. In the story "Antigone," by Sophocles, Antigone has all the necessary traits to be qualified as the tragic character of the story. She is an honorable and important person, she has a fearless attitude, and she ends up facing a downfall because of her deeds
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‘With particular reference to Act one, scene III, discuss how Othello’s tragic and heroic status are established in the first act of the play.’ To be a tragic hero, a character must be someone who is initially well respected and someone who holds a high esteem within society. They must have high moral worth and tend to be highly ambitious, it is a single mistake or character flaw which brings them to ruin and they lose all that they possess. The character must always contribute to their own disaster
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The first stage of Aristotle’s definition is the pre-eminence stage. This is where the Tragic Hero is either of noble birth or maintains a high position in society. Lear is shown as the King of Britain at the beginning of the play, therefore we are introduced to a character with pre-eminence and that is shown upon Lear’s entry into the play where he declares “We shall express our darker purpose. Give me the map there”. The use of the pronoun “we” is reference to the royal “we”, this instantly shows
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Aristotle’s definition of a tragic hero can be seen in many works of Literature, and has verified its importance towards a lot of authors. His definition basically states that the character comes from a noble figure, occupies a high position in his/her society or kingdom and epitomizes a tragic flaw that ultimately leads to his or her downfall. The term Hubris is defined as excessive pride and self-confidence. It indicates that the person who exhibits it has lost contact with reality and always overestimates
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Lisette Palafox Dr. Doll Foundations of Story 11 May 2015 Growing into Consciousness Main characters Laura and Sarty have tragic flaws according to their social divisions that emerge as catalysts in their metamorphosis. “Barn Burning” by William Faulkner and “The Garden Party” by Katherine Mansfield challenge social boundaries with the main characters, Laura and Sarty. Laura, unlike the rest of the Sheridans, cares not only for the people in her circle, but for those not fortunate enough
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Franklin Sylvia Bennett English 12 AP pd.3 December 23, 2015 Analysis of Kurtz and Okonkwo as Tragic Heros Aristotle’s Poetics defines a "tragic hero" as a good man of high status who displays a tragic flaw (―hamartia‖) and experiences a dramatic reversal ―peripeteia‖, as well as an intense moment of recognition ―anagnorisis‖ and Okonkwo and Kurtz, both of them are regarded as as a tragic hero. In"hubris"colonial setting but each with a different, unique style. In fact,-the same postm to
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