The past experience I have that makes me uniquely who I am and defined me as an artist is from my connection to the Martha Graham Dance Program. Dancing there has taught me that dance is not just a physical movement or something captivating for people to see it's something that can really change both you and the people who witness your dance. I learned one of my biggest lessons from performing in Panorama by Martha Graham at the Joyce Center. When we started learning the dance our teachers urged
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have considered suicide when the rainbow is enuf. Written by Ntozake Shange and directed by Erika R. Walton, the play was performed marvelously at Ollington Smith Playhouse located in the heart of the historic black college. At first glance, the performance space looked more like an auditions holding place than somewhere to hold a production, but all in all it was an unforgettable experience. One feature of the play that really amazed me was that each actor was worth noting. The actors really
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What is the primary reason for this dance/movement? Bandaloop is a clear example of how dance is an interpretation of words, it is also a good example of Modern dance as a way to break the rules or the view of traditional dance. This dance has a brilliant reason that is the expression of FREEDOM and thankful. The main movements of this dance give us a sense of release. As a modern dance, it has its own structure and boundaries that make it unique. We can also see in this video how the dancer
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Recital Hall, was an experience in which attendees listened to a form of music that is quite novel. In November the temporality of the notes played permitted each chord to appear and then disappear from the stage as if it were an actor in a play. The performance on November 7th allowed the lines to blur between the performer and the spectators. Thus, this essay will examine the temporal aspects of Andrew Lee’s recital, as well as what are the implications when the audience and the artist merge during a
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Hartland’s play, Rust, has stuck out in mind because of the well-written humor, casting choices, and stage design. To begin with, the play is a combination of drama and comedy, which is made quite apparent through the setting of throughout the performance: 1980’s Pittsburgh during the deindustrialization of the area’s prominent steel industry. It was at this time that many of the workers of Pittsburgh were without a job and could not provide for their families. The play revolves around such a family
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The Theatre Experience By Edwin Wilson The Theatre Experience Description: The re-imagined twelfth edition of The Theatre Experience is students' ticket to the best seat in the house. From Broadway to makeshift theater spaces around the world, the author demonstrates the active and lively role they play as audience members by engaging them in the collaborative and creative processes behind and in front of the curtain. Wilson introduces students to the roles of the performers, directors, producers
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additional performances Entering program info & recordings to web system Submit your questions via web panel and mute your phone or microphone. GALA Festival 2012 Webinar Introductions Jane Ramseyer Miller, Artistic Director-in-Residence ADR@galachoruses.org Robin Godfrey, General Manager info@galachoruses.org Kathie Michael, Production Manager Events@galachoruses.org Check out the GALA web site for lots of Festival information at www.galachoruses.org. Festival 2012 Performance Schedule
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concert was presented by The Grossmont Guitar Guild, it was held at the Cuyamaca College of Performing Arts on October 29, 2012. This report will detail my experience and give an accurate, unbiased review of “Masterpieces of the Guitar.” Before the performance began I had the opportunity to sample the program and read through it thoroughly. The most important thing I learned from the program was information about the artist performing. I also learned about some of the music being performed. Pertaining
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How would you direct the actors playing Mrs Farley and Nell in act one scene two to fulfil your dramatic intentions for the audience? ‘Playhouse creatures’ by April De Angelis is a historicised tragicomedy exploring the lives of the first actresses attempts at survival on the Restoration stage. In the scene, set on a London street in 1669, both Nell and Mrs Farley are struggling to survive with inappropriate jobs. My dramatic intentions would be to create humour out of the clash between Nell’s
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committee, audience, guests, and other volunteers. Volunteers Job Description: 1. Technician/Venue Coordinator • Responsible for the execution of all film screenings in the designated venue. • Responsible for the order and performance of the other volunteers in the same venue. • Responsible to write a daily report according to the brief of the Volunteer Coordinator of the festival. 2. Information & Ticketing • Responsible to provide correct and proper information
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