depended on the idea of cinematic equipment by the help of which film technologies interrelated with the ideological determinants of the cinematic associations. In her work, most remarkably the essay, "Visual Pleasure and Narrative Cinema," (1975) Laura Mulvey stressed the problem of the female aspects in classical Hollywood and, particularly, in films of Josef von Sternberg and Alfred Hitchcock. Female spectators are presented with a choice to make out with either a male character or secondary female
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is frequently responsible of encouraging these patterns by the way they show their information and entertainment to the audience. Laura Mulvey, a British feminist film theorist, is best known for her essay, “Visual Pleasure and Narrative Cinema” which was published in 1975. Here, she describes the role of women in movies “as a tool of attraction for the male gaze” (Mulvey). According to Mulvey’s statement, this work aims to describe the stereotypes of gender that Disney films display throughout their
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While there is no denying the brilliance of Hitchcock’s subjective camera and his skillful manipulation of identification processes, one cannot help but loathe the pungent misogyny prevalent in his works. Vertigo (1958) is arguably no exception. Laura Mulvey, a vocal and influential feminist film critic, contends that Vertigo elucidates an active sadistic voyeurism of the male gaze that subjects the woman, as object-of-desire, to realize his impossible fantasy, time and again at the cost of brutish
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Comparisson of Masculinity and the Psychoanalytic theories using the example of the Fight Club. Introduction. Fight club is an interesting film to be reflected through psychoanalytic and masculinity theories. In this essay I will attempt to present the number of elements of narrative that can be explained by these theories. I intend to use citations from Marc A. Price's essay The Fight for Self: The Language of the Unconscious in Fight club regarding psychoanalytical concepts such
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The Television series Charmed can be interpreted as a postfeminist text in popular culture. Yvonne Tasker and Diane Negra’s book “Interrogating Post Feminism: Gender and the Politics of Popular Culture” (2007) discusses the importance of post feminism in contemporary popular culture. In this book, Tasker and Negra focus mainly on film, television and advertising. According to the article “The Myth of Postfeminism”, the United States entered a postfeminist era around 1990. (Hall, J. E. (2003)
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Michelle Dodge Reaction Paper #1 “Half of American homes have three or more TVs, and only 19% have just one. In 1975, 57% of homes had only a single set, and 11% had three or more” according to Nielsen Media, in the article Average Home Has More TVs than People. These figures can conclude that the media of one generation has prospered into a typical and popular routine for today’s generation. Everyday citizens are consuming tons of information, and this information alters the way they think
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Discuss the 'Fallen Woman' as a Familiar Feature of Victorian Writing Victorian social conventions placed the female inside the male domain, a domestically cultivated flower rather than a wild one, uncontrollable and free to roam. Woman was idealised: the angel in the house, the wife complementing her husband, the helpmate of man. Social conditions offered the Victorian woman little in occupation so her aim in life was to secure a husband, succumbing to the political propaganda. As Foster
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“Behind the Fair Façade” Representations of Femininity in Three Walt Disney Animated Features Bachelor Thesis Bethany Schouten, 3278972 Media en Cultuurwetenschappen Genderstudies Supervisor: Domitilla Olivieri May 31st, 2011 “Behind the Fair Façade” Representations of Femininity in Three Walt Disney Animated Features Bachelor thesis by Bethany Schouten, 3278972 Index Introduction 3 Methodological and theoretical Framework 4 Corpus 9 The
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Adorno (Audience Theory) Passive Consumption, Hypodermic Model (Frankfurt School): "A strong argument suggests that audiences may be passively affected by the sexist, violent representations in GTAV as it is a more realist text than other shoot em' up action adventure games. Young audiences ultimately may begin to view women differently and think that the aspirational violence is acceptable as a means to an end". Andy Medhurst (Representation Theory) Stereotyping is Shorthand for Identification:
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An exploration of postmodernism through textual analysis of Arrested Development. This essay will consider the postmodernism within the television programme Arrested Development through postmodern theories, postmodernist techiniques and textual analysis. Through historical context, genre conventions, intertextuality and continuity; the essay will investigate the use of pastiche in modern satire. As popular situation comedies fulfil the generic conventions of using multiple cameras, linear narratives
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