this time and place, while allowing them to also be educated on the social norms of this civilization. Throughout the entire book the protagonist, Okonkwo, and the Ibo culture both face major events and go through a whirlwind of obstacles that eventually lead up to the collapse of each other. To illustrate the story of Okonkwo and this culture, Chinua
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indebted and effeminate father, Okonkwo strives to rise through the social system and achieve everything his father could not. He is intolerant and biased towards women to the point where he describes weak men as women. Okonkwo views emotion as a weakness and thus only expresses anger. Okonkwo proves to be extremely deterministic, as he is continuously trying to better his situation in society all the while adhering to the religion and the principles of the clan. Okonkwo had numerous wives, a commonly
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reason courage is so important is because it drives a person to do things that not every average person would do. It is what usually separates the main character from the rest of the characters in a story and makes him seem like a hero. No real person is a hero they just have hero like attributes that make them seem that way. Courage is one of those, because again it drives people to do things they normally wouldn’t. Courage is having no fear, and courage is having the desire to do something despite the
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can comprehend, and by shaping it to his purposes, Achebe is claiming what was originally imposed. | Chapter 12 “As the women head out, Okonkwo feels very tired and sleepy, since he didn't sleep at all the night before, out of worry for Ezinma……the first two pots of palm-wine from Obierika's in-laws arrive, and they're presented to the women.”pg.98 | Okonkwo once again hides his worry, because he considers showing any emotions other than anger to be feminine. We also see another example of how
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Things Fall Apart by Chinua Achebe gives a vivid portrayal of the African society before colonialism, during colonialism and after colonialism. It is centered on a tragic hero, Okonkwo, whose aim for success and fear of weakness drives his entire life and eventually leads to his fall. Achebe uses Umoufia, a land surrounded with strong traditions and culture as the case study to depict the effects of culture clash on a land where “Things Fall Apart; the center cannot hold” (Achebe, 2009). The title
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Yet his attitude echoes so much of the depiction of Africa; this attitude, following Achebe's depiction of the Igbo, seems hollow and savage. Digression is one of Achebe's most important tools. Although the novel's central story is the tragedy of Okonkwo, Achebe takes any opportunity he can to digress and relate anecdotes and tertiary incidents. The novel is part documentary, but the liveliness of Achebe's narrative protects the book from reading like an anthropology text. We are allowed to see the
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Reading the Novel in English 1950–2000 i RTNA01 1 13/6/05, 5:28 PM READING THE NOVEL General Editor: Daniel R. Schwarz The aim of this series is to provide practical introductions to reading the novel in both the British and Irish, and the American traditions. Published Reading the Modern British and Irish Novel 1890–1930 Reading the Novel in English 1950–2000 Daniel R. Schwarz Brian W. Shaffer Forthcoming Reading the Eighteenth-Century Novel Paula R. Backscheider
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SECOND DRAFT Contents Preamble Chapter 1 1.1 1.2 1.3 1.4 1.5 Background Rationale Aims Interface with the Junior Secondary Curriculum Principles of Curriculum Design Chapter 2 2.1 2.2 2.3 2.4 2.5 1 Introduction Literature in English Curriculum Framework Strands and Learning Targets Learning Objectives Generic Skills Values and Attitudes Broad Learning Outcomes Chapter 3 5 7 9 10 11 11 13 Curriculum Planning 3.1 Planning a Balanced and Flexible Curriculum 3.2 Central Curriculum and School-based
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onaryDictionary of Ònìchà Igbo 2nd edition of the Igbo dictionary, Kay Williamson, Ethiope Press, 1972. Kay Williamson (†) This version prepared and edited by Roger Blench Roger Blench Mallam Dendo 8, Guest Road Cambridge CB1 2AL United Kingdom Voice/ Fax. 0044-(0)1223-560687 Mobile worldwide (00-44)-(0)7967-696804 E-mail R.Blench@odi.org.uk http://www.rogerblench.info/RBOP.htm To whom all correspondence should be addressed. This printout: November 16, 2006 TABLE OF CONTENTS Abbreviations:
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