MAIKLING TALAMBUHAY NI JOSE PROTACIO RIZAL (Manunulat, Pambasang Bayani ng Pilipinas, Dakilang Henyo ng Lahing Malayo) ISINILANG SA: Calamba, Laguna (Hunyo 19, 1861) BINARIL SA: Bagumbayan (ngayo’y Luneta; Disyembre 30, 1896) Mga Magulang: FRANCISO MERCADO at TEODORA ALONSO (“Z” sa ibang aklat) Mga Ninuno: Domingo Lamco, sa panig ng ama (negosyanteng Instik); Lakandula, sa panig ng ina (pinuno ng Tondo na namuno sa isang bigong pag-aalsa sa mga Kastila, inapo ni Rajah Sulayman ng Maynila) Nagbinyag:
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EPEKTO NG MGA MAKABAGONG TEKNOLOHIYANG GINAGAMIT SAMGA PASYENTENG MAY MALALANG SAKIT DAHON NG PAGPAPATIBAY Bilang pagtupad sa isa sa mga pangangailangan ng asignaturang Filipino , ang pamanahong-papel na ito na pinamagatang “Epekto ng mga MakabagongTeknolohiyang Ginagamit sa mga Pasyenteng may Malalang Sakit´ ay inihanda at iniharap ng mag-aaral mula sa: Tinatanggap ang Pamanahong Papel na ito sa ngalan ng Departamento ng Filipino, Governor Feliciano
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Flowers for Algernon “Flowers for Algernon” is about a man called Charlie who goes through an operation to get smarter. At his work, he gets bullied because he is dumb. Before the operation he goes through some tests, and he cannot beat a mouse in a labyrinth game. After the operation he gets smarter and smarter, he falls in love with his teacher Miss Kinnian. Reading and spelling gets easier. He has to let the TV on all night, so he actually can learn when he is sleeping. After some time he
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When reciting a poem, a speaker can express different personalities of a particular poem. In the poem, "We Real Cool," The personality of the speaker is someone who sounds like a delinquent. Lastly, the personality of the speaker shows that he or she likes to be seen as impressive. The personality of the speaker in the poem "We Real Cool," sounds like someone wants to have fun, a person who sounds like a delinquent, and someone who wants to be seen as impressive. First, the personality of the speaker
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Chris Shea ENG 474 Professor Aimee Pozorski 02/08/17 Abstract of Patrick B. Sharp’s From Yellow Peril to Japanese Wasteland: John Hersey's “Hiroshima” In his essay From Yellow Peril to Japanese Wasteland: John Hersey’s “Hiroshima”, Patrick B. Sharp describes how John Hersey fits the characteristics of a modernist author who sympathizes with the Japanese through his 1946 work Hiroshima. He initially contrasts Hersey’s work from the narratives brought upon by popular American works Buck Rodgers and
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I have fallen in love with this poem! This is a free verse poem so there are no specific patterns or rhyming . There are 7 stanzas with 51 lines. The sentence lengths are roughly the same and the number of words in each line are close. While reading the poem I realized that Billy Collins keeps ever begging word in each stanza different from the others. I like this because each sentence sounds different and it’s not repeating the same word over and over again. He keeps this consistent throughout
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The repeating of a dark and dreary image that appears in the second stanza is a clear example of motif, and this repetition once again emphasizes the sadness, loneliness, and gloom that the speaker feels. In fact, the first, second, and fifth lines of the first stanza are repeated almost exactly in the second stanza. In this stanza describes more rain, more darkness, and more “never weary” wind. But however, in the second stanza it also gives the reader some new information. For the 1st time, the
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The piece I’m Still Here is a great piece for many different reasons. One reason it is a great poem is because it has a good flow to it. In the poem there is many different example of rhyming. Goodbye and cry, sad and had, seek and speak, you and through, and hear and near are the different rhymes in the poem. Another reason I like this poem is because it is very well written piece showing someone’s belief of what happens when you die. This poem makes me wonder what will happen when you die and is
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Although I was intimidated at the prospect of translating a Latin lyric poem, I was interested to see what I could come up with. I have chosen to translate “To Dellius” from Book Two, Ode Three. I began by reading a few different translations of the ode, the first by David Ferry, the second by Eugene Field, and the last by Paul Shorey and Gordon J. Laing. David Ferry’s translation makes Horace’s transition from second person to first person in the ode very clear, so I wanted to use the same tactic
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Ozymandias was a very interesting poem to read. I had to go over it a couple of times to actually meaning. due to the clever implementation of metaphor, imagery and syntax and incorporated in to it. It was equally very confusing, due the choice of words by the author which at times had me questioning the purpose of some of the words For instance, I moticed that in the line "shattered, wrinkled, sneer, frown, mocked, boundless happens to be diction. The author used enjamSyntax whcih can be seen
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