When visiting the Reynolda House I encountered many beautiful pieces of art work. However, I only chose three pieces that really stuck out to me. The first piece I chose was a bronze sculpture called A Thing of Beauty, the second piece was an oil painting on wood called The Whipping and the last piece was a portrait of Georgia O’Keeffe. Each piece has is beautiful in different ways considering the first is a 3D sculpture, the second is an oil painting and the other is a photograph. This paper will
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asleep in his crib. He surveyed his surroundings and crept forward, The rain whipped around through the trees. As he came to the brick walls, he began to climb. Up he went. Higher and higher. He climbed up to the third floor and hung on to the projecting stones. Through the half-open curtains, he could see a woman alone. Her
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against Lorenzo Ghiberti and five other sculptors for the commission to make the bronze reliefs for the door of the Florence baptistery. Brunelleschi's entry was the best part of his short career as a sculptor, even tho Ghiberti won the
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The dank air stings his dry throat and makes it hard for Rainsford to catch his breathe. He opens his eyes slowly and looks around. The walls are painted a nice white color and the floors are a metallic gray that shine under the white light. He looks up to see the hole he fell through, but it was gone. It closed behind him and now all that he can see are steel beams going vertically across
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Adil Samia Youssef Doctor Ray Alcodray 1420 Dacosta Dearborn, MI 48128 U.S.A. 313 563 4126 info@arabtheater.org The Fate of A Cockroach - Copyright Ray Alcodray 2003 Page 1 of 49 The play opens in the Cockroach kingdom. A place behind the wall of the home of Adil and Samia somewhere in the occupied lands of the Middle East. Lights Up KING: QUEEN: KING: QUEEN: KING: QUEEN: KING: QUEEN: Come along – It’s time for a day’s work. It’s not even dark yet! It will be any moment. Has the blinding
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Dance within these walls, little male puppets. Google “The Citadel” and the images we are graced with are of young men, sharply dressed in Confederate grey, marching a perfect march. The Cadets are running with looks of joy, as they have earned the privilege of happiness. Arising like a mighty fortress from a pristine landscape of lush green are the huge buildings that will be school, home, purgatory, and one day a place worshipped by those that survive their years studying as cadets. Within the
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Twinkle twinkle little star, melancholic theme song #1. | Costume | Night gown, tomboyish attire (colour blocking), suit | Notable props in scene | Rotating fan, window blinds, cosmetics, toys, teddy bear, glasses, medical textbook, notepad, mug, wall clock, steaming cup of tea. | Jobs to highlight in the scene | * Introduction of strong POV for flashback scene. * Entrance of blinds * Entrance of dressing table (with cosmetics & toys). * Familiar image of teddy bear (Entrance) *
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Earl Moore are moving on up, they are also moving on up to a place that has less space. There will be eight hundred square feet less to be exact. Assuming the store will be placed to where customers enter at the 40 foot front, there would be a double door opening entrance with display
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beginning of the story, Lise's mother, Annalise, gets into a car crash while her two children were just getting home from their last day of school. Free and Lise had to stay the night at their mother's best friend's house, who happens to live right next door. Once their mother is out of the hospital, she has to be in a wheelchair due to injuries. Lise and Free have a hard time seeing their mother in this extensive amount of pain. A few weeks the doctor recommended Annalise a change of scenery to help
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Fortunato comments on the Montresor family motto and emblem. The phrase means nobody harms me without being punished. Montresor and Fortunato refer to niter several times. Montresor calls it "the white web-work which gleams from these cavern walls." The niter, therefore, represents the web, or the trap, Montresor has set for his victim. Fortunato means fortunate in Italian, an ironic name for someone about to be walled up in the catacombs. (Stepp, 1976) Montresor's behavior toward Fortunato is described
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