...of women: equality and respect --Jane Eyre Jane Eyre is known as one of the greatest and most permanently popular novel in the world of English literature in the nineteenth century. Written by Charlotte Bronte, a great woman writer in England, it is the first English book I have ever read. I can’t forget how excited I was when I read the novel three years ago for the first time.” It is such an amazing and excellent work that it attracts me deeply,” I thought to myself. Up till now, I have read the novel several times and each time I read it, there were some new feelings and thoughts occurring to me, which made me gain a lot. Charlotte Bronte, the author of Jane Eyre, was born in 1816 in northern England. She lived in a family of poets and her father Patrick Bronte was a curate of Haworth. Charlotte has one brother and four sisters. The young Brontes learned their lessons under the guidance of their father and read books borrowed from local library. With their vivid imagination and hard work, some of them have made great achievements in literature. Charlotte Bronte finished her great work Jane Eyre while her sister Emily Bronte is famous for the novel Wuthering Heights. Jane Eyre is an influential work. It is widely believed that the book is a reflection of its author Charlotte’s real life. It tells a story about an orphaned poor British girl, who suffers a lot of pain but still pursues love and respect bravely. The girl’s name is Jane Eyre. Her early life at Gateshead was terrible...
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...combined in the retrospective novel 'Jane Eyre'. The novel depicts characters, such as Mr Brocklehurst and St.John Rivers that are challenges to the ideal christian way and faith throughout the novel. The eccentric romantic gothic genre and the surrounding supernatural presence lurks around crowds of chapters. The contrastive saint Helen Burns used as a reverence to the good aspect and purity of christianity. Banned after it was originally published.Questioning christianity was highly seen as blasphemous.This novel was considered controversial at the time of it's original production, as the victorian England were engulfed in religion and thus lifestyles was dominantly influenced by christianity. Implications that Mr Brocklehurst and Mrs Reed might be participating in a false religion, through the course of their actions and descriptions. The metaphor ‘black pillar’ is used to describe Brocklehurst and others inability to religion and matters of spirituality from any other perspective apart from their own, such austere characters mirror evangelical Christians sense of imperative regulations. Such distasteful representive’s being compared to that of evangelical Christians, may seem anti-Christian. Hypocritisy is thoroughly appreciated as one of the constructions of many living in a false religion. Bronte exposes Mr Brocklehurst desire’s to uphold his reputation of being an enlightened Christian, but Jane clearly testifies against his principles...
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...Although most readers of Jane Eyre are enthralled by the illusion of suspense surrounding the climax of the novel and its subsequent falling action, Charlotte Brontë has, in fact, already delivered a subtle clue concerning her Jane’s fate through her use of a first-person narrative and her personal experiences in nineteenth century Victorian society. During this era, women were relegated to domestic tasks and frivolous hobbies meant to distract them from more satisfying aspirations such as authorship, which Jane, the novel’s protagonist, desires. However, the mere existence of the novel Jane Eyre foreshadows Jane’s eventual achievement of the personal agency that enables her to explore creative and intellectual gratification through her memoir...
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...Charlotte Bronte disapproves of the male dominated society she is living in by raising awareness regarding men and women’s treatment in the Victoria Era. Although the Victorian Era was not known for equality, it was characterized by the differences between the two sexes. The Victorian Period is known for female writers to speak for the oppressed women and because of that, “Jane Eyre” becomes the most influential novel due to Charlotte’s outspokenness. Jane Eyre is constantly belittled by male figures in her life. Even at a young age, Jane was looked down upon because she was a woman. John Reed and Mr. Brocklehurst degrade Jane to make sure she remains passive and obedient to men. When Jane answers to Mr. Brocklehurst telling him she does not...
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...A Comparison of Jane Eyre and Lin Daiyu in the View of Philosophy and Feminism I. Introduction 1.1 A Brief Introduction of Jane Eyre and Lin Daiyu “A Dream of Red Mansions” is one of the most outstanding works of China’s classic novels of realism. It bases on the background of Jia, Shi, Wang, Xue four families’ rising and falling, with the clue of the love tragedy of Jia Baoyu and Lin Daiyu. It truly and artistically reflects the historically declining trend of China’s feudal society. “A Dream of Red Mansions” can also be described as “Girls’ Country”, which is the anthem of female, but also is the threnody of women. The heroine Lin Daiyu, Annatto Fairy, wants to repay the goodness of God Shen Yin, taking her lifetime of tears in exchange for his being saved. Her rebellious sprit and solitary character, makes her as a lotus opening at a secluded place, clinging to her own pureness—for pure you came and pure shall go. She is sentimental and unfortunate, and is doomed to being lonely and pathetical .She, Lin Daiyu, lives under another’s house—Rong mansion, Grand View Garden, and she has no one to complain her sadness to. She is “Yea to the very end of heaven, Where I could find a fragrant grave!” in frustration, “What time the third moon comes, the scented nests have been already built. And on the beams the swallows perch, excessive spiritless and staid” in sorrow, and finally ends up with the sadness of “Flowers fade and maidens die; and of either naught any more is known”...
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...or another. Jane became more at rest with her soul as the book continued, then she proceeded to get her identity taken away from her as she started to fall more and more in love with Mr. Rochester. She started off so proud, but as the story progressed, she became humble because of the life she was living before and the things she had to face in the past. That was when she was most at balance with herself and with her life. Then slowly but surely, she started losing herself in her husband’s arms in an artificial version of happily ever after. Looking back at one’s past, there may have been many instances when words pour out of one’s mouth like a waterfall and one just can’t stop oneself. One knows whatever one is going to say is truly horrible, but there’s the thing, you just don’t care. This is what happened to Jane. Threads have been wearing thin for a while and all of the thoughts that she had been keeping in her...
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...TEXTUAL ANALYSIS 1. The passage is taken from Volume II, chapter xx of the novel Jane Eyre, by Charlotte Bronte. The bildungsroman begins to focus on the turning point in Jane’s maturity. She will have to make moral decisions and the passage relates her inner forebodings. The novel cannot be truly characterized as gothic however; this chapter appears to have a very gothic tone. This can be seen in the ghostly vision and weather which exhibit supernatural tones, the damaged chestnut tree, and Jane’s restlessness for no apparent reason which she describes as “hypochondriac”. Other gothic elements include Jane’s sense of terror at seeing a vision, wearing and ultimately ruining her wedding veil, the weather, and the symbolic imagery of the Chestnut tree. The passage also represents a significant issue in regards to the morale personae of Mr. Rochester. His untruth at leading Jane to the door of marriage knowing he had an insane wife, whom he could not divorce. One may suppose he should not have offered marriage to Jane. Jane would have to make a moral decision in spite of her deep love for Mr. Rochester and make choices which will affect her life from this time forward on societal and inner morality. TEXTUAL ANALYSIS 2. The passage is taken from the novel Mill on the Floss, by George Eliot, page 68. The passage refers to the narrator speaking of Mr. Riley a “gentleman” who was a very educated auctioneer and appraiser. The passage can be analyzed on different perspectives:...
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...Jane Eyre by Charlotte Brontë An Electronic Classics Series Publication Jane Eyre by Charlotte Brontë is a publication of the Pennsylvania State University. This Portable Document file is furnished free and without any charge of any kind. Any person using this document file, for any purpose, and in any way does so at his or her own risk. Neither the Pennsylvania State University nor Jim Manis, Faculty Editor, nor anyone associated with the Pennsylvania State University assumes any responsibility for the material contained within the document or for the file as an electronic transmission, in any way. Jane Eyre by Charlotte Brontë, the Pennsylvania State University, Electronic Classics Series, Jim Manis, Faculty Editor, Hazleton, PA 18202-1291 is a Portable Document File produced as part of an ongoing student publication project to bring classical works of literature, in English, to free and easy access of those wishing to make use of them. Cover Design: Jim Manis Copyright © 2003 - 2012 The Pennsylvania State University is an equal opportunity university. Charlotte Brontë Jane Eyre by Charlotte Brontë PREFA PREFACE A PREFACE TO THE FIRST EDITION of Jane Eyre being unnecessary, I gave none: this second edition demands a few words both of acknowledgment and miscellaneous remark. My thanks are due in three quarters. To the Public, for the indulgent ear it has inclined to a plain tale with few pretensions. To the Press, for the fair field its honest suffrage...
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...Violence is a core part of the attraction of the narrative, examine the ways in which the writers explore the theme of violence. Charlotte Bronte and Jean Rhys uses violence in several scenes throughout the novel. The violence in the novel is not fatal to everyone, it is just used to catch the reader’s eye, it creates suspense and strong curiosity. This novel consists of many emotional aspects. In both ‘Jane Eyre’ and ‘Wide Sargasso Sea’ a number of characters undergo various acts of violence. This violence is presented in a number of different ways, these being mental, physical and social violence. Throughout the first four chapters Jane is both emotionally and physically tormented by Ms Reed, John Reed and Bessie. ‘you are a dependent’ Jane is mad to feel belittled and an outcast, she does not only take emotional abuse from John Reed but John is known to take frequent blows at Jane without a moment’s thought and takes somewhat pleasure in doing so. For Jane’s response to John she was punished ‘four hands were immediately laid upon me’ showing the harsh brutality Jane undergoes under the command of Ms Reed as she is places in the ‘red room’. ‘Penetrating rain’ symbolises Ms Reed and how piecing of a character she is. The neglect Jane faces is very similar to that Antoinette faces with her own mother. Emotionally her mother is absent she is merely there physically ‘flung me from her’ her mother was not at all emotionally attached to her but was very much so to her brother...
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...Heights From Wikipedia, the free encyclopedia Wuthering Heights is Emily Brontë's only novel. Written between October 1845 and June 1846,[1] Wuthering Heights was published in 1847 under the pseudonym "Ellis Bell"; Brontë died the following year, aged 30. Wuthering Heights and Anne Brontë's Agnes Grey were accepted by publisher Thomas Newby before the success of their sister Charlotte's novel, Jane Eyre. After Emily's death, Charlotte edited the manuscript of Wuthering Heights, and arranged for the edited version to be published as a posthumous second edition in 1850.[2] Although Wuthering Heights is now widely regarded as a classic of English literature, contemporary reviews for the novel were deeply polarised; it was considered controversial because its depiction of mental and physical cruelty was unusually stark, and it challenged strict Victorian ideals of the day, including religious hypocrisy, morality, social classes and gender inequality.[3][4] The English poet and painter Dante Gabriel Rossetti referred to it as "A fiend of a book – an incredible monster ... The action is laid in hell, – only it seems places and people have English names there."[5] In the second half of the 19th century, Charlotte Brontë's Jane Eyre was considered the best of the Brontë sisters' works, but following later re-evaluation, critics began to argue that Wuthering Heights was superior.[6] The book has inspired adaptations, including film, radio and television dramatisations, a musical by Bernard...
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...Dystopia Regrettably it is at this point that we find a gradual switchover from Utopia to Dystopia - societies whose planning is far from ideal, and which all too often come to grief. As a concept, Dystopia emerges at the end of the long Eighteenth Century, possibly as a result of social upheaval and the long wars. it comes to the fore towards the end of the Nineteenth Century with gloomy forebodings as to the impact of industrialisation. Some go for a mechanical paradise. Others foresee a world order where things have got beyond repair - and that's not just the machines. Jack London in The Iron Heel (1908)sees the collapse of the American republic between 1912 and 1932 with the rise of 'The Oligarchy' (though he also thinks that international worker solidarity will avert a world war in 1913). Dystopia is highly pessimistic in tone. It traces what happens when things go wrong, either in an ideal world which has gone into crisis or decline, or else is a portrayal of of a world where society has collapsed at some time in the past. It is form of writing with a moral - and a warning. The irony is that reality can be stranger than fiction. The finale of The Mission is a case in point. The humanitarian goals of the Jesuit Fathers ironically contained the seeds of destruction for the Missions. The presence not only of rational Indians, but Christianised ones who were highly skilled proved to be too much of a temptation for the bandeirantes, slavers who came across from Brazil and...
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...GD GOENKA WORLD SCHOOL Extended Essay What is the role and significance of women in Thomas Hardy’s ‘Tess of the D’Urbevilles’ and George Eliot’s ‘Middlemarch’? Candidate Name: Jaee Sherlekar Candidate Number: 002279-104 Session: May 2011 Subject: English A1 Level: Higher Level Word Count: 4000 Supervisor: Ms. Jyoti Ahuja Abstract: In this essay, I have attempted to bring out the reality of the “glorious” Victorian Era. An era which is said to be the time when the world took its first steps towards reform in terms of technology, medicine, entertainment - every section of the society was touched with the reform but women were still shackled in the society’s ideals. “What is the role and significance of women in Thomas Hardy’s ‘Tess of the D’Urbevilles’ and George Eliot’s ‘Middlemarch’?” ‘Tess of the D’Urbevilles’ is a book which mocked at the norms about the purity of a woman. I have tried to analyse the struggle of a woman through the seven stages of her life whereby man is not punished for his sins but the woman has to suffer the brutality of life. It is about the doomed life of Tess Durbeyfield, who at every stage of life, struggled for her identity. ‘Middlemarch’ again a book defining the lives in the Victorian Era where some sky-castles are built and with a change of fate, they shatter on the ground like glass pieces. They take decisions which define their lives and yet at the end they are bound in the walls of the society. This research is attempted...
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...Patriarchal Oppression and Cultural Discrimination in Jane Eyre and Wide Sargasso Sea “In order to be irreplaceable one must always be different” (Coco Chanel) “We may have all come in different ships but we’re in the same boat now” (Martin Luther King, Jr.) “Share our similarities, celebrate our differences” (Morgan Scott Peck) These quotations, which were uttered in the 20th century, have in common that to be different is regarded not only as tolerable but also as something that should be pursued. Also, they reflect the process of increasing tolerance towards females and foreigners, which in many countries has taken place during the end of the 20th and beginning of the 21st century, with the result that, today, these two groups are widely, although by far not entirely, regarded as equal. However, only two centuries ago, people who were different or ‘other’ were considered subordinate or even frightening, and in the 19th century, this was true for both females and people from the orient or colonized people (Barry 134, 193). In Jane Eyre (JE), published in 1847, and in Wide Sargasso Sea (WSS), the prequel or paraquel of JE that was written about one hundred years later and published in 1966, the two female protagonists, Jane, a female orphan, and Antoinette, a female Creole, struggle against displacement and patriarchal oppression and, in Antoinette’s case, also against imperialistic domination. In JE, the reader learns that Jane can handle this pressure whereas Antoinette/Bertha1...
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...Reading the Novel in English 1950–2000 i RTNA01 1 13/6/05, 5:28 PM READING THE NOVEL General Editor: Daniel R. Schwarz The aim of this series is to provide practical introductions to reading the novel in both the British and Irish, and the American traditions. Published Reading the Modern British and Irish Novel 1890–1930 Reading the Novel in English 1950–2000 Daniel R. Schwarz Brian W. Shaffer Forthcoming Reading the Eighteenth-Century Novel Paula R. Backscheider Reading the Nineteenth-Century Novel Harry E. Shaw and Alison Case Reading the American Novel 1780–1865 Shirley Samuels Reading the American Novel 1865–1914 G. R. Thompson Reading the Twentieth-Century American Novel James Phelan ii RTNA01 2 13/6/05, 5:28 PM Reading the Novel in English 1950–2000 Brian W. Shaffer iii RTNA01 3 13/6/05, 5:28 PM © 2006 by Brian W. Shaffer BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Brian W. Shaffer to be identified as the Author of this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and...
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...Министерство образования и науки Республики Казахстан Кокшетауский государственный университет им. Ш. Уалиханова An Outline of British Literature (from tradition to post modernism) Кокшетау 2011 УДК 802.0 – 5:20 ББК 81:432.1-923 № 39 Рекомендовано к печати кафедрой английского языка и МП КГУ им. Ш. Уалиханова, Ученым Советом филологического факультета КГУ им. Ш. Уалиханова, УМС КГУ им. Ш. Уалиханова. Рецензенты: Баяндина С.Ж. доктор филологических наук, профессор, декан филологического факультета КГУ им. Ш. Уалиханова Батаева Ф.А. кандидат филологических наук, доцент кафедры «Переводческое дело» Кокшетауского университета им. А. Мырзахметова Кожанова К.Т. преподаватель английского языка кафедры гуманитарного цикла ИПК и ПРО Акмолинской области An Outline of British Literature from tradition to post modernism (on specialties 050119 – “Foreign Language: Two Foreign Languages”, 050205 – “Foreign Philology” and 050207 – “Translation”): Учебное пособие / Сост. Немченко Н.Ф. – Кокшетау: Типография КГУ им. Ш. Уалиханова, 2010 – 170 с. ISBN 9965-19-350-9 Пособие представляет собой краткие очерки, характеризующие английскую литературу Великобритании, ее основные направления и тенденции. Все известные направления в литературе иллюстрированы примерами жизни и творчества авторов, вошедших в мировую литературу благодаря...
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