...passengers”, written by Waqar Ahmed, is a text that works with these issues, in a very interesting way. In these years taxi drivers get thrown in to unpleasant situations unwillingly, where they stand torn between culture and faith. Nadeem Riaz is out in his taxi, as were it just another day, he had just done 3 and half hours driving from JFK airport and keeping away from the police. He was in dire need of some customers. As it happens, he picks a couple, a Pakistani male, named Faisal, and a Caucasian woman, both deeply interested in each other, as they lie on the backseat having fun, driving a two-stop trip, very lucrative for Nadeem. As they lay there, Nadeem has bad feelings, as he feels it’s very in appropriate. As the woman leaves, Faisal and Nadeem discuss their actions and in a way their cultural differences. Nadeem is a man in his mid forty/fifties, he drives a taxi/cab for living. He comes from Pakistan were he lived earned respect and had a fairly good life. Although he moved to America. He has a low social status he lives of the money he earns by driving a cab, which he relies heavily upon, he needs to spend every waking minute ferrying people from A to B, to have a chance of supporting his ever needing family. To live in a environment with a high reaching hierarchy, discrimination is see a lot. Nadeem lives for the American dream. But the American...
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...no boundaries. However, film is not only created as an entertainment tool, it can often also mirror society and its changing values. A film can be a communicator of ideas whether it is reflecting political perspectives or challenging cultural issues. This is the case in 1976, when Martin Scorsese and screenwriter Paul Schrader had created the modern film classic Taxi Driver. During this time America had undergone a lot of fluctuations in its economic and social movements. This film takes place in New York City through the perspective of the protagonist Travis Bickle, who is played by Robert De Niro. Through Bickle's eyes the city appears to be corrupted and struggling. Furthermore this iconic thriller takes place when America is facing new wounds from the post-world war two eras. From the main character’s perspective, the film examines the theme of loneliness that influences the protagonist’s character development in an urban society. On the surface, the film is based on the life of Travis Bickle who was once a Vietnam vet that finds the means to survive in the big apple through a blue-collar job as a Taxi Driver. The film illustrates the alienation that occurs to individuals after a social change to political events. In this film the story’s backdrop is placed in the 1970s of New York City....
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...F. Scott Fitzgerald’s, The Great Gatsby, demonstrates that Jay Gatsby lives a life of the American Dream gone wrong by lowering his morals with the corrupt nature of greed, Jay only focuses on the past to move forward in his own grand dream for himself, and how Fitzgerald’s use of symbolism during the Roaring Twenties exemplifies theme areas in the novel. F. Scott Fitzgerald's, The Great Gatsby, the cars represent a form of status. Nick takes taxis while Gatsby drives his custom made, cream-yellow car. According to Dan Seiters, “It is a rich cream color, a combination of the white of the dream and the yellow of money, of reality in a narrow sense,” (1). After Daisy kills Myrtle a bystander talks about the car and says, “It was a yellow car....
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...The Pursuit of Happyness Based on the true life events of Chris Gardner, now an American entrepreneur, investor, stock broker, author, and renowned speaker, The Pursuit of Happyness explores Chris Gardner’s ups and downs with homelessness in the early 1980’s. Gardner faces multiple struggles in his conquest to take care of his child as a single father, while also attempting to maintain a job and provide the basic necessities for primarily his son and himself when possible. Even as things begin to appear like they may be getting better for Gardner, they suddenly and continuously get much worse. However, through these crests and troughs in Gardner’s life, one can see Chris reflecting on and learning from his past, moving from a more individualized identity to a collective one, and displaying the spirit of generosity with what little he had. One of the most prevalent aspects of the movie from the beginning is Gardner learning from his past, more specifically his parents past, a theme also prevalent in Bordas’ text “Salsa, Soul, and Spirit”. In the text, Bordas uses the word Sankofa to mean reaching back and collecting experiences, values, and culture and to learn from them in order to avoid the drawbacks and stalemates of history. She says, “Sankofa rests on the foundation of the past, its feet are facing forward. This ancient symbol counsels us that the past is a pathway to understanding the present and creating a strong future.” (Bordas 28). Within the first few minutes of...
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...Film i Engelsk Bilag 1a FILM ANALYSIS – an introduction (Source: http://www.filmeducation.org) – bearbejdet af Mi og LK, Favrskov Gymnasium Reading a film is just like reading a book, except that instead of looking at a written page we are looking at the cinema screen. Reading a film works in exactly the same way as a written text, or a picture, except that the tools that are used to create meaning are different. We call these tools film language. The opening sequence From the moment we first start watching a film, we begin to get involved. The first few minutes of a film (the opening sequence) are very important to us as they give us lots of clues about the film: 1) what will the film be about (conflicts/themes); 2) who are the most important characters (hero, villain, love interest); 3); what is the setting of the film (time and place); 4) the genre; and finally, 5) what sort of film language characterizes the film? We look at all these elements and begin to put them into context. Based on their environment, how they look, what they say and what we see them do, we make assumptions about the characters, their roles in the film and their relationship to each other. We also recognize so-called genre markers (things we associate with one particular genre) which tell us if we are watching a Western or a Sc-Fi film and, thus, form specific expectations about what is going to happen during the rest of the film. At the same time, we listen to the sounds and the music...
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...SOC 322 All Discussions Forum Click Link Below To Buy: http://hwcampus.com/shop/soc-322-discussions-forum/ Discussion Forum 1 Discussion Forum 1: What is your cultural background, and what is it like where you live? In Discussion Forum 1, post your response to the following discussion questions. Reply to at least two classmates’ responses by the date indicated in the course Calendar. 1. What is your cultural background, and what is it like where you live? 2. Describe how you have encountered the strange in the familiar in your own neighborhood or in some other place and what reference groups do people use in your neighborhood to define what is culturally and socially appropriate habitus? 3. In your neighborhood, are there ways that the people create social distance to separate themselves from others unlike them even to the point of being ethnocentric? CO1, CO7 Discussion Forum 2 Discussion Forum 2: Cultural Experiences In Discussion Forum 2, post your response to the following discussion question. Reply to at least two classmates’ responses by the date indicated in the course Calendar. Using a blend of your own experiences, supported by your understanding of the course readings and key terms integrate the following questions into your discussion board posting. It should be three strong paragraphs of 4 – 5 sentences in each paragraph. Then respond to at least two colleagues with an antithesis question on their posting. 4. Culture defines social roles...
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...1 In The Spitting Image Jerry Lembcke shows how this image is a myth that serves the interests of the powerful who led the U.S. to war. Lembcke is a sociologist at Holy Cross College, a Vietnam veteran who was an active member of Vietnam Veterans against the War. His book demolishes the myth that the antiwar movement was anti-soldier and that vets were spat upon.In this book, he argues that the common claim of American soldiers were insulted and spat upon when they returned home from the Vietnam War is a myth and nothing more. It was intended to discredit the anti-war movement and the protesters that were behind it. Lembcke stated that the Nixon administration was behind the propaganda and was using it to discredit the anti-war movement protesters. He theorizes that the reported "spitting on soldiers" scenario was a mythical projection by those who felt "spat upon" and was meant to discredit future anti-war activism. He suggests that the images of pro-war antipathy against anti-war protesters helped contribute to the myth. Lembcke argues that memories of being verbally and physically assaulted by anti-war protesters were largely conjured, arguing that not even one case could be documented. However, some news accounts that mention spitting do exist, although there has been no evidence to support those accounts.( Discover The Networks) It is hard to disprove a myth and hard to prove that something never happened. Lembcke acknowledges...
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...S HONG KONG DISNEYLAND w 907M13 Michael N. Young and Donald Liu wrote this case solely to provide material for class discussion. The authors do not intend to illustrate either effective or ineffective handling of a managerial situation. The authors may have disguised certain names and other identifying information to protect confidentiality. Ivey Management Services prohibits any form of reproduction, storage or transmittal without its written permission. Reproduction of this material is not covered under authorization by any reproduction rights organization. To order copies or request permission to reproduce materials, contact Ivey Publishing, Ivey Management Services, c/o Richard Ivey School of Business, The University of Western Ontario, London, Ontario, Canada, N6A 3K7; phone (519) 661-3208; fax (519) 661-3882; e-mail cases@ivey.uwo.ca. Copyright © 2007, Ivey Management Services Version: (A) 2007-08-27 September 12, 2006, marked the one-year anniversary of the opening of Hong Kong Disneyland (HKD). Amid the hoopla and celebrations, media experts were reflecting on the high points and low points of HKD’s first year of operations, including several controversies that had generated some negative publicity. At a press conference and interview to discuss the first year of operations, Bill Ernest, HKD’s executive vice-president, acknowledged that the park had learnt a lot from its experiences and that the problems had made it stronger. Ernest also announced that HKD attendance...
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...SOC 322 Complete Class Discussions and Assignments Click Link Below To Buy: http://hwcampus.com/shop/soc-322-complete-class/ Discussion Forum 1 Discussion Forum 1: What is your cultural background, and what is it like where you live? In Discussion Forum 1, post your response to the following discussion questions. Reply to at least two classmates’ responses by the date indicated in the course Calendar. 1. What is your cultural background, and what is it like where you live? 2. Describe how you have encountered the strange in the familiar in your own neighborhood or in some other place and what reference groups do people use in your neighborhood to define what is culturally and socially appropriate habitus? 3. In your neighborhood, are there ways that the people create social distance to separate themselves from others unlike them even to the point of being ethnocentric? CO1, CO7 Discussion Forum 2 Discussion Forum 2: Cultural Experiences In Discussion Forum 2, post your response to the following discussion question. Reply to at least two classmates’ responses by the date indicated in the course Calendar. Using a blend of your own experiences, supported by your understanding of the course readings and key terms integrate the following questions into your discussion board posting. It should be three strong paragraphs of 4 – 5 sentences in each paragraph. Then respond to at least two colleagues with an antithesis question on their posting. 4. Culture...
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...of China, who will soon be visiting India. Balram is an Indian man from an impoverished background, born in the village of Laxmangarh. Early on, he describes his basic story: he transcended his humble beginnings to become a successful entrepreneur in Bangalore, largely through the murder Mr. Ashok, who had been his employer. Balram also makes clear that because of the murder, it is likely that his own family has been massacred in retribution. In Laxmangarh, Balram was raised in a large, poor family from the Halwai caste, a caste that indicates sweet-makers. The village is dominated and oppressed by the “Four Animals,” four landlords known as the Wild Boar, the Stork, the Buffalo, and the Raven. Balram's father is a struggling rickshaw driver, and his mother died when he is young. The alpha figure of his family was his pushy grandmother, Kusum. Balram was initially referred to simply as “Munna,” meaning “boy," since his family had not bothered to name him. He did not have another name until his schoolteacher dubbed him Balram. The boy proved himself intelligent and talented, and was praised one day as a rare “White Tiger” by a visiting school inspector. Unfortunately, Balram was removed from school after only a few years, to work in a tea shop with his brother, Kishan. There, he furthered his education by eavesdropping on the conversations of shop customers. Balram feels that there are two Indias: the impoverished “Darkness” of the rural inner continent, and the “Light” of...
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...New trend of digital advertising in auto industry The earliest world known auto advertisement appeared in 1898. It was placed in a magazine called Scientific American occupying a whole page and cajoling reader to “dispense with a horse”. This very first auto ad was made for Winston Motor. We won’t see much Winston cars running these days since they stopped producing cars in 1924. I suspect at that time the Winston Motor couldn’t expect they set new era in motion. A century passed, auto ad has developed and grown. With the development of technology, there appeared more transmission channel. According to Borrell Associates’ latest report, the auto industry’s use of print, radio, and direct mail will be taken over by this growing transition to digital media. To put things into perspective, about 40 cents of every media dollar spent for automotive marketing will go toward digital advertising in 2011 and in 2012 it is likely 90% of additional advertising dollars will go toward digital media.[1]Obviously, digital media is the general trend in auto advertising. Television; internet website; social media network and video network are all digital platform. In this thesis I will focus on creative TV advertising; product placement and micro-film advertising. Because among all those digital ads, there are fast-growing recent years and represent the develop direction of automotive advertising. Creative TV commercials Most of the time, advertising is regarded as a supporting...
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...Scene-by-scene Commentary • This is intended as a teacher resource and should not be given to students. They will absorb and remember much more of what they discover and write down for themselves. • Scene numbers are for easy reference; they may refer to sequences rather than single scenes. They have no official standing and should not be quoted in essays or answers. Chapter division are from the DVD. • Time shifts are indicated thus: F/B-W = wartime memories; F/B-PW = post war memories; H or D = dreams, hallucinations – though they are often mixed up, so it is an indication only • 'Clue': used to point out deliberate illogicalities etc. that may cause unease on first viewing but are really obvious only on subsequent viewings. S/T: 'sub-text' = things said that take on another layer of meaning on second viewing. • 'Teddy' is used for the Marshal persona, 'Andrew' for his real identity as a patient. Similarly Chuck / Dr Sheehan. • Abbreviations used: // = CUT; M = motif; A = allusion; F/S = foreshadowing (signposting); MS = Martin Scorsese narrative commentary 1. screen text: Boston Harbour Islands, 1954 fog; a ferry appears; a man (Chuck) stands at the bow // INT. HEAD - DAY: a man being sick "It's just water. It's a lot of water." SHALLOW FOCUS on manacles and handcuffs, PULL FOCUS as he emerges He joins a solicitous Chuck at the rail. They introduce themselves – he is Teddy Daniels, a "legend" in the US Marshalls. Teddy concedes that he used to...
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...Adventures with God Real Life Inspirational Stories 37 Allan David Weatherall Contents Introduction:.......................................................................................... i Chapter 1: Random Acts of Kindness....................................................1 Chapter 2: What is Eritrea? . ............................................................... 4 Chapter 3: The Power of Faith & Hope ............................................. 11 Chapter 4: Hey, Chuck Norris! . ........................................................ 14 Chapter 5: We’ve Been Expecting You! ............................................ 18 Chapter 6: On the Road to Jerusalem ................................................ 24 Chapter 7: Jerusalem . ........................................................................ 28 Chapter 8: But, I’m not a Catholic .................................................... 32 Chapter 9: America... here I come ...................................................... 37 Chapter 10: My Friend, John . ............................................................41 Chapter 11: Finding God in the Storm . ............................................ 45 Chapter 12: Trusting God in the War Zone ...................................... 49 Chapter 13: Jahzal . ............................................................................ 52 Chapter 14: The Steadfast Faithfulness of God ................................. 57 Chapter 15: Confrontational Love in the...
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...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...
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...steam as crowds dive into the tangle of battered yellow minibuses. A dozen passengers pack into one bus, and the driver grinds into gear, lurching at full throttle to gain a six-inch lead over his competitor. The side-view mirror has to be pulled in for the bus to squeeze through. Girls balancing bags of water on their heads edge their way through the traffic to vend their wares. Toilet brushes, cutting shears, smoked fish, hankies, inflatable globes and even a steering wheel are sold by boys as the coil of traffic becomes ever more ensnared. But the action never stops for a moment. That’s Lagos—a city that moves, miraculously, against the odds. A mighty magnet It’s difficult to find the centre, let alone the logic, of this city reputed to be the most dangerous in Africa. Three bridges connect about 3,500 square kilometres of lagoon, islands, swamp and the mainland, where unlit highways run past canyons of smouldering garbage before giving way to dirt streets weaving through 200 slums, their sewers running with raw waste. So much of the city is a mystery. No one even knows for sure the size of the population—officially it’s 6 million, but most experts estimate it at 10 million (see box)—let alone the number of murders each year, the rate of HIV infection or the quantities of drugs that pass through the port of Apapa. Corruption is endemic at all levels. A bus driver doesn’t even slow down to slip a few bills into a policeman’s open palm to avoid being pulled over. The rich barricade...
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