...Paradise Lost By John Milton The Book note Table of Contents Introduction Cast of Characters Plot Summary An Analysis of Major Characters Satan Adam Eve Chapter Summary and Analysis Book 1 Book 2 Book 3 Book 4 Book 5 and 6 Book 7 Book 8 and 9 Book 10 Book 11 and 12 Symbols and Themes Quotes The Quiz Introduction John Milton was born in London on December 9, 1608. He was the son of a successful Protestant merchant, and was provided with an excellent education that included the opportunity to travel widely throughout Europe. He was fluent in a number of classical as well as modern languages, including Greek, Latin, Hebrew, Aramaic, Spanish, Italian, French and Dutch. In 1625, he began his attendance at Cambridge University with the intention of becoming a clergyman in the Church of England, but was disillusioned by what he considered the arrogance and ignorance of his fellow students. He decided that his true calling was to serve God and his country as an author and poet. Inspired by Roman poets of antiquity, and particularly Virgil, Milton aspired to create a great epic poem in the English language. He considered two other distinctly British topics for his epic—the story of King Arthur and his Knights of the Round Table, and the military exploits of the general Oliver Cromwell—before settling on the Biblical story of Adam and Eve and their fall from God’s grace through disobedience. Milton was politically active throughout his life, and was outspoken...
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...written by Sylvia Plath, reveals competing satire and radical takes on the poem. A formal analysis and reader-response will explore the poems two meanings and how they are shaped and built within the work. The work in short is an expression of sex and sensuality versus safe guarding ones purity and oneself. As it opens with Cerberus at the gates of hell, unable to lick clean the feverish tendon, then to love as in the smell of a snuffed candle, next to the smoke breaking the speaker’s neck. The poem continues to compare adulterers to devilish leopards, but in the next stanza she pleads and her sheets grow heavy. The elements of allusion, diction and, imagery come together to highlight the poem’s ambiguity. Its ambiguity, the two views of taking the poem as the speaker being straight forward in presenting the celibate as more godly, and as a result the impure unworthy of them, and the perspective that the speakers god-complex and displayed self-importance is satire to mock the pure who find themselves so mighty. The two takes on the work are hidden from another once it is read within the internal perspective view of the reader. “Fever 103°” is a poem of two foils chosen to created make a mockery of the reader, the views are pinned together to show the human self-servient manner to choose what gives them self-justification. The poem fights heaven and hell. It alludes to the gates of hell, “Cerberus / who wheezes at the gate. Incapable / of licking clean / the aguey tendon, the...
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...An Analysis of the Setting in The Inferno Abstract Plutus and Pluto, and their placement in the fourth circle of Hell, were originally very confusing for me. After researching for the interactive oral, I had a much better understanding of him because, in Greek mythology, he is the God of wealth and, in Roman mythology, he is the God of the underworld. Pluto, the Roman God, is not only the God of the underworld, but also of the riches. He is placed in the fourth circle of Hell, that of greed and avarice, which makes sense because of the occupants’ sins, which have to do with riches and wealth. Also, the negative association of money and wealth to greed helped me tie in why a God was in Hell, other than the fact that Pluto/Plutus was Roman/Greek and not Christian. This development not only helped me understand why greed was around the middle of Hell, but also why Pluto/Plutus was there. It also connects to the prevalent idea of retribution, or an eye-for-an-eye, because the God of wealth, riches, and the underworld (money and evil) was around greed (evil due to money). My understanding of the retribution idea in The Inferno was also developed substantially through the interactive oral. Originally, it was easy for me to understand that the punishments were retributive; such as those who tried to look into the future will look backwards (to the past) for all eternity; gluttoners are rained upon by vomit (because they regurgitated what they ate), etc.; but what I did not understand...
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...first reaction was to be appalled; this is really what grabbed my attention though. Upon more analysis I realized that the children swinging from the ceiling was perhaps the most enlightening part of the sculpture, as the rest of the project they hung over was even more dark. Underneath the children was an open door way or gate. This made me ask the question, “what is this sculpture trying to represent or symbolize.” After examination I started to see what Hell’s gate could be. The Gate was all black and depicted pretty sinister mini sculptures. Figures in what most people would consider uncomfortable or odd positions. The features of each of the figures is ill-defined giving it an even more creepy feel. On the top of the gate is a replication of the famous sculpture “The Thinker”. This was a bit perplexing to me, as you wouldn’t expect this to be a hell bounding act....
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...then decided to write once again about a topic found in my first paper and I noticed that despite the fact that the Valley of the Rulers isn’t the first ledge, or terrace in Dante’s Purgatorio[1] (unlike Limbo which is the first circle of hell) and that it isn’t also technically IN Purgatory but right before it (a.k.a Ante-Purgatory), it does indeed have some similarity/parallelism (but also big differences) to the first circle of the Inferno (Limbo). The key words I noticed was that Dante the wayfarer asks Virgil who are those “separate from the rest” as they approach Limbo[2] (In the Inferno). Then in the Purgatorio, Sordello leads Dante and Virgil to the Valley of the Rulers who are referred to those (spirits) who are “set apart”[3] Now speaking of Limbo in the Inferno, Virgil, who also happens to be from this place (proved by line 39, Inferno 4), refers to the inhabitants of Limbo as “those who live in longing”[4] (manifested by their constant sighing, and not any outcry of pain due to suffering unlike other Cantos in the Inferno). Logically and factually, these souls long for the Beatific Vision or entry into Paradise, but such event will never happen despite these pagans being virtuous[5] (unless Christ decides to repeat the Harrowing of Hell wherein He took some virtuous pagans in Limbo and brought them to Paradise[6]). In reference now to the Valley of the Rulers, these individuals also live in longing, but unlike the virtuous pagans in Limbo, these late-repentants will ultimately...
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...Yaayy Final Essay of the Year (An analysis of Semester 2 and important texts room 303 has presented to the AP Literature class) The school year comes to an end, doors closing and new ones opening to present the next chapter in young adults’ lives. One of many things that are to be taken on this new journey beyond the known is the information and knowledge received throughout an individual’s life. Dr. McGee has made many texts and information available throughout these final months and so many are now embedded in the minds of his AP students. Throughout the course of 2nd semester the most valued texts of room 303 are Shakespeare’s Hamlet, John Milton’s Paradise Lost, and Goethe’s Faust. Shakespeare’s Hamlet, being studied for as long as it was, became an informational minefield of personal morals and the glimpse inside the human mind. One of the most famous examples is when Polonius says to Hamlet “To thine own self be true, and it must follow, as the night the day, thou canst not then be false to any man” (Hamlet 1.3.3). One must be true to him/herself or another person can judge an individual better...
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...HU 4640 Week 5 Analysis Freedom vs. Predestination Maynard Azurin July 21, 2014 ITT Online What is predestination? Predestination is believed to be a doctrine which God determines if a person will go to Heaven or Hell. This gives everyone in society an opinion towards their beliefs to teaching what choices we have in accepting Christ. Predestination is also the belief that everything that will happen have already been decided by God or fate and cannot be changed (Webster (2014). Predestination. http://www.merriam-webster.com/dictionary/predestination.) What is freedom? Many of us in today’s society see freedom or free-will as to being liberal. Freedom is not just being free as it is more of being free to what you have to express in what you believe and do. Many call freedom as “free as a bird” but to an extent in certain ways. Freedom can be simplicity, such as relaxing to live as well as others. Freedom also gives us the ability to make decisions without other influences from other people or governments. In today’s religious views, freedom teaches us the facts of God’s plan for salvation that every individual person has a choice to make, to either accept or reject God’s gift of salvation (Bennet (2009) http://www.freewill-predestination.com). Christians today see life towards destiny. We live and die after we live our lives. Fate is usually a predetermined course of events beyond our control. Whatever happens, happens, and there is nothing we...
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...Jason Palmer ENC 1102 [ 10 June 2013 ] The Vent Analysis Justin Scott (born August 26, 1986), better known by his stage name Big K.R.I.T (King Remembered In Time), is an American hip hop recording artist and record producer from Meridian, Mississippi. The lyrics of this song are commonly written like most songs with consonance, rhyme, and metaphors. In the case of the song The Vent it is fully written with other figures of language such as, imagery, allusions, that reveal the subject of the song, which is the mind of a person conflicted with emotions and nowhere to go, like holding a filled cup of water and it keeps filling and you have nowhere to empty it as it piles up and starts to overflow before the person drops and breaks the glass as a shattered psyche similar to a mental breakdown. The first topic of discussion is derived from the title. Venting is something we all at some point in our lives have been known to go through. It refers to the very moment when immense emotion is pent up in our mind our souls and most importantly our hearts so we need to find a way to channel these emotions calmly and peacefully through a listening ear. The Vent, like anyone else who has gone through this was a moment in this man's life where he had all of these emotions, these mental aches and pains, and what he goes through when he can no longer repress these emotions and needs to get something off his chest . The writer uses allusion in some parts of the lyrics, trying to explain...
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...omnibenevolent, omniscient and omnipotent. For theological determinists God’s omniscience means that he has foreknowledge of everything that will happen in the future. This would mean that our paths are predestined and that we are unable to choose any other action than the one God has already seen, or planned for us. This would remove any sense of free will we have, as we could not make any choice other than the one god has already seen and chosen for us, so we could therefore not be responsible for our actions. This is very similar John Calvin’s beliefs, which sparked from his rejection of the catholic church and the idea that you could earn your way into heaven. Calvin believed that humans are predestined as to whether they go to hell or heaven. This would mean that no amount of good deeds or repentance could get you to heaven as you are predetermined and have no free will about the choice. Although these theories bring up valid points to the idea of free will and how it fits in with our understandings of God, there are major problems with both of these theories. Firstly the idea that God knows what will happen before it does means that he is responsible for everything happening in the world. This would mean that God is responsible for the...
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...Chapter 10: Comparing Two Groups Bivariate Analysis: Methods for comparing two groups are special cases of bivariate statistical methods – Two variables exist: Response variable – outcome variable on which comparisons are made Explanatory variable – binary variable that specifies the groups Statistical methods analyze how the outcome on the response variable depends on or is explained by the value of the explanatory variable Independent Samples: Most comparisons of groups use independent samples from the groups, The observations in one sample are independent of those in the other sample Example: Randomized experiments that randomly allocate subjects to two treatments Example: An observational study that separates subjects into groups according to their value for an explanatory variable Dependent samples: Dependent samples result when the data are matched pairs – each subject in one sample is matched with a subject in the other sample Example: set of married couples, the men being in one sample and the women in the other. Example: Each subject is observed at two times, so the two samples have the same subject Categorical response variable: For a categorical response variable - Inferences compare groups in terms of their population proportions in a particular category - We can compare the groups by the difference in their population proportions: (p1 – p2) Example: Experiment: Subjects were 22,071 male physicians Every other day for five years, study participants...
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...loss to explain how the same God who made the meek, innocent lamb could create a horrifying creature such as the tyger. This essay will provide a detailed analysis of William Blake’s “The Tyger” paying particular attention, firstly to the extended metaphor in stanza’s 2, 3 and 4, secondly, to the poetic significance of repetition, in particular to the phrase “fearful symmetry”, thirdly, to the role that the rhythm and metre play in creating an urgent need to address the succession of the questions and lastly, the evocation of the sublime emotion of terror in Blake’s depiction of the Tyger. Firstly, the extended metaphor in stanza’s 2, 3 and 4, is comparing the creator and his creation of the Tyger to a blacksmith and his creations. A blacksmith that makes use of tools, such as the “Hammer,” “chain,” ”furnace,” and “anvil” in creating objects out of hot metal. The blacksmith represents a conventional image of artistic creation; here Blake applies it to the divine creation of the natural world. This is evident in L5:”In what distant deeps or skies”, refers to an otherworldly (“distant”) place, perhaps a kind of hell (“deeps”) or Heaven (“skies”). The “distant deeps or skies” bring to mind the concept of hell being underground and heaven being in the sky. Since the Tyger may have been created in either hell (deeps) “or” heaven (skies), it remains ambiguous as to whether the Tyger is good or bad. Blake was essentially an artist. His Tyger is therefore a painting in words. The tyger...
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...and contrast the two stories by using rhetorical analysis. Both stories are very emotional and persuasive, and have two completely different but very strong arguments. The Virginia Convention, written by Patrick Henry who at the time lived in a british ruled america. Henry wanted to break free from the british, and felt strongly about his point, but there were other people who felt strongly that the thirteen colonies should stay with the british. Henry needed a very emotional and persuasive speech if he was going to get anybody to see his way of thinking. Henry states “ give me liberty or give me death” this part of the speech is very emotional, because it is basically saying that they better give him freedom or just let him die. “ should i keep back my...
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...to voice a rejection of the value of life and the traditional Christian virtues. The devil urges Faust to begin a new life with his assistance, and to exist no longer as an ordinary human being. If Faust agrees to become his servant after death (i.e. to sell his soul), Mephisto will be his during life and will guarantee to provide all that Faust desires. Faust accepts this offer with some hesitation, for he doubts Mephisto's ability to fulfill his end of the bargain, but makes a significant change in the wording of the pact. Faust promises that if any moment, however brief, is so charged with pleasure for him that he says, "Linger a while! Thou art so fair!" that will be the day of his death and he will serve the devil forever after. Analysis Mephisto's costume in this scene is a reminder to Faust of the narrow limitations on the world in which he has been living until now. Faust's change in wording recalls the divine law that action is the ruling force of the universe, and raises the story of this Faust to a higher philosophical level than that of the hero of the old legends. The terms of the new pact mean that only when Faust is so satiated with pleasure that he chooses to be in a state of rest or nonaction will he be damned. In other words, the primal sin is to absolve oneself of the responsibility for motion and activity. This idea is in full accord with Mephisto's nihilistic principles so the devil accepts the amended pact. In Goethe's...
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...Chancellor Instructor Hubbard Liba 102 “Multifaceted” Hampton Fincher and David Webb Peoples’ complex screenplay and Ridley Scott’s use of film noir combine together to produce Roy Batty, a character out of Blade Runner, whose diverse personality reflects Jesus Christ, Adam, and Lucifer. As a result, Roy Batty, is much more multifaceted than the heartless, man killing machine that is seen at first glance by an audience. Because Roy reflects Jesus Christ, Adam, and Lucifer, three religious icons, there is an unlimited amount of religious subtext in the film Blade Runner. Hampton Fincher and David Webb Peoples use these religious allegories to hinder a direct and understandable message from the film’s narrative. Therefore, Fincher and Peoples took their complex writing to a deeper level than most screen writers by denying the audience a straightforward interpretation of Roy Batty. One example is the allegory of the creation story and the fall of man. Parallels from the creation story are seen time and time again throughout the film, which is one way Roy’s character relates to the Biblical character, Adam (Gravett, pg. 38). In the Bible, Adam and Eve were forbidden to eat from the tree of knowledge of good and evil as it is stated in Genesis 2: 16-17: “And the LORD God commanded the man, ‘You are free to eat from any tree in the garden; but you must not eat from the tree of the knowledge of good and evil, for when you eat of it you will surely die.’"...
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...Case Analysis of “The Road to Hell” Kelly, Berger, McCants and Smith MBA 633 Summer Semester Bellevue University Description of the Case “Road to hell” is a case study by Gareth Evans, about two characters from different cultural backgrounds. John Baker who is a successful chief engineer of the Caribbean Bauxite Company of Barracania in the West Indies. John Baker is also, an English expatriate and is 45-years-old with 23 years with Continental Ore in the Far East. We will assume that he is of Caucasian decent and very well educated with all his experience and years on the job. John Baker thinks he has a knack for working in foreign countries because of his experience with the regional staff. Matt Rennalls, who is training to be John Bakers successor for the chief engineering position is also a young engineer who represents the newer generation and is highly intellectual by being one of the smartest prospects on the staff of Caribbean Bauxite- at London University where he took first-class honors in the BS engineering degree. Matt Rennalls years at London University also made him racially conscious and any sign of concerns involving his culture. The last meeting with these characters didn’t end well. Instead of Matt accepting the position as chief engineer, he declines and turns in a letter of resignation, because he felt insulted by John Bakers advice. As John read the letter he not only felt puzzled but he actually did not understand what he said that was so disrespectful...
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