...Rear Window Through out the movie, film watchers only see what is going on though Mr. Jefferies’ view except for when Mr. Thorwald went over to confront Jefferies. The clip my writing assignment will be based on starts at 1:47:40 and ends at 1:48:52. During this time we can see what Mr. Thorwald is seeing instead of Jefferies. We see that every time Jefferies snaps his flash Mr. Thorwald gets a little off balance and we see a flash of red light before Jefferies comes back into focus. The obvious reason Mr. Thorwald is seeing these flashes of red are because the room is so dark and the flash is so bright. We know this because Jefferies covers his eyes before each flash because he doesn’t want to be blinded just in case Mr. Thorwald attacks...
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...Rear Window Film Review Dawn B ARTS/100 Introduction to the Visual and Performing Arts June 24, 2013 Alfred Hitchcock was considered the master of suspense, and with very good reason. Hitchcock had a very productive film making career in which he made 53 major films. His production of Rear Window, a movie based on the short story by Cornell Woolrich titled, “It Had to be Murder” ("A Work In Progress,” 2013) is one of his most famous. I have seen Rear Window several times over the years, the first time in an art house theater in Lake Tahoe, California. It is my favorite Hitchcock film, and I looked forward to watching again. I relaxed in my recliner with a glass of wine to enjoy this Hitchcock masterpiece after everyone had gone to bed on Thursday evening, June the 20th. Rear Window opens on an apartment complex courtyard- peering into the windows of the people who live there. The camera tracks up and shows the audience a woman getting ready for the day. The camera tracks down and to the left to see the milkman walking away and into the street behind the building before tracking back around to the protagonist, L.B. Jeff Jefferies (James Stewart) in his apartment. A close up on Jefferies reveals the sweat on his forehead before cutting over to a wall thermometer showing how hot it is. Panning over, viewers get a closer look at the various people from the apartment across the street. The viewer sees a neighbor with shaving cream on...
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...The opening scene in Alfred Hitchcock’s Rear Window essentially acts as one long establishing shot — only rather than establishing just the location of a scene, it establishes the entire film in more ways than one. One particularly important shot in the scene, beginning 00:02:36 into the film, tells the audience much of what it will need to know about Rear Window’s setting, characters, and themes. The long take begins with an alarm clock waking up a couple, sleeping out on their balcony. As the camera moves from window to window around the courtyard, we see a few brief snippets of characters’ lives. And finally, the audience sees inside the apartment that has been its point of view all along. Mise-en-scene, framing, and cinematography all play a role in this shot. But while the first device reveals information about the film’s setting and some of its major characters, cinematography and framing are the dominant devices because they illustrate what truly lies at the center of Rear Window: its themes. An attentive viewer could gather troves of important information about the story and its characters from the mise-en-scene in this shot. In the audience’s brief tour around the courtyard, it sees a number of things that provide a set-up for the following narrative. The shot opens on a couple waking up to an alarm clock from a nap on their balcony. They are wearing sparse and light clothing, rubbing sweat off their foreheads, and have bright natural light from above shining on...
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...TermPaperWarehouse.com - Free Term Papers, Essays and Research Documents The Research Paper Factory JoinSearchBrowseSaved Papers Home Page » Film and Music Opening Shot Analysis of Rear Window In: Film and Music Opening Shot Analysis of Rear Window The opening scene in Alfred Hitchcock’s Rear Window essentially acts as one long establishing shot — only rather than establishing just the location of a scene, it establishes the entire film in more ways than one. One particularly important shot in the scene, beginning 00:02:36 into the film, tells the audience much of what it will need to know about Rear Window’s setting, characters, and themes. The long take begins with an alarm clock waking up a couple, sleeping out on their balcony. As the camera moves from window to window around the courtyard, we see a few brief snippets of characters’ lives. And finally, the audience sees inside the apartment that has been its point of view all along. Mise-en-scene, framing, and cinematography all play a role in this shot. But while the first device reveals information about the film’s setting and some of its major characters, cinematography and framing are the dominant devices because they illustrate what truly lies at the center of Rear Window: its themes. An attentive viewer could gather troves of important information about the story and its characters from the mise-en-scene in this shot. In the audience’s brief tour around the courtyard, it sees a number of things that...
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...Research on Aerodynamic Drag Reduction by Vortex Generators Masaru KOIKE* Tsunehisa NAGAYOSHI* Naoki HAMAMOTO* Abstract One of the main causes of aerodynamic drag for sedan vehicles is the separation of flow near the vehicle’s rear end. To delay flow separation, bump-shaped vortex generators are tested for application to the roof end of a sedan. Commonly used on aircraft to prevent flow separation, vortex generators themselves create drag, but they also reduce drag by preventing flow separation at downstream. The overall effect of vortex generators can be calculated by totaling the positive and negative effects. Since this effect depends on the shape and size of vortex generators, those on the vehicle roof are optimized. This paper presents the optimization result, the effect of vortex generators in the flow field and the mechanism by which these effects take place. Key words: Body, Aerodynamics, Aerodynamic Devices, Flow Visualization, Computational Fluid Dynamics (CFD) 1. Introduction To save energy and to protect the global environment, fuel consumption reduction is primary concern of automotive development. In vehicle body development, reduction of drag is essential for improving fuel consumption and driving performance, and if an aerodynamically refined body is also aesthetically attractive, it will contribute much to increase the vehicle’s appeal to potential customers. However, as the passenger car must have enough capacity to accommodate passengers and baggage...
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...Analysis of the opening to Rear Window The opening scene starts by the camera looking out of a window whilst the credits are shown. Slowly, each blind is raised revealing a section of the courtyard at a time already linking to its title ‘Rear window’ indicating that this particular window will play a big part throughout the duration of the film. Much like the curtains in a theatre, the viewer feels as if they are watching a show or play when the blinds are lifted slowly creating an exciting opening and the sense that drama is to come. The symmetrical close up shot of the window provides the audience with ‘front row seats’ as the scene unfolds further. Outside, the neighbourhood seems peaceful and like any other normal community with people carrying out their everyday lives in their everyday houses. Despite its normality, the courtyard seems enclosed and claustrophobic representing restriction and tension which could possibly be mounting. Everything seems too peaceful to be true. After the opening credits, the camera zooms towards the bottom of the window until it is completely outside. It then cuts to show a cat in the courtyard walking up the stairs which could link to the normality and ‘city life’ feel which is being portrayed. The camera follows the cat’s steps from the bottom of the stairs to the top until it reaches a ladder and follows the ladder upwards as if we (the viewer) were voyeur and spying or following someone. As the camera approaches the top of the ladder...
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...MARKETING MANAGEMENT PROJECT ON MARKETING MANAGEMENT MARUTI SUZUKI SWIFT CONTENTS INTRODUCTION HISTORY OTHER PRODUCTS OF MARUTI SUZUKI BIT ABOUT MARUTI UDYOG LTD. 4P’s OF MARUTI SUZUKI SWIFT PRODUCT PRICE PROMOTION PLACE SWOT ANALYSIS OF MARUTI SUZUKI SWIFT STRENGTH WEAKNESSES OPPURTUNITIES THREATS PRODUCT LIFE CYCLE FORECASTING HTTP://PAKISTANMBA.JIMDO.COM FOR DOWNLOADING THIS REPORT AND FOR MORE PROJECTS, ASSIGNMENTS, REPORTS ON MARKETING, MANAGEMENT, ECONOMICS MARKETING MANAGEMENT, ACCOUNTING, HUMAN RESOURCE, ORGANIZATIONAL BEHAVIOR, FINANCIAL MANAGEMENT COST ACCOUNTING VISIT HTTP://PAKISTANMBA.JIMDO.COM INTRODUCTION Maruti Udyog Limited Maruti Udyog Limited, a subsidiary of Suzuki Motor Corporation of Japan, has been the leader of the Indian car market for about two decades. Its manufacturing plant, located some 25 km south of New Delhi in Gurgaon, has an installed capacity of 3,50,000 units per annum, with a capability to produce about half a million vehicles. The company has a portfolio of 11 brands, including Maruti 800, Omni, premium small car Zen, international brands Alto and WagonR, off-roader Gypsy, mid size Esteem, luxury car Baleno, the MPV, Versa, Swift and Luxury SUV Grand Vitara XL7. In recent years, Maruti has made major strides towards its goal of becoming Suzuki Motor Corporation's R and...
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...production term. Directors don't walk around saying “Let's create an elaborate mise-en-scène.” Not at all. From the craftsman that builds fake bookcases to the cinematographer that chooses where the lights will go, the mise-en-scène is the result of the collaboration of many professionals. Thus in the production environment, the director is more specific with his requests and orders. Is he trying to talk to the prop master, the set designer, the actors, the make-up artists? All of them are part of different departments. But all of them, in the end, have influence in the mise-en-scène. In the academic realm, the term mise-en-scène is always invoked when the overall look and feel of a movie is under discussion. Students taking Film Analysis should be quite familiar with the term. Even though many professionals are involved in its creation, the director is the one that oversees the entire mise-en-scène and all of its elements. Not just that, but during the early stages of pre-production, the director or his AD sits down with set designers, prop masters, location managers, costume designers, and scenic artists to determine the look and feel intended. In some instances, the mise-en- scène is used to evoke lasting feelings throughout the movie and not just for selected scenes. In the German expressionist film The Cabinet of Dr. Caligari (1920), distorted shapes and claustrophobic scenery is implemented to disturb the audience and enhance the horror. Mike Nichols’ The...
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...UNIT 1- CAR BODY DETAILS Cars can come in a large variety of different body styles. Some are still in production, while others are of historical interest only. These styles are largely (though not completely) independent of a car's classification in terms of price, size and intended broad market; the same car model might be available in multiple body styles (or model ranges). For some of the following terms, especially relating to four-wheel drive / SUV models and minivan / MPV models, the distinction between body style and classification is particularly narrow. Please note that while each body style has a historical and technical definition, in common usage such definitions are often blurred. Over time, the common usage of each term evolves. For example, people often call 4-passenger sport coupés a "sports car", while purists will insist that a sports car by definition is limited to two-place vehicles. Body work In automotive engineering, the bodywork of an automobile is the structure which protects: ⦁ The occupants ⦁ Any other payload ⦁ The mechanical components. In vehicles with a separate frame or chassis, the term bodywork is normally applied to only the non-structural panels, including doors and other movable panels, but it may also be used more generally to include the structural components which support the mechanical components. Construction There are three main types of automotive bodywork: ⦁ The first automobiles were designs...
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...oxidized effluent. The smoke and combustible gases flowed into the interstitial space below the roof and above the suspended ceiling of the main retail showroom. As this space filled with unburned fuel, the hot smoke also seeped through the suspended ceiling into the main showroom and formed a hot smoke layer below the suspended ceiling. Up to this time, the extent of fire spread into the interstitial space was not visible to fire fighters in the store. If the fire spread had been visible to the fire fighters in the store, it would have provided a direct indication of a fire hazard in the showroom. Meanwhile, the fire at the back of the main showroom and the gas mixture below the suspended ceiling were both still fuel rich. When the front windows were broken out or vented, the inflow of...
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...MISE EN SCENE ANALYSIS OF EDWARD SCISSORHANDS EXT/INT MRS. BOGGS CAR DRIVING DOWN THE STREET, DAY,. This sequence begins at approximately 15:45 into the film, after Peg Boggs encounters Edward for the first time in the mansion, it depicts them both in the car as she drives him to her house. Shot 1: 25 seconds total (including reverse shots). Tracking two shot MCU. Eye-level. Edward and Peg drive down the street to Peg's house. Edward admires the sights, people, and activities that he has never experienced or seen before. Edward smiles meekly at first, and then more broadly and confidently when he glances briefly at Peg and she they both smile at each other. He clumsily points to something and nearly injures Peg with his hands, and he bumps...
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...Case Analysis: Pinto Fires Introduction Greed is the root to evil or at least the motivation behind some corporations making a good, ethical decision. The Ford Motor Company fell into a trap of greed that would cost many human lives. Before the disaster of the Pinto Fires, Ford had a reputation as being the safety pioneer in the automobile industry with additions such as the seat belts. However, as the invention of small cars began to take emerge Ford began to loose market shares to the foreign market. Ford had to do something and quick. Foreign markets were beginning to show promise with the vehicles that were going to put out on the market. The Ford Motor Company began to feel the pressure and felt that it needed to be in the limelight of the competition. Lee Iococca, the CEO of Ford, decided that it was time for a change and thus the Ford Pinto was introduced. However, the Pinto had numerous flaws that cost the Ford Company more than ever anticipated. Relevant facts During the 1960's the demand for sub-compact cars was rising on the market. Ford Motor Company, in competition with the foreign market, decided to introduce the Ford Pinto. The Ford Pinto was going to be the new wave for the Ford Company, but it was soon discovered that numerous problems existed. For example, the time that it took to manufacture an automobile was down from three and a half years to just over two years. Before production, however, the engineers at Ford discovered a major flaw in the cars...
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... | | | | | |Robbie Johnson, Paul Vitale, Tim Lyons, Nathan Davis, and Laura Rusbarsky | | | Executive Summary Plan Overview: • We made sure to do the SWOT Analysis for BMW. Our strengths are our brand recognition and reputation for quality while our weaknesses are our high repair costs and vulnerability to currency fluctuation. Additionally, our opportunities are increased media attention on the 2012 Olympics and the BMW Championships golf tournament (both of which we sponsor) and our threats are the rising cost of fuel and the severe economic downturn. • We examined several trends affecting BMW and the car industry as a whole. Every automobile manufacturer must find ways to deal with increasingly demanding regulations on emissions and fuel economy from the EPA. Further, BMW’s customers care about being cutting edge, so we must find ways to thoughtfully integrate the latest technologies (navigation...
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...consultants working gratis and a task force of fired-up law school volunteers. (2) Ford had a former Watergate prosecutor with a million dollars to spend and legal team of 80 and all Ford’s resources at their disposal. Prosecutor Cosentino was driven by the fact that big companies are rarely phased by paying damage rewards and at that point criminal law should step in. Cosentino has to prove that Ford intentionally put a design out that was very dangerous. That Ford had the knowledge of the faulty design and recklessly chose profit over safety. Ford maintained that the Ford Pinto met the current safety standards for rear end crashes. Many other manufacturers had the gasoline tanks in the same position as the Pinto’s, often in an even more hostile environment.(3) Ford had a way to modify the Pinto gas tank so that it would greatly diminish the car catching fire in a rear end crash. The cost of this modification was around $11 per vehicle per Ford. In analyzing what to do in this situation, Ford used a utilitarian approach,...
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...folded over and sewn together with a series of threaded stitches contained within a plastic scabbard. The seat belt stitches were designed to break loose and introduce additional seat belt webbing into the right front passenger's restraint system to better manage occupant movement in frontal impacts. The additional ten inches of looping is being blamed as one of the product liability issues that led to the death of the victim. The Laliberte legal team alleges that the slack in the seat belt helped to allow the victim to be ejected from the SUV. The other issue at hand pertains to the passenger seat reclining device. During the roll over, the passenger’s seat reclined in the rear position which directed the victim’s body toward the rear window. The victim was ejected from the car through the rear window. Upon the ejection,...
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