...The Inspiration of Pablo Picasso’s Cubism Teneisha Bonner AIU Online Abstract Cubism was the first style of art that took place in the 20th century that was originated by Pablo Picasso and George Braque. Both artists created a way to make drawings and models that would enhance the design of art all around the world. New conceptions of cubism have been developed; which inspired other movements of art to show different objects with motion. The Inspiration of Pablo Picasso’s Cubism During the cubist period of the 20th century, artists have symbolized one of the most contemporary eras in the art of history. The artists were inspired to improve the dimension of art with a different way of visualizing the world. Artists, like Pablo Picasso were inspired by cubism to create art in their own way. The inspiration of cubism helped other art work to be noticed from other artists. Pablo Picasso’s Cubism has inspired related art movements in music, literature, and architecture. Music Music was one of the elements that were inspired by Pablo Picasso’s art. In 1921, the “Three Musicians” was developed by Pablo Picasso as a good bye piece to the artificial cubism. Musical devices were frequently seen in Cubism artistry of this period. Different textures, substances and colors helped to emphasize and characterize the geometric forms that were presented in Pablo Picasso’s parts of art. “Three Musicians” was an important part to the cubism era. It appears that this piece of art is...
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...text, developments in art and science show different expressions of simultaneity. Art shows this through Cubism and Science shows this through Einstein’s Theory of Relativity. The theory of relativity and cubism both came about in the 20th century so Giedion’s conception is Hegelian because they both fell under the same period in time. Giedion’s idea of history guides his opinions on architecture as he says that Space and time are unified into a 4 dimensional model through his own interpretation of Einstein’s theory of relativity. This is seen in Walter Gropius, The Bauhaus, Dessau (1926) where space and time coincide with one another. Giedion believes that the real role of the artist and architect is to unify thought and feelings. One without the other would lead to a society with too much rationality (if there were no feelings) or a society that is too emotional so cannot make any rational decisions. He says that ‘feeling continues to filters through every activity and situation’ this means that the artist and architect would need to be able to filter the feelings properly so the society is not deemed too emotional but has some rationality to balance it out. The ‘form-giving principals of the new space conception’ of modernism derive from a cubist painting from Paris where cubism was first seen, as Giedion says in his text, ‘The half-century previous to the rise of cubism had seen paintings flourish almost nowhere outside of France.’ Modernism means something that is new and...
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...TRACES OF MODERNISM IN ART The ancient parallel between literature and visual arts –i.e. painting, sculpture and architecture becomes newly relevant in the twentieth century. Painters were the first to explore the revolutionary possibilities of modernism, so that painting became the leading art form. Modernism refers to the style and ideology of art produced between the 1860s and the 1970s. As traditional art forms had become outdated due to industrialization, modernism emerged in Western Europe out of a need to reject tradition and embrace the political, social and economic change of the industrial age. Modernism was embodied by a new generation of artists whose work was characterized by a variety of styles and subject choices that flew in the face of accepted convention. While, generally speaking, it challenged a number of aesthetic principles, modernism ultimately gave rise to a variety of movements and styles. The great progenitor of modernist revolt was the impressionist movement in the second half of the nineteenth century in France. Impressionist painters made colorful style of painting, characterized as impressionism. Impressionism attaches great importance to our perception of contrasts and light, something that is accurately expressed through the seasons. Claude Monet’s Rouen Cathedral in full sunlight was a famous painting, other than this Pierre Auguste Renoi, Edgar Degas, Alfred Sisley and Henri de Toulouse Lautrec are among the most important impressionist painters...
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...Critical Review of Pablo Picasso’s Guernica Pablo Picasso was one of the most influential artists of the twentieth century. Constantly updating and mastering his style, he was known as the pioneer of cubism (“Pablo Picasso Biography”). By his death in 1973, over twenty-two thousand pieces of wok have been documented (“Pablo Picasso and his Paintings”). The Life of Picasso Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Martyr Patricio Clito Ruíz y Picasso was born in 1881, in Spain. Pablo Picasso, as he known by, was the son of Don José Ruiz Blasco, a painter and art teacher with whom Picasso studied under until he was thirteen years old, when he surpassed his father’s skill. When he was fourteen, his family moved to Barcelona, where he accepted into the city’s school of fine arts, despite the school generally only accepting older students. Two years later, Picasso moved to Madrid to attend the Royal Academy of San Fernando which only lasted two years due to the school’s lack of variety to appeal to Picasso (“Pablo Diego José…”). In 1901, Picasso moved to Paris to open his own studio. He found it to be the ideal place to practice new styles and art forms (“Pablo Picasso Biography”). From that point in his career he began his “Blue Period,” from 1901 to 1904. Depressed and lonely from the death of his close friend, Carlos Casagemas, blues, blacks, and grays dominated his pictures depicting poverty isolation, and...
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...The painting “Les Demoiselles d’Avignon” was painted during the summer of 1907 by Picasso. According to Picasso, the cubism has came in a time period when the world was experiencing modernization in technology and medicine; and the societies were rapidly growing and developing as well (Picasso, 1996). The meaning of the painting in English was the Young Ladies of Avignon; it depicted five prostitutes in a brothel. It is one of the most important paintings in the genesis of modern art. There is a strong similarity in the dramatic clashing of light and dark tones and the overhead light source (Meighan, 2008). This essay is an example of a student's work Disclaimer This essay has been submitted to us by a student in order to help you with your studies. This is not an example of the work written by our professional essay writers. Essay Writing Service Essay Marking Service Example Essays Who wrote this essay Become a Freelance Writer Place an Order The work of Picasso in Les Demoiselles d’Avignon truly introduced cubism as art of movement. His painting has been noted as the twentieth century's most significant painting. His work depicted a crude version of prostitutes through a deformed style never seen before. The painting was an anti-idealist representation of un-ideal subject matter (Meighan, 2008). Depictions of prostitutes and the theme of sexuality had been the subject of paintings in the past, but Les Demoiselles left an impact because of Picasso. He had portrayed...
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...April 3, 2014 Piet Mondrian/ De Stijl The “Logical Consequences of Cubism” Piet Mondrian Landzicht Farm Under Unclouded Blue Sky (1905) -placid water—stable image -reflection of trees on a slow moving river -inhibits the illusion of death because of symmentry -charge the realistic landscape Geinrust Farm in the Mist (1906-07) Avond (Evening); Red Tree (1908) -symbolist color influences of Van Gogh -more extreme, pure colors—less and less naturalistic -starts to focus on single objects that are more static and more frontal -putting pressure on the motif of the tree View from the Dunes with Deach and Piers -starts to explore the methods of Seurat - Seurat’s atomization of motif and symbol -futile to depict nature as it is -encounter of the verticality of the plane -osilating between surface and depth -structurally on the left and chromatically to the right Lighthouse in West Kappele (1909) Molen (mill); Red Mill at Domburg Evolution 1910-11 -esoteric iconology -relationship between spirituality and abstract form -mondrian is thinking about how you can make paiting universal -discovers Cezzanian impact on cubism—turns around his painting and makes him pick up more abstract aspects Still Life with Gingerpot (1911) -still much naturalism -can still comprehend many objects that are depicted illusionistically -creates metrix of lines Still Life with Gingerpot II (1912) -linear squaring and organization of all...
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...Cubism Cubism was one of the most influential visual art styles of the early twentieth century. It was created by Pablo Picasso between 1907 and 1914with some credit given to Brague. Vauxcelles called the geometric forms in the highly abstracted works "cubes.". The stylization and distortion of Picasso's ground-breaking Les Demoiselles d'Avignon (Museum of Modern Art, New York), painted in 1907, came from African art which Picasso had first seen when he visited the ethnographic museum in the Palais du Trocadéro in Paris in 1907. Cubist painters wanted to emphasize the two-dimensionality of the canvas instead of adhering to the ideas that art should copy nature or adopt the traditional techniques of perspective, modeling, and foreshortening. So they reduced and fractured objects into geometric forms, and then realigned these within a shallow, relief-like space. They also used multiple or opposing vantage points. Cubism wielded a profound influence on twentieth-century sculpture and architecture even though it was associated with painting. The major Cubist sculptors were Alexander Archipenko, Raymond Duchamp-Villon, and Jacques Lipchitz. Rewald, Sabine. "Cubism". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/cube/hd_cube.htm (October 2004) Fauve Fauvism was the first of the avant-garde movements that flourished in France in the early years of the twentieth century. The Fauve painters were...
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...Modern Art or Modernism is the loose term given to the succession of styles and movements in art and architecture which dominated Western culture from 19th Century up until the 1960’s. Movements associated with Modern art include Impressionism, Cubism, Bauhaus, Surrealism, Futurism, Pop Art and Op Art. Modern Art rejects the past as a model for the art of the present and is characterized by constant innovation. Modern Art grew out of the Impressionist's rejection of the 'imitation of life' school of art. Their emphasis on the act of painting, on the paint itself, can be seen in the Expressionist and Cubist art of the turn-of-the-century. Modern art was also often driven by various social and political agendas. These were often utopian, and modernism was in general associated with ideal visions of human life and society and a belief in progress. From the 1970’s artists and movements began to react against Modernism and post-modernism was formed. Some different types of the movements in art are: abstract, action art, American realism, architecture, art deco, and art nouveau, Asian, Bauhaus, black and white, celebrity, cityscape, colorful, comic book art, conceptual art, contemporary art, cubism, cuisine, exclusive, expressionism, fauvism, figurative, floral, framed prints, Modern art and many more. There were a lot of movements in the art industry ever since the beginning of Modern art which started in the 19th Century. Surrealism is a style of art and literature developed principally...
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...MODERN ART The realism art movement in painting began in France in the 1850s, after the 1848 Revolution. The realist painters rejected Romanticism, which had come to dominate French literature and art, with roots in the late 18th century. The Impressionism is a 19th-century art movement that originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. Impressionist painting characteristics include relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), and ordinary subject matter, inclusion of movement as a crucial element of human perception and experience, and unusual visual angles. Post-Impressionism (also spelled Postimpressionism) is a predominantly French art movement that developed roughly between 1886 and 1905; from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists’ concern for the naturalistic depiction of light and color. Due to its broad emphasis on abstract qualities or symbolic content, Post-Impressionism encompasses Neo-Impressionism, Symbolism, Cloissonism, Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement was led by Paul Cézanne, Paul Gauguin, Vincent van Gogh, and Georges Seurat. Expressionism...
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...BEAUX ARTS A very rich, lavish and heavily ornamented classical style taught at L'Ecole des Beaux Arts in Paris in the 19th century The term "Beaux Arts" is the approximate English equivalent of "Fine Arts." The style was popularized during the 1893 Columbian Exposition in Chicago in 1893. One outgrowth of the Expo was the reform movement advocated by Daniel Burnham, the City Beautiful Movement. Very influential in the US in that many of the leading late 19th century architects had been trained at Ecole des Beaux Arts, e.g., Richard Morris Hunt (the first American to study there) , H. H. Richardson (the second American to study there, but who chose to develop his own style, "Richardsonian Romanesque") and Charles McKim, More than any other style (except perhaps the Chateauesque), the Beaux Arts expressed the taste and values of America's industrial barons at the turn of the century. In those pre-income tax days, great fortunes were proudly displayed in increasingly ornate and expensive houses. Broadly speaking, the term "Beaux Arts" refers to the American Renaissance period from about 1890 to 1920 and encompasses the French Renaissance, Italian Renaissance, and Neoclassical Revivals. In Buffalo, the movement was featured at the Pan-American Exposition in 1901. Features: * Symmetrical facade * Roofs: flat, low-pitched; mansard if modeled after French Renaissance Revival * Wall surfaces with decorative garlands, floral patterns, or cartouches dripping with...
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...Prehistoric Art 20 000-8 000 BC. Figure 1: Homem Paleolítico, Venus of Willendorf (Limestone), 30 000-25 000 BC, Prehistoric art, Naturhistorisches Museum, Austria, (Adendorff, 2008:8) Egyptian Art 8 000-2 000 BC. Figure 2: A page from The Book of the dead made for Nes-min, Papyrus of Ani (Papyrus), 2 600 BC, Egyptian art, London, (Adendorff, 2008:15) Byzantine Art 5th Century AD. to 1453 Figure 3: Christ Pantokrator, Central Dome, Church of the Dormition (mosaic), 1090-1100, Byzantine Art, Greece, (Adendorff, 2008:25) Middle Ages 312-1341 Figure 4: Unknown, St. Matthew, from the Gospel Book of Archbishop Ebbo of Reims, 826-835, Middle ages, (Adendorff, 2008:31) Roman Art 500 BC – 300 AD Figure 5: Unknown, Emperor Augustus (white marble), 1st Century, Roman art, Rome, (Von Heintze, 1990:143) Renaissance 12th to 17th Centuries Figure 6: Sandro Botticelli, The Birth of Venus (tempera on canvas), 1482, Renaissance, Uffizi Gallery, Florence, (Adendorff, 2008:54) Baroque Art 17th and 18th Centuries Figure 7: Diego Velazquez, Las Meninas (oil on canvas), 1656, Baroque art, Museo del Prado, Madrid, (Adendorff, 2009:16) Neo-Classicism 18th and 19th Centuries Figure 8: Jacques Louis David, Oath of Horatti (oil on canvas), 1784, Neo-Classism, Louvre, Paris, (Rosenblum & Janson, 2004:27) Romanticism 1750-1850 Figure...
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...1. The Basics of ‘Visual perception’ and ‘Visual Communication’. 2. What is ‘Visual culture’? 3. Prehistoric: Western & Indian (Bhimbetka M.P.) 4. Egypt, Mesopotamia, Indus valley civilization. 5. Greek & Roman 6. Byzantine. 7. Gothic architecture.( Development of arch, vaults, buttresses and stained glass windows) 8. Gothic (Giotto, Camabue) and early Renaissance painting. 9. Indian Miniatures including Mogul Miniature paintings. (As compared to the western illusionistic technique of representation of real 3D form, the eastern approach gives emphasis on the flat 2D representation of reality (schematic) which links with the religious, pious or spiritual narrative) 10. Renaissance (The awareness of visual elements and their composition, the connection of geometry, spatial relation, Birth of perspective and awareness of 3rd dimension along with study of anatomy in visual representation. The rise of individualism due to advent of humanism) 11. Baroque Painting & sculpture. 12. Rococo art and furniture/ interiors. 13. What is semiotics and semantics? Understanding the impact of industrialization and New Technology and the origin of it, the ‘enlightenment’. 14. Romanticism & Realism: in relation with the fall of Napoleon and outbreak of the war, French revolution, Darwin, Karl marks, birth of photography and change in perception of visual experience 15. What is modern? What is modern art? Impressionism and...
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...Time Traveling Historian Gina York HUM/205 October 14, 2012 William Devine Time Traveling Historian As a child I often pondered what it would have been like to live in another time. A time far removed from the time I currently lived in. Would it have been as exciting to live in then as I imagined it to be in my head and would it look anything remotely like I had envisioned it in my “mind’s eye”? In order for me to finally realize my childhood dream I decided to take it upon myself to build a time machine. The question is once I got the time machine built, where would it take me? Would I go back into the past or go forward into the future? I decided that I would choose to go back into the past simply because the future is still open for change but the past has been written; but as an author I was curious to know, had the past been written accurately? I decided that this would be my task. I will travel back in time to verify that what I read in my humanities books was correct. I have tasked myself with a formidable question. What point in time do I want to travel to? How hard it will be to make that decision. Indeed, making the choice turned out to be difficult, but I came to the conclusion that the period I chose to travel back to must have some type of cultural or artistic significance. Of course any given time period produced some kind of cultural or artistic significance. My dilemma was finally resolved when I came to the conclusion that I would simply start the...
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...Dupain received his first camera in 1924, and he had opened a studio on Bond Street, Sydney ten years later. He captured the photograph 'the Sunbaker', arguably his most recognized piece, in 1937, which did not become a national symbol untill after 1970. Dupain then travelled and served in both Darwin and Papa New Guinea during World War II with the Royal Australian Air Force part of an international movement of artists deployed to work in camouflage. He used shape and shadows to conceal/expose objects and people. After the war he went back to his studio, now to capture "the creative treatment of actuality". Dupain married twice, once to Olive Cotton (who he soon divorced), and then to Diana Illingworth, who which he had two children with....
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...HUMANITIES 1 (RESEARCH PAPER) HISTORY OF PAINTINGS AND ARTISTS IN THE WORLD ADRIAN M SITCHON PROF. PEREZ 4TH YEAR/BS.HRM/NS (SUBMITTED BY) TABLE OF CONTENT INTRODUCTION HISTORY BODY * EASTERN PAINTING * WESTERN PAINTING * 20th-CENTURY MODERN * AND CONTEMPORARY DEFINITION OF TERMS * FAMOUS PAINTERS * AND BIOGRAPHY * Paintings of famous painters CONCLUSION RECOMMENDATION REFERENCE INTRODUCTION: Painting can be done in a variety of media. For example, Oils, Watercolour, Acrylics, Gouache and Tempera. Paints are made from a pigment, and a binder. Binder is relatively cheap, while pigment is much more expensive. Pigments are a colored powder, made from organic or inorganic materials. (This is different than a colorant, which dyes or stains a color.) All paints use the same basic pigments, but the binder changes. The binder for acrylics dries quickly and the paint is more like a plastic than oils which have an oil based binder and dry slowly. Oil Paints are often built up in layers or glazes. The other paints---Watercolour, Acrylics, Gouache, and Tempera---are water-based, meaning the paint can be diluted with water and clean-up can be done with soap and water. Oil paints, on the other hand, require paint thinner to clean brushes. The number and variety of painting techniques is endless. Besides quality of paint, factors affecting color quality include: paint opacity, glossiness of painting surface...
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