Each artist has own art practices that are reflected upon their sleeping styles in the Remaking the World. Although artists are sleeping in the same white environments, they all sleep differently. According to The Sydney Morning Herald, Rrap selected a different type of artists, many of whom she is acquainted with at different stages in their real lives and art careers. Rrap invited artists to her studio, asked them to sleep on the concept of remaking the world, and then filmed them (Stephens). In this art experiment, Julie Rrap is also one of the experiential bodies. Julie wraps her entire body by the thin white blanket and sleeps in the fetal position ("Artist Julie Rrap Remakes the World"). Fetal position is when people lie on their side with arms and knees pulled …show more content…
Her sleeping position can be interpreted that Julie is insecure. A central focus of Rrap's work is to identify how the human body has been perceived and represented. In 2001, she exhibited the Overstepping, which is the digital image of a woman’s bare feet, whose heels have extended to shape stiletto heels (Rrap "Photography"). Likewise, Her installation work, Body Double shows different type of naked human bodies (Rrap "Body Double"). As shown in her artistic works, Rrap has been interested in the physicality and image of the human body. Body can be a guide to recognize people’s insecurities; thus, it could be possible that her passion of human bodies is caused by her insecurity as shown in her sleeping position of fetal. Another artist, who participated in the Remaking the World, is Lindy Lee. Her artistic works are heavily influenced by Chinese philosophies of Buddhism and Taoism ("Artists"). In the Remaking the World, Lee sleeps on her side with her arms at side. The crisp white blanket hides her entire body; yet, the audiences see her hands being exposed. Her one hand loosely forms clenched fist, and she makes another hand in prayer