...just a few characteristics addressed in mythology. The archetypal layout of an exemplary story is composed of the Twelve Stages. The Twelve Stages of a hero’s journey are the steps every person must take in order to prove one’s self as a hero. Mythical heroes such as Theseus, Sigurd, and Beowulf clearly demonstrate the archetypal qualities of a hero. A typical hero is seen as a morally just individual, with a noticeably ethical intent. An archetypal quality of a hero is moral goodness. The hero is always opposing evil and wrong-doing, while attempting his best to halt it. The hero is selfless always willing to give his life in place of another. A villain, or monster, is the opposed force of the hero, whose intent is solely based around a malicious and self-centered motive. The shadow-self of a character is often portrayed as the villain, or monster, but it has a much greater importance. The shadow-self illustrates the two extremes of a personality. Since the shadow-self is the complete opposite of a character, the good and bad qualities of that character are shown, the shadow self of a character can have both good and bad aspects. When someone is able to control the good aspects of both characters, the individual is able to grow and learn from themselves. The shadow-self is often used in literature, because it is seen as the perfect challenge for the protagonist. An example in literature would be Beowulf and Grendel. Beowulf is a great hero driven by good morals and intentions...
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...Beowulf sails back to Geatland and over the course of time is made king and eventually reaches his end in a final confrontation with a dragon. The first element of the return is the "Road Back." In this part of the story, the hero is “driven to complete the adventure by leaving” the Unknown World to be “sure the treasure is brought home.” In Beowulf, the “Road Back” is represented in Beowulf’s final words to Hrothgar: “We crossed the sea to come here; it is time to return, to go back to our beloved lord, Higlac.” Beowulf’s words announce that his mission has been completed and that it is time for he and his men to return with the treasure to their home country. Once the Hero has recognized the need to return to the Known World he or...
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...in Beowulf, Gilgamesh, the Iliad, and the Odyssey often reflected traits that were seen as favorable within the societies in which they were written, which, in turn, led to these archetypal heroes greatly impacting surrounding societies. When comparing and contrasting epic heroes such as Beowulf, Gilgamesh, Hector, Achilles, and Odysseus, it becomes evident that...
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...For other uses, see Fiction (disambiguation). An illustration from Lewis Carroll's Alice's Adventures in Wonderland, depicting the fictional protagonist, Alice, playing afantastical game of croquet. Fiction is the form of any narrative or informative work that deals, in part or in whole, with information or events that are not factual, but rather, imaginary—that is, invented by the author. Although fiction describes a major branch of literary work, it may also refer to theatrical, cinematic or musical work. Fiction contrasts with non-fiction, which deals exclusively with factual (or, at least, assumed factual) events, descriptions, observations, etc. (e.g.,biographies, histories). Contents [hide] * 1 Types of fiction * 1.1 Realistic fiction * 1.2 Non-realistic fiction * 1.3 Semi-Fiction * 2 Elements of fiction * 2.1 Plot * 2.2 Exposition * 2.3 Foreshadowing * 2.4 Rising action * 2.5 Climax * 2.6 Falling action * 2.7 Resolution * 2.8 Conflict * 2.8.1 Types of conflict * 2.8.1.1 Person vs. self * 2.8.1.2 Person vs. person * 2.8.1.3 Person vs. society * 2.8.1.4 Person vs. nature * 2.8.1.5 Person vs. supernatural * 2.8.1.6 Person vs. machine/technology * 2.9 Character * 2.10 Methods of developing characters * 2.11 Symbolism * 2.12 Metaphor * 3 Types of plots * 3.1 Chronological order * 3.2 Flashback * 3.3 Setting...
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...C h a p t e r 1 Prewriting GETTING STARTED (OR SOUP-CAN LABELS CAN BE FASCINATING) For many writers, getting started is the hardest part. You may have noticed that when it is time to begin a writing assignment, you suddenly develop an enormous desire to straighten your books, water your plants, or sharpen your pencils for the fifth time. If this situation sounds familiar, you may find it reassuring to know that many professionals undergo these same strange compulsions before they begin writing. Jean Kerr, author of Please Don’t Eat the Daisies, admits that she often finds herself in the kitchen reading soup-can labels—or anything—in order to prolong the moments before taking pen in hand. John C. Calhoun, vice president under Andrew Jackson, insisted he had to plow his fields before he could write, and Joseph Conrad, author of Lord Jim and other novels, is said to have cried on occasion from the sheer dread of sitting down to compose his stories. To spare you as much hand-wringing as possible, this chapter presents some practical suggestions on how to begin writing your short essay. Although all writers must find the methods that work best for them, you may find some of the following ideas helpful. But no matter how you actually begin putting words on paper, it is absolutely essential to maintain two basic ideas concerning your writing task. Before you write a single sentence, you should always remind yourself that 1. You have some valuable ideas to tell your reader,...
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