...patterns within the “Monomyth,” as revealed in The Hero with a Thousand Faces by Joseph Campbell. In Beowulf, for instance, Beowulf is the hero; meanwhile Grendel is his nemesis until his death. In Sir Gawain and the Green Knight, Gawain is also the hero, but he is not the trickster in the story. Therefore, similarities both of these works do have, but contradictions also exist. . Certain similarities and differences, however, stem not from age-old Monomythic patterns, but rather from differences in worldviews, varied paradigms held by cultures separated by roughly 350 years of development. Thus, some values...
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...Gawain Versus Beowulf Strength can be described as the audacity to fight until the last breath. In the case of both Sir Gawain and Beowulf these were the ideals that these men followed. In the poems Sir Gawain and The Green Knight and Beowulf, the main characters, Sir Gawain and Beowulf, show the physical attribute of strength and valor. However, Sir Gawain and Beowulf are different in the form of strength and qualities. One represented a king who fought for the people and the other who showed loyalty towards the kingship. Beowulf was regarded as an ideal hero by the Anglo Saxon community. The main trait that regards him as the perfect hero was his courage and strength that he shows at the very end of his life. Beowulf shows his physicality throughout the story. "Beowulf, Higlac follower and the strongest of the Geats - greater and stronger than anyone anywhere in the world"(Beowulf 46). This quote exemplifies the fact that Beowulf is considered the best warrior in the region. He is also considered by many people to have superhuman abilities and superhuman strength when he ferociously rips the arm off of Grendel in the poem. Beowulf portrays the ideals of an epic hero as well as the elements of Germanic tribes which gave him super human strength and super human qualities. He is also " A man of great strength " (Helen web). This also reinstates the detail that shows the agile nature in Beowulf and also physical toughness of him as a whole. As a result, Beowulf is a sign of...
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...Comparison and Contrast: Medieval Characteristics Heroes of the Ages ENG 106: Survey of Literary Masterpieces Kelly Victor Phoenix University Online Heroes of the Ages Literature is full of adventurous heroes from the classical to medieval periods. Heroes are symbolic to the beliefs, culture, and nation in which they live. The classical hero and medieval hero will be the focus of this essay. Three great heroes from the early classic to medieval periods are Beowulf, Achilles, and Sir Gawain. The paper will look at the similarities and differences of literary heroes in order to discover how heroes changed over time. Beowulf and Sir Gawain are romantic heroes full of bravery, loyalty, humility, courage, and virtue. Beowulf and Sir Gawain were both involved in battles of great magnitude and admired for their super human strength. Both of them battle with the intent to bring honor to the King: Sir Gawain to honor King Arthur and Beowulf to honor Hrothgar. The battles they fight are against good and evil, “Grendel is a shepherd of evil” and the Green Knight represents pre- Christian tribal paganism. The custom of the time period was to keep their word and honor the one who helped them rise to knighthood. Beowulf kept his word as seen in the poem as he returns from the adventures and presents all his gifts to Hygelac as a sign of loyalty (line 2145). Sir Gawain keeps his word with Lord Bertilak, by agreeing to exchange their winnings at the end of each...
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...Aaron Hailey 2.9.15 Comparison-Contrast Essay Block 2 Cowardice can be shown in many ways. Torturing others and putting fear into the hearts of innocent people is one of them. In Yevgeny Yevtushenko’s “A Precocious Autobiography” and Burton Raffel’s translation of Beowulf, Red, a Russian bully who rules the streets of his neighborhood, and Grendel, a terrifying monster who can never be loved by God, are two bullies who, though they are worlds apart, share many of the same characteristics. Like red, Grendel enjoys petrifying his victims with his intimidating presence. Red has an advantage over the other boys because he is much bigger than them. “Red could stop any boy and say impressively the one word “money”(490). He appears to be unbreakable with his strong build, but the reader should know that just like any other bully, red is a coward deep down. Grendel’s appearance would send chills through pretty much anyone’s spine since he is the Devil’s child. Grendel is described as a “powerful monster, living down in the darkness” (ii 1-2). Even though he is a demon, he’s still capable of being a coward. He insists on feeding on the lives of innocent people who stand no chance against him. If that isn’t pure cowardice, I don’t know what is. However, Grendel works alone while Red works with his “lieutenants.” Red needs the assistance of other boys so that he may look much tougher than he actually is. “Two or three lieutenants, in peaked caps back to front like Red’s, trotted...
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...Choice, Sports, Stem Cell Research, Steroids, Terrorism, Violence, War on Drugs, more... Business - Advertising, Business, Buy Web Sites, Economics, Finance, Management, Marketing, Sell Websites Education - ADHD, Learning, Philosophy of Education, Privatization, Public Schools, School Violence, School Vouchers, Teaching, Technology and Education, Test and Testing, Writing English Composition Essays - Analitical, Autobiographical, Argument, Cause/Effect, Classification, Compare/Contrast, Comparison, Conversation, Creative+Writing, Critical, Deductive, Definition, Descriptive, Description, Dialog, Division, Exploratory, Expository, Informative, Interview, Inquiry, Journalistic, Narration, Observation. Personal Narrative, Place, Profile, Process, Proposal English Literature and Literary Analysis - Adventures of Huckleberry Finn, A & P, Antigone, Apocalypse Now, Araby, The Awakening, Barn Burning, Beowulf, Beloved, Bible, Birthmark, Blade Runner, The Bluest Eye, Candide, Canterbury Tales, Catcher in the Rye, Cathedral, Chrysanthemums, A Clockwork Orange, The Color Purple, Comparing Literary Works, Crime and Punishment, Death of a Salesman, Death in Venice, Desiree's Baby, A Doll's House, Dr. Faustus, Epic of Gilgamesh, Everyday Use, A Farewell to Arms, Frankenstein, The Grapes of Wrath, Great Gatsby, Great Expectations, Glass Menagerie, Gulliver's Travels, The Handmaid's Tale, Heart of Darkness, The Iliad, Invisible Man, Jane Eyre, The Joy Luck Club, The Lottery, ...
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...Review for Midterm #1—Classical & Medieval Cultures The in-class portion of the exam will consist of 30 objective questions (multiple-choice and matching) and 2 short answer questions (no more than three sentences per answer). The in-class portion of the exam will be worth 100 points. The out-of-class essay will be worth an additional 100 points. See below for the out-of-class essay questions. Ancient Near Eastern & Greek Culture Terms: Trojan War, anthropomorphism, polytheism, monotheism, Archaic Age, Classical Age, Hellenistic Age Art & Artworks: Sculpture: relief sculpture, free-standing sculpture, idealism, naturalism; characteristics of Archaic sculpture, kouros, kore; characteristics of Classical sculpture, Myron, Discus Thrower, Polycleitus, Spear-Bearer, Canon, unknown sculptors, Zeus, Three Goddesses,, Praxiteles, Aphrodite of Knidos; characteristics of Hellenistic sculpture, Laocoon and his Sons, Old Shepherdess ; Architecture, frieze, pediment, entablature, capital, metope, triglyph,; Characteristics of Doric, Ionic, and Corinthian styles, Parthenon, Temple of Athena Nike, Erectheion (with Porch of the Maidens), Propylaia Literature & Drama: epic poetry, Epic of Gilgamesh, Homer, Iliad, Odyssey; Hesiod, Theogony; Theater of Dionysus, tragedy, comedy, Oresteia of Aeschylus, Antigone & Oedipus the King by Sophocles, Medea by Euripides, Lysistrata by Aristophanes, characteristics of tragedy, hubris, hamartia, catharsis Thought: Pre-Socratic...
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...VIII. English Language Arts, Grade 10 A. Composition B. Reading Comprehension Grade 10 English Language Arts Test Test Structure The grade 10 English Language Arts test was presented in the following two parts: ■ the ELA Composition test, which used a writing prompt to assess learning standards from the Massachusetts English Language Arts Curriculum Framework’s Composition strand ■ the ELA Reading Comprehension test, which used multiple-choice and open-response questions (items) to assess learning standards from the English Language Arts Curriculum Framework’s Language and Reading and Literature strands A. Composition The spring 2012 grade 10 English Language Arts (ELA) Composition test and Composition Make-Up test were based on learning standards in the Composition strand of the Massachusetts English Language Arts Curriculum Framework (2001). The learning standards for the Composition strand appear on pages 72–83 of the Framework, which is available on the Department website at www.doe.mass.edu/frameworks/current.html. ELA Composition test results are reported under the reporting categories Composition: Topic Development and Composition: Standard English Conventions. Test Sessions and Content Overview The ELA Composition test included two separate test sessions, administered on the same day with a short break between sessions. During the first session, each student wrote an initial draft of a composition in response to the appropriate writing prompt on the next...
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...Sun Hwa Choi English 3 Thursday Evening Class Professor Humphrey Due May 21, 2015 Essay 4: Development of Heroes (+Hamlet) The Heroes of the Greek and Rome poetries share few common uniqueness. They are heroic in that they all sacrifice, they are all intelligent, they all have their own faith or luck, they are all remembered or also known as Kleos and they all wander and deal with many problems. We have read many of them in this course such as Odysseus, Oedipus, Aeneas, Achilles and Beowulf. Then there is the great Hamlet who is not one of the Greek Heroes but a character from a play by William Shakespeare. Today in this essay, I want to compare some of the Greek poetry characters with the Prince Hamlet. First of all, I want to talk about few similarities between Hamlet and one of the Greek poet characters we have learned from this course. In my opinion, the story of Hamlet itself can be very analogous to the story of the poetry Oedipus. Both of the story have a plague or a outbreak going on from the beginning of the story. In the Oedipus the King, it starts with the Plague of Thebes where then Oedipus start to take actions for his people. This is where he shows his heroic features being a great leader for his city and sacrificing himself to solve the problem. The play Hamlet also starts with an outbreak and there seems to be something strange. The play starts with, "who’s there?" (Act 1 scene 1 line 1) by one of the guards. The fact that the play starts out with a question...
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...ENGLISH LITERATURE ITS HISTORY AND ITS SIGNIFICANCE FOR THE LIFE OF THE ENGLISH-SPEAKING WORLD A TEXT-BOOK FOR SCHOOLS BY WILLIAM J. LONG, PH.D. (Heidelberg) TO MY FRIEND C H T IN GRATITUDE FOR HIS CONTINUED HELP IN THE PREPARATION OF THIS BOOK CANTERBURY PILGRIMS From Royal MS., 18 D.ii, in the British Museum PREFACE This book, which presents the whole splendid history of English literature from Anglo-Saxon times to the close of the Victorian Era, has three specific aims. The first is to create or to encourage in every student the desire to read the best books, and to know literature itself rather than what has been written about literature. The second is to interpret literature both personally and historically, that is, to show how a great book generally reflects not only the author's life and thought but also the spirit of the age and the ideals of the nation's history. The third aim is to show, by a study of each successive period, how our literature has steadily developed from its first simple songs and stories to its present complexity in prose and poetry. To carry out these aims we have introduced the following features: (1) A brief, accurate summary of historical events and social conditions in each period, and a consideration of the ideals which stirred the whole nation, as in the days of Elizabeth, before they found expression in literature. (2) A study of the various literary epochs in turn, showing what each gained from...
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...THE BIBLE’S INFLUENCE ON ENGLISH-AMERICAN LITERATURE by Zhang Lanlan June, 2007 Xiaogan University Abstract As the sutra of the Christianity, the Bible has a great influence on both English and American literature and offers an eternal theme of their literary creation .English and American writers use stories of the Bible by three main methods. First, they quote person's names or stories of the Bible as the characters' names or plots of the creations from the Bible directly. Sometimes they make some changes on the original stories. Sometimes they quote stories directly from the Bible as the writing materials. Second, they make use of symbolic meaning of the Bible by some technical such as simile, metaphor and symbolism, so that the stories could exert a great influence on contrasting with the new products. Third, they merge the plots of the Bible to give connotative efforts to the readers. Exploring the methods helps us know the western culture and consciousness, have a good appreciation and study for the English-American literature. key words: English-American literature ; the Bible; methods 《圣经》在英美文学作品中的影响 摘要 作为基督教的经典，《圣经》对英美文化影响深远，为英美文化创作提供了永恒的母题。英美作家化用《圣经》故事的主要方法有：直接引用《圣经》中的人名作为作品的人物名称，或直接引用《圣经》故事或对原型故事进行变形或处理，作为创作素材；通过比喻，隐喻或象征等手法，把《圣经》故事的寓意融汇到作品情节中或人物性格里，使这些故事发挥有力的陪衬作用；使作品中的人物，故事和情节与《圣经》故事大体对应，让《圣经》能穿越时空的限制，从而发挥隐含的参照作用。 探讨英美作家化用《圣经》的方法，有助于我们了解英美文化的思想意识，更好的学习，欣赏乃至研究英美文学作品。 关键词：英美文学；《圣经》；方式 ...
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...Narrative A narrative is a sequence of events that a narrator tells in story form. A narrator is a storyteller of any kind, whether the authorial voice in a novel or a friend telling you about last night’s party. Point of View The point of view is the perspective that a narrative takes toward the events it describes. First-person narration: A narrative in which the narrator tells the story from his/her own point of view and refers to him/herself as “I.” The narrator may be an active participant in the story or just an observer. When the point of view represented is specifically the author’s, and not a fictional narrator’s, the story is autobiographical and may be nonfictional (see Common Literary Forms and Genres below). Third-person narration: The narrator remains outside the story and describes the characters in the story using proper names and the third-person pronouns “he,” “she,” “it,” and “they.” • Omniscient narration: The narrator knows all of the actions, feelings, and motivations of all of the characters. For example, the narrator of Leo Tolstoy’s Anna Karenina seems to know everything about all the characters and events in the story. • Limited omniscient narration: The narrator knows the actions, feelings, and motivations of only one or a handful of characters. For example, the narrator of Lewis Carroll’s Alice’s Adventures in Wonderland has full knowledge of only Alice. • Free indirect discourse: The narrator conveys a character’s inner thoughts...
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...Министерство образования и науки Республики Казахстан Кокшетауский государственный университет им. Ш. Уалиханова An Outline of British Literature (from tradition to post modernism) Кокшетау 2011 УДК 802.0 – 5:20 ББК 81:432.1-923 № 39 Рекомендовано к печати кафедрой английского языка и МП КГУ им. Ш. Уалиханова, Ученым Советом филологического факультета КГУ им. Ш. Уалиханова, УМС КГУ им. Ш. Уалиханова. Рецензенты: Баяндина С.Ж. доктор филологических наук, профессор, декан филологического факультета КГУ им. Ш. Уалиханова Батаева Ф.А. кандидат филологических наук, доцент кафедры «Переводческое дело» Кокшетауского университета им. А. Мырзахметова Кожанова К.Т. преподаватель английского языка кафедры гуманитарного цикла ИПК и ПРО Акмолинской области An Outline of British Literature from tradition to post modernism (on specialties 050119 – “Foreign Language: Two Foreign Languages”, 050205 – “Foreign Philology” and 050207 – “Translation”): Учебное пособие / Сост. Немченко Н.Ф. – Кокшетау: Типография КГУ им. Ш. Уалиханова, 2010 – 170 с. ISBN 9965-19-350-9 Пособие представляет собой краткие очерки, характеризующие английскую литературу Великобритании, ее основные направления и тенденции. Все известные направления в литературе иллюстрированы примерами жизни и творчества авторов, вошедших в мировую литературу благодаря...
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...(Narrative Essay) JUDY BRADY I Want a Wife (1971) Judy Brady’s essay became an instant classic when it appeared in 1971 in the premier issue of the feminist magazine Ms. As you read, analyze the definitions of “husband” and “wife” that Brady uses, and consider why this essay became so powerful in the 1970s. I belong to that classification of people known as wives. I am A Wife. And, not altogether incidentally, I am a mother. Not too long ago a male friend of mine appeared on the scene fresh from a recent divorce. He had one child, who is, of course, with his ex-wife. He is looking for another wife. As I thought about him while I was ironing one evening, it suddenly occurred to me that I, too, would like to have a wife. Why do I want a wife? I would like to go back to school so that I can become economically independent, support myself, and, if need be, support those dependent upon me. I want a wife who will work and send me to school. And while I am going to school I want a wife to take care of my children. I want a wife to keep track of the children’s doctor and dentist appointments. And to keep track of mine, too. I want a wife to make sure my children eat properly and are kept clean. I want a wife who will wash the children’s clothes and keep them mended. I want a wife who is a good nurturant attendant to my children, who arranges for their schooling, makes sure that they have an adequate social life with their peers, takes them to the park, the zoo, etc. I want a...
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...For other uses, see Fiction (disambiguation). An illustration from Lewis Carroll's Alice's Adventures in Wonderland, depicting the fictional protagonist, Alice, playing afantastical game of croquet. Fiction is the form of any narrative or informative work that deals, in part or in whole, with information or events that are not factual, but rather, imaginary—that is, invented by the author. Although fiction describes a major branch of literary work, it may also refer to theatrical, cinematic or musical work. Fiction contrasts with non-fiction, which deals exclusively with factual (or, at least, assumed factual) events, descriptions, observations, etc. (e.g.,biographies, histories). Contents [hide] * 1 Types of fiction * 1.1 Realistic fiction * 1.2 Non-realistic fiction * 1.3 Semi-Fiction * 2 Elements of fiction * 2.1 Plot * 2.2 Exposition * 2.3 Foreshadowing * 2.4 Rising action * 2.5 Climax * 2.6 Falling action * 2.7 Resolution * 2.8 Conflict * 2.8.1 Types of conflict * 2.8.1.1 Person vs. self * 2.8.1.2 Person vs. person * 2.8.1.3 Person vs. society * 2.8.1.4 Person vs. nature * 2.8.1.5 Person vs. supernatural * 2.8.1.6 Person vs. machine/technology * 2.9 Character * 2.10 Methods of developing characters * 2.11 Symbolism * 2.12 Metaphor * 3 Types of plots * 3.1 Chronological order * 3.2 Flashback * 3.3 Setting...
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...UNDERWOOD S E R I E S E D I T O R S : W. GEIGER ELLIS, ED.D., ARTHEA J. S. REED, PH.D., UNIVERSITY OF GEORGIA, EMERITUS and UNIVERSITY OF NORTH CAROLINA, RETIRED A Teacher’s Guide to the Signet Classic Edition of William Shakespeare’s Macbeth 2 INTRODUCTION William Shakespeare developed many stories into excellent dramatizations for the Elizabethan stage. Shakespeare knew how to entertain and involve an audience with fast-paced plots, creative imagery, and multi-faceted characters. Macbeth is an action-packed, psychological thriller that has not lost its impact in nearly four hundred years. The politically ambitious character of Macbeth is as timely today as he was to Shakespeare's audience. Mary McCarthy says in her essay about Macbeth, "It is a troubling thought that Macbeth, of all Shakespeare's characters, should seem the most 'modern,' the only one you could transpose into contemporary battle dress or a sport shirt and slacks." (Signet Classic Macbeth) Audiences today quickly become interested in the plot of a blindly ambitious general with a strong-willed wife who must try to cope with the guilt engendered by their murder of an innocent king in order to further their power. The elements of superstition, ghosts, and witchcraft, though more readily a part of everyday life for the Renaissance audience, remain intriguing to modern teenagers. The action-packed plot, elements of the occult, modern characterizations, and themes of import to today's world make...
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