...Insanity of Blanche Dubois The movie “A Streetcar Named Desire” contains many elements of insanity. The character that displays the most tragic insanity is Blanche Dubois. Blanche is from Laurel, Mississippi were she loses her home Belle Reve, after the death of her relatives. She then travels to her sister’s home where her actions lead her to insanity. She goes to her sister home as a fallen woman of society. She has a difficult time distinguishing between what is real and what is fantasy. Blanche Dubois is a complex individual who provokes strong reactions from other characters. The main factors are her lying, drinking and infatuations with men. Unfortunately, these actions drive her to the final breaking point and lead her to an insane asylum. Upon her arrival to Elysian Fields, Blanche is unimpressed with the surroundings. Here she hopes to escape her poor life and bad reputation. As she enters the apartment, she meets Eunice who leads her to her sister’s apartment. Stella and her husband Stanley arrive home, and Stella greets her sister warmly. She leads her sister to believe she is one who has never lived indignantly. Blanche is not there long before she begins to lie to her sister to make herself seem better. She leads her to believe she is there on a leave of absence from her job as a school teacher. However, the reality is that she was fired for having relations with a seventeen year old boy. Blanche also reveals that her family home, Belle Reve, has been lost...
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...Characters Blanche DuBois When the play begins, Blanche is already a fallen woman in society’s eyes. Her family fortune and estate are gone, she lost her young husband to suicide years earlier, and she is a social pariah due to her indiscrete sexual behavior. She also has a bad drinking problem, which she covers up poorly. Behind her veneer of social snobbery and sexual propriety, Blanche is an insecure, dislocated individual. She is an aging Southern belle who lives in a state of perpetual panic about her fading beauty. Her manner is dainty and frail, and she sports a wardrobe of showy but cheap evening clothes. Stanley quickly sees through Blanche’s act and seeks out information about her past. In the Kowalski household, Blanche pretends to be a woman who has never known indignity. Her false propriety is not simply snobbery, however; it constitutes a calculated attempt to make herself appear attractive to new male suitors. Blanche depends on male sexual admiration for her sense of self-esteem, which means that she has often succumbed to passion. By marrying, Blanche hopes to escape poverty and the bad reputation that haunts her. But because the chivalric Southern gentleman savior and caretaker (represented by Shep Huntleigh) she hopes will rescue her is extinct, Blanche is left with no realistic possibility of future happiness. As Blanche sees it, Mitch is her only chance for contentment, even though he is far from her ideal. Stanley’s relentless persecution of Blanche foils her...
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...Characters Blanche DeBois: * Around the age of 30 * from Mississippi, an aging southern belle(panics about her fading beauty) * lost Belle Reve(DeBpis family home) and her young husband(gay, she announced her disgust at his homosexuality suicide marks the end of Blanche’s sexual innocence) * drinking problem * Stella’s older sister * moves into the Kowalski home in New Orleans * destitute * has had many lovers (strong sexual urges) self-esteem depends on many for happiness * avoids reality(snobbery hide her poverty and indignity) * throughout the play her self-image and sanity crumble End: Stanley rapes her(destroys rest of mental and sexual esteem) and commits her to an asylum Stella Kowalski: * Around the age of 25 * Blanche’s younger sister * Mild character * Married to Stanley Kowalski (robust sexual relationship violent and renewing) and pregnant * Torn between her sister and her husband (stands by Stanley in the end) Stanley Kowalski: * Stella’s husband * Working-class * Example of vital force * Loyal to friends (Steve, Pablo, Mitch), passionate to Stella, cruel to Blanche * Polish ancestry( represents new heterogeneous America Blanche doesn’t belong to them, she is from an old social hierachy) * Fought in WW2 * Wishes to destroy Blanche’s social life * Beats his wife and rapes Blanche (BUT no remorse and still the proud family man) * Doesn’t like Blanche because...
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...can be destructive, and take over someone's life. Lying takes over Blanche’s life throughout “A Street Car Named Desire” lying allows Blanche to escape the reality of her life when she tells lies to other people, because she starts to let herself believe her own lies. Blanche escapes reality because she is not proud of her past, and wants to be something else but herself. Blanche tries to hide who she is to her friends, and even her family. When Blanche just meets someone, it’s easier to feed them lies about who she is because they don’t know anything about her so it’s easier to believe. It’s more of a struggle to tell her own family lies because they question her because they know her past. Blanche let’s lying destructs her life slowly, by ruining each relationship with someone important to her. Blanche lives in a fantasy world to hide from her reality. Lying can be destructive because people let it overtake their life, and the truth always ends up coming out because people end up forget their lies. In “A Street Car Named Desire” Blanche starts lying to her sister, and she knows she’s lying. Blanche says to Stella in Scene One that she’s taking a “leave of absence” from her job as a schoolteacher. The truth on that situation is that Blanche got fired from her job as a school teacher, and got asked to leave. Later on Blanche lies about her age to Mitch telling him that she is younger than her twenty-five year old sister to Mitch who is seventeen. She lies to she...
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...analyzes the character's beyond their superficial facade. Since the beginning of time, humans have always stumbled on a boarder between appearance and reality, using deception to mask weaknesses and obscure the harsh eye of society. By examining A Street Car Named Desire by Tennessee Williams, Shakespeare's Much Ado About Nothing, and The Unabridged Journals Of Sylvia Plath by Sylvia Plath the deception humans use in order to appear stronger in society are revealed. In the play, A Streetcar Named Desire by Tennessee Williams, there is a dominant theme of deception portrayed by the three main characters in the play. Stella Kowalski, Stanley Kowalski, and Blanche DuBois all have simple personalities that are extremely skewed by the end of the book. Stella states "I'm not in anything I want to get out of," (Williams, 74). This gives Blanche a huge reality check, because someone she adores has accepted such an average life, and has given up in her pursue for perfection, even if most of it is imaginary. This deception also plays a huge role in Much Ado About Nothing by Shakespeare, through a continuos series of twists throughout the book and hidden motifs, that cannot be seen by the reader until the characters themselves accept the truth or the meaning behind it. The character traits that seem to define the characters in this play, are also their largest deceptions. "CLAUDIO -Can...
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...A street The character of Blanche Dubois in the story of A Streetcar Named Desire is considered a tragic protagonist for the various conflicts she is suffering both internally and externally. It is mainly her self-delusion that ultimately leads to her destruction and the reason she is committed to an insane asylum. From the very beginning of the play we can tell that Blanche is being standoffish and not revealing everything. For instance, Blanche tells her sister in scene one that she’s simply taking a leave of absence from her job as a schoolteacher. In reality Blanche has been fired from her position and was basically run out of the town she is from because of her scandalous behavior. Blanche has been lying to so many people for so long, she can no longer can see the delineation between fantasy and reality. Blanche’s husband’s death at his own hands causes her a great deal of anxiety and guilt. We realize she is most haunted by that scene of her husband’s suicide, and that the memory is present by the sound of the polka music and then the sound of a gunshot. The death of all her older relatives and the loss of the family mansion Belle Reve contribute further to her mental instability. The struggle between Blanche and her brother in law Stanley Kowalski are a major focal point of A Streetcar Named Desire; almost immediately after meeting Blanche, Stanly has formed an opinion of her and doesn’t hold back from letting it be known how he feels about her. Stanley is a workingman...
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...in American literature one begins to see the old south decaying. Traditions began to fade away and what used to be the norm is evolving into a new era where men are abusive to women, and blacks began to fit into the society slowly gaining the rights other races have had all along. This is described as the New South where people are always intermingling in a diverse manner. People in the Old South speak exceptionally formal and precise, as opposed to the slang that has been picked up in the New South. There are many reasons that contrast just how different these two eras became. The decay of the old south is present in A Streetcar Named Desire, written by Tennessee Williams. Blanche and Stella’s ancestors were wealthy plantation owners. In the old south majority of people were farmers. Although Blanche and Stella inherited everything from their ancestors, they didn’t have enough income to keep it all. They ended up selling all of it besides a small portion in which their ancestor’s graves laid. During the 1940’s in New Orleans, there is a constant theme of how society and class effects Americans in this era. A Streetcar Named Desire deals with these class differences in an abnormal way. At one point of view is a disappearing Southern belle that has outdated ideals about the upper class and those “beneath” her social class or rank. Neither Stanley nor Stella, put social class into concern when regarding their relationship. Both characters are exempt from their class boundaries...
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...Analysis of Blanche tragic life Abstract : As one of the most important play writers of America after the World War Ⅱ, Tennessee Williams won lots of theatrical awards for his masterpiece A Streetcar Named Desire. As a result, Blanche, the heroine in the play, had been the focus point of the critics. This thesis tries to analyze profoundly the cause of the tragedy of Blanche from several aspects .As Williams T concluded, ‘The heroine Blanche was struggling between reality and fantasy, finally, her spirit was broken drastically under the beat of ruthless reality. She was the typical weak woman and victim in the patriarchal society. Her tragedy shows that the woman can’t escape the control of the typical patriarchal society in any case of resistances.’(Williams, 2).Some of William’s points will be elaborated in this paper which includes four parts. Chapter one serves as an “introduction”, which gives a general review of main characters in the novel. Chapter two, “Character of Blanche” ,Blanche’s being trapped by the conventionality; Blanche’s illusion about men; Blanche’s illusion about herself; her husband’s suicide; Stanley’s rude behavior and sense of dominance; Stella’s betrayal; Mitch’s desertion and the cold realistic world. In conclusion, it is the Blanche’s illusion about men ,herself and cruelty of Stanley that mainly causes her tragedy. Keywords: tragedy conventionality illusion 1．Introduction 1.1 Review of the protagonist In Tennessee Williams' "A Streetcar...
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...Blanche: A sympathetic Character she is Blanche in "A Streetcar Named Desire" is a character that throughout the play stirs all type of emotions. It can be difficult when trying to figure out if someone is a sympathetic character or not. With that being said despite the flaws that Blanche possesses she is still a sympathetic character. This can be supported examining the play. The beginning of the play Blanche automatically generates sympathy, as she is portrayed as the Southern wealthy woman who has a problem speaking to a black person in a normal manner. She has lost the family home Belle Reve and all the family members have died. She has come to stay with her sister Stella and brother in law Stanley (Williams 2191). This quote generates much sympathy for the character that have watched everyone die alone. “BLANCHE: I, I, I took the blows in my face and my body! All of those deaths! The long parade to the graveyard! Father, mother! Margaret, that dreadful way! So big with it, it couldn't be put in a coffin! But had to be burned like rubbish! You just come home in time for the funerals, Stella. And funerals are pretty compared to deaths. Funerals are quiet, but deaths–not always( )” Blanche goes on a spree trying to turn Stella against Stanley throughout the play. During Scene 4 Blanche is desperate to turn them against each other. She says to Stella: "He acts like an animal, has an animal’s habits. Stella cruelly rejects Blanche, in favor of Stanley. Stella ignores Blanche...
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...have. In Tennessee Williams’ A Streetcar Named Desire, the theme of power is very evident throughout the play. Stanley Kowalski’s hunger for power has led him to violence. He is a man who takes pride in what he does and his role as the head of his household. His brutal and abusive attitude is one that readers are made aware of the moment he comes into the scene. In the first seen he is seen hurling raw meat to his wife showing his animalistic approach to life. All of his authority is put into question when Stella’s sister Blanche comes over for a stay. Always Stanley’s power upon others is served with a side of violence. In scene three we witness what happens when he feels that he is losing power. Stanley has been losing money from the poker playing and needs to save face with his buddies. He complains that that the women are talking too loudly, and then complains again when Blanche turns on the radio. He gets up and switches it off himself. Blanche, who obviously doesn’t see Stanley as a threat, turns it back on and begins to waltz with Mitch. Then Stanley who has been drinking takes the radio and hurls it out the window as a sign of superiority and putting his foot down. When Stella tells his friends to leave he chases her and beats her. Stanley has been losing money from the poker playing and needs to save face with his buddies....
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...How does Williams present Blanche in scene 1? From the beginning of A Streetcar Named Desire, Tennessee Williams, it is evident that Blanche will demonstrate a contrasting persona to that of the other female voices, ‘her appearance is incongruous to this setting. She is daintily dressed in a white suit.’ The introduction to Blanche through the stage directions makes it apparent to the reader that Blanche will not blend in with her new surroundings and will believe herself to be superior to that of her peers: ‘looking as if she were arriving at a summer tea or cocktail party in the garden district.’ The conventional techniques used by Tennessee Williams such as stage directions and language devices allow the audience, from the offset, to understand the contradictory and hysterical personality that Blanche will show throughout the play- with the implication that her lies will lead to not only a physical, but mental deterioration. The other women in Scene 1 appear to be of a confident nature who will converse with one another, no matter the race or hierarchical status. However, when we are first introduced to Blanche it appears she is reluctant to talk to people of a different race, or of women who seems more lower class than herself. The audience are made aware of this from the stage directions ‘wearily refers to the slip of paper’. The word ‘wearily’ connotes the idea that she has a lack of enthusiasm to partake in conversation as she, perhaps, perceives herself to be of a superior...
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...Desire' where Blanche DuBois and desire are inextricably linked. Indeed, she arrives in Elysian Fields after taking a streetcar named desire. One critic has said that the journey which Blanche takes to get to her sisters apartment on a streetcar named Desire and and then changing to a streetcar named Cemetries reflects her overall journey through life. For example, in her youth she rode on her desires and during as well as after the play takes place, she changes to a morbid route, described as "Cemetries". In some sense, her quest for desire was as short lived as her tram ride. Another moment where the idea of desire is evident is when Stanley tells Stella that "I (he) am the king around here, so don't forget it." which reflecs his desire to have power and control over everyone in his 'domain'. This is one moment in the play where Stanley's true controlling ideas are shown to the audience. Through Stanley, Williams presents us with the idea that he is one who has achieved his desrie of being unnapposed in his society. An example of this is at the end of the play where Stanley isn't held accountable for a crime he has committed (the rape of Blanche) and his life goes back to how it was at the beginning of the story with him keeping control of his life and the lives of the surrounding characters. This also gives the audience a sense of futility of the life and how so much can change but at the end of an episode the status quo isn't guaranteed to change. Blanche has a pressing...
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...marxism, and psychoanalytical, to enhance the importance of each character's actions in order to create a masterpiece that consumes you instantly. Feminism is the most prominent literary criticism within A Streetcar Named Desire. Patriarchy is seen repeatedly in almost all of the interactions Stanley has with his wife Stella and her sister Blanche. In scene two of the play Stella doesn’t want Blanche around when Stanley has his poker night so she tells Stanley, “I'm taking Blanche to Galatoire's for supper and then to a show, because it's your pok'r night.” (Williams 32) and he replies, “How about my supper, huh? I'm not going to no Galatoire's for supper!” (Williams 32) to her. This portrays feminism because Stella knows that Blanche would call...
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...The Belle of Amherst is a play about Emily Dickinson, who is played by Julie Harris. Emily Dickinson was one of America’s greatest poets. Sadly, she was unknown during her lifetime. The play depicts Emily Dickinson based upon her poems, letters and her diary entries. Although she was a shy loner, she wrote about life and the sadness and joys of the heart like she fully experienced it. Watching The Belle of Amherst enlightened me on what Emily Dickinson was going through in her time. I learned that she was a jokester, baker and she also deliberately secluded herself. She purposely secluded herself in order to dedicate her life completely to poetry. Anyone could see that she truly loved poetry and she saw everyone as a rare creation, just like...
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...symbolizes the absence of innocence through the absence of light. Stella mentions Stanley’s violent behavior on their wedding night to Blanche: “Stanley’s always smashed things. Why, on our wedding night—soon as we came in here—he snatched off one of my slippers and rushed about the place smashing light-bulbs with it.” This statement symbolically addresses Stella and Stanley’s position on their marriage. As Stanley, through brute and animalistic force, smashed all of the lights with Stella’s slipper on their wedding night, he symbolically broke Stella’s light as well. Stella’s light, prior to her marriage to Stanley, symbolizes her innocence, in other words, Stella’s purity. Stella’s statement relieves any thought in the reader’s mind that Stella’s marriage is built on a loving and chaste relationship. Therefore, Stella and Stanley symbolically launch into their erotic marriage with an absence of innocence and a presence of lustful experience. Stella’s passionate tone while revealing Stanley’s aggressively erratic, and deviously sexual tendencies supports the idea that the Kowalski’s marriage is centered-around sexual desires. She tells Blanche, “(Arranging dressing-table chair to face mirror, as she sits in it.) He smashed all the light-bulbs with the heel of my slipper! (Laughs.).” Stella confirms her husband’s uncontrollable actions to Blanche as she looks back upon their wedding night. Stella’s tone, which is supported through her actions in the stage directions, allows the...
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