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Chimney Rock

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Chimney Rock is a great depiction of the American landscape, without any indication of civilization or settlement. The embroidery on fabric was strikingly done as the observer can see the disparity through her stitch work. One can notice complex threading modifications that appear to be a complicated task. Chimney Rock creates three-dimensionality to the multihued landscape as the threading adds an assortment of color and shading elements; Chimney Rock contains different shades of earth tones. Carol Shinn’s embroidery utilizes the basic elements of style to portray the American frontier that truly encapsulates what are nation used to be. Overall, Carol Shinn accomplished a salient reproduction of a natural setting. When viewing Chimney Rock the first thing the viewer should notice is the rocky landscape. In the background the viewer can make out distant mountains and flat mesa tops surrounding a desolate valley of green and brown tones. The sky in the background is a bright blue with not a cloud in sight. Carol Shinn creates an interesting natural aspect to the sky by making it a lighter blue as it touches the tops of the mountains and mesas in the background. As the viewer’s eyes are pulled to the middle ground of the piece the orange and red hills break up the foreground and background. These hills have desert shrubs, so hints of greenery contrast the shifting orange hills below. To the right the orange, sand-like hills shift into a towering mesa that has a shadow cast upon its’ façade. The lines leading up to the top of the mesa are jagged as the rocks split up the surface. In the foreground the rock on the left has a yellow tone, which makes the viewer feel as if the sun is hitting the odd-shaped rock that is peering out of the ground directly. This appears to be the highlight of the piece, where the eye goes directly due to the emphasis of the coloration. In the foreground, it appears to be on top of a mesa and pale colored rocks create a v-shaped opening up to the distance in the horizon and the valley below. The rocks create unique shapes without any unique geometric layout, which leads to the elements of style Carol Shinn chose for her piece. Chimney Rock utilizes many elements of style to draw the viewer into this American artwork. Carol Shinn uses a linear pattern to create the background through her threading style. There are direct breaks from the rock to the sky and from the foreground to the background. Carol Shinn also uses lines to show the shifting elements of the rock, as rocks are not truly smooth in nature. However, due to her fantastic stitch work there is a painterly nature to this piece due to the element of shadowing (up close squiggles of thread create these elements). Colors shift with her thread work and the rocks create shadows along the landscape, which softens the hard landscape and creates a sense of tonality. This size is relatively large for the stitch work, which makes the landscape and her work that much more impressive in detail. The perspective of this piece makes the viewer feel as if they were standing on top of a mesa rock looking out into the horizon, to the valley below and what is to the viewer’s sides. It appears as if you were standing on top of something and looking straight; nothing is surpassing the viewer in the piece, which would give the viewer the sense of looking up. The composition of this piece is very in union as all the landscape elements fit together as the eye would see them in nature. There is a symmetrical arrangement of the rocks, which creates a serene environment, whereas if the rocks were jagged and not uniform it may appear chaotic. Carol Shinn also creates a definite contrast between the light and dark colors through her pattern work with the thread. Overall, the piece was done in an excellent proportion as all elements fit together and resemble a gorgeous earth tone environment.
In my opinion I enjoyed Carol Shinn’s Chimney Rock for the piece’s aesthetic beauty. I had a sense of being in the landscape because the vibrancy and naturalism of the piece captivated my eye. The piece placed me in a natural environment and reminded me of my experience in Moab, Utah. Seeing the landscape unsettled as the rock has shifted and formed against the mesas and hills, is almost a spiritual experience. This piece recaptured that spiritual experience I had in Moab. It is a rare moment in today’s world that we get to see landscape unaffected by outside factors and Carol Shinn conveys this in Chimney Rock through her detailed embroidery work. In general, the viewer must appreciate the complex work Carol Shinn undertook as she recreated an environment with thread alone. Chimney Rock has a vibrancy created by the utilization of myriad of tones and unique lines to give the landscape life. For Carol Shinn’s machine work with the thread the viewer must giver her much esteem for the realistic design of Chimney Rock. The artist does a fantastic job at creating three-dimensionality with the tonality of the piece by modeling the shapes in the work to be light and dark. Chimney Rock is a great example of American artwork as it portrays the Western landscape, where Carol Shinn ironically uses a soft material to create a rough landscape.

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