...and European music traditions suggested the music itself may be son and would also "creatively fuse equal amounts of white- and black-derived musical features" (Manuel 43). Professor Washburne repeatedly mentioned in class the importance of actual Cubans to classifying music as authentic, and although the supporting members of the group were not truly Cuban or even from the Caribbean, Formell's heritage as "truly Cuban" and as the bandleader gave the performance an authenticity that may not exist if Formell was Puerto Rican. Formell seemed to have a unique skin tone, suggesting that he would fall under the classification of "creole" which is defined by Stuart Hall as having the "contemporary meaning of 'racial mixing' or ... the inter-cohabition between the two 'races' " (Hall 29). The music of Formell y Son Radical seemed closely similar to the guajira or guajira-son genre, which Peter Manuel describes as "a spin-off of the son which ... fused a medium-tempo son rhythm with guitar-based backing" (Manuel 44). The band began with a song titled "Guantanamera,"...
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