...Jonathan Graves World Literature Debra Germany 3 March 2014 Beowulf is a story that interested me for a long time. We read this story in grade school, and now in college it sparks many debates in the minds of college students, including mine. When I read it in grade school, it was a good story about monsters and heroes. Now that my literary mind has somewhat developed there are some controversies that jump out at me. At my first glance of the story in grade school, you really don't understand the depth of the epic. Being in a college level course we learned that the original author is an unknown man from pagan times written between the 600th and the 700th century, which is another debate all on its own.(The History of Beowulf) The epic poem Beowulf has deep roots in Paganism and was translated later in Christian times. Being a story from Anglo-Saxon England one has to wonder about what was going on at the time it was written. "The Christian church had been well-established and it suffered greatly from the invasions.(BBC) When the Angles and the Saxons invaded Roman Britain it was believed that the story of Beowulf came with them and the story was later translated by an unknown Christian author. It is also believed that this story was and oral poem that was spoke and passed down from generation. Most of the mystery cannot be proven with fact. It has been debated on by scholars for the past few centuries. Some authors consider it part of the Christianization...
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...assisted by supernatural beings. Comparing Beowulf to Percy Jackson based on their culture and heroic characteristics involving bravery, leadership, strength, personality traits, fighting style, and their motivation to fight. Focuses on the two different aspects of heroism as defined by Greek and Anglo Saxon culture. Beowulf and Percy Jackson share the heroic traits of leadership skills, superhuman strength and bravery. Beowulf is the leader of the Geats,...
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...giving us a specific meaning to hold onto, while some are less clear which gives more mystery to the passage. The diction is mostly concrete, speaking of the chasm and his voice, not of other abstract ideas mentioned previously in the chapter. The words are also cacophonous, not sounding pleasant together and further expressing the distress Grendel seems to be experiencing as the monster he is. The words are mostly monosyllabic, making it easier for us to understand. The diction used clearly expresses the idea that Grendel pretends to be intrigued by the idea of the dark chasm seizing him, he also understands that this would only be possible if he gave in and jumped. | Personal Response I think this quote relates to me because I too, often talk to inanimate things as if they could hear me, while still realizing they can’t. I mostly do this when I am lonely, which relates me to Grendel in this instance. He seems like the lonely type. In a way I pity him, in a way I don’t. I’m sure if he tried hard enough he could find some friends, and stop talking to dark chasms, threatening them to kill him. I like this quote because Grendel realizes the frailty of...
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...ENGLISH LITERATURE ITS HISTORY AND ITS SIGNIFICANCE FOR THE LIFE OF THE ENGLISH-SPEAKING WORLD A TEXT-BOOK FOR SCHOOLS BY WILLIAM J. LONG, PH.D. (Heidelberg) TO MY FRIEND C H T IN GRATITUDE FOR HIS CONTINUED HELP IN THE PREPARATION OF THIS BOOK CANTERBURY PILGRIMS From Royal MS., 18 D.ii, in the British Museum PREFACE This book, which presents the whole splendid history of English literature from Anglo-Saxon times to the close of the Victorian Era, has three specific aims. The first is to create or to encourage in every student the desire to read the best books, and to know literature itself rather than what has been written about literature. The second is to interpret literature both personally and historically, that is, to show how a great book generally reflects not only the author's life and thought but also the spirit of the age and the ideals of the nation's history. The third aim is to show, by a study of each successive period, how our literature has steadily developed from its first simple songs and stories to its present complexity in prose and poetry. To carry out these aims we have introduced the following features: (1) A brief, accurate summary of historical events and social conditions in each period, and a consideration of the ideals which stirred the whole nation, as in the days of Elizabeth, before they found expression in literature. (2) A study of the various literary epochs in turn, showing what each gained from...
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...Министерство образования и науки Республики Казахстан Кокшетауский государственный университет им. Ш. Уалиханова An Outline of British Literature (from tradition to post modernism) Кокшетау 2011 УДК 802.0 – 5:20 ББК 81:432.1-923 № 39 Рекомендовано к печати кафедрой английского языка и МП КГУ им. Ш. Уалиханова, Ученым Советом филологического факультета КГУ им. Ш. Уалиханова, УМС КГУ им. Ш. Уалиханова. Рецензенты: Баяндина С.Ж. доктор филологических наук, профессор, декан филологического факультета КГУ им. Ш. Уалиханова Батаева Ф.А. кандидат филологических наук, доцент кафедры «Переводческое дело» Кокшетауского университета им. А. Мырзахметова Кожанова К.Т. преподаватель английского языка кафедры гуманитарного цикла ИПК и ПРО Акмолинской области An Outline of British Literature from tradition to post modernism (on specialties 050119 – “Foreign Language: Two Foreign Languages”, 050205 – “Foreign Philology” and 050207 – “Translation”): Учебное пособие / Сост. Немченко Н.Ф. – Кокшетау: Типография КГУ им. Ш. Уалиханова, 2010 – 170 с. ISBN 9965-19-350-9 Пособие представляет собой краткие очерки, характеризующие английскую литературу Великобритании, ее основные направления и тенденции. Все известные направления в литературе иллюстрированы примерами жизни и творчества авторов, вошедших в мировую литературу благодаря...
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...VOLUME EDITOR S. WALLER is an Associate Professor of Philosophy at Montana State University Bozeman. Her areas of research are philosophy of neurology, philosophy of cognitive ethology (especially dolphins, wolves, and coyotes), and philosophy of mind, specifically the parts of the mind we disavow. SERIES EDITOR FRITZ ALLHOFF is an Assistant Professor in the Philosophy Department at Western Michigan University, as well as a Senior Research Fellow at the Australian National University’s Centre for Applied Philosophy and Public Ethics. In addition to editing the Philosophy for Everyone series, Allhoff is the volume editor or co-editor for several titles, including Wine & Philosophy (Wiley-Blackwell, 2007), Whiskey & Philosophy (with Marcus P. Adams, Wiley, 2009), and Food & Philosophy (with Dave Monroe,Wiley-Blackwell, 2007). P H I L O S O P H Y F O R E V E RYO N E Series editor: Fritz Allhoff Not so much a subject matter, philosophy is a way of thinking.Thinking not just about the Big Questions, but about little ones too.This series invites everyone to ponder things they care about, big or small, significant, serious … or just curious. Running & Philosophy: A Marathon for the Mind Edited by Michael W. Austin Wine & Philosophy: A Symposium on Thinking and Drinking Edited by Fritz Allhoff Food & Philosophy: Eat,Think and Be Merry Edited by Fritz Allhoff and Dave Monroe Beer & Philosophy: The Unexamined Beer Isn’t Worth Drinking Edited by Steven D. Hales Whiskey & Philosophy:...
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...Prologue Florence, 1283 The poet stood next to the bridge and watched as the young woman approached. The world ground to a near standstill as he remarked her wide, dark eyes and elegantly curled brown hair. At first he didn’t recognize her. She was breathtakingly beautiful, her movements sure and graceful. Yet there was something about her face and figure that reminded him of the girl he’d fallen in love with long ago. They’d gone their separate ways, and he had always mourned her, his angel, his muse, his beloved Beatrice. Without her, his life had been lonely and small. Now his blessedness appeared. As she approached him with her companions, he bowed his head and body in a chivalrous salute. He had no expectation that his presence would be acknowledged. She was both perfect and untouchable, a browneyed angel dressed in resplendent white, while he was older, world-weary and wanting. She had almost passed him when his downcast eyes caught sight of one of her slippers — a slipper that hesitated just in front of him. His heart beat a furious tattoo as he waited, breathless. A soft and gentle voice broke into his remembrances as she spoke to him kindly. His startled eyes flew to hers. For years and years he’d longed for this moment, dreamed of it even, but never had he imagined encountering her in such a serendipitous fashion. And never had he dared hope he would be greeted so sweetly. Caught off balance, he mumbled his pleasantries and allowed himself the indulgence of a smile...
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