...with Central Asia but contain its own divergent nations focusing on Armenia and Georgia. Central Asia are cultures of Muslim beliefs. Armenia and Georgia are cultures of the Christian beliefs. As with numerous religions studied all around the world, Muslim and Christian faith are beheld as influential, life changing lifestyle in a spiritual aspect, and musically. Although, these two religions contrast, they also consume their resemblances in Central Asia and Armenia and Georgia. In the many countries of Central Asia and Muslim beliefs, there are music that identifies their culture. There is mountain music derived from Kyrgyzstan that consists of Kyrgyz traditional instruments. Two other Muslim countries in Central America such as Uzbekistan and Tajikistan strongly practice its music. Uzbekistan and Tajikistan practices music called “The Shashmaqam” or “six maqam”. Shashmaqam is a genre of music that consist of instrumental pieces, songs, poetry, and dance. Shashmaqam also have performers stylize the poetic texts that drawn from Sufi symbolic texts from classical Islamic poets, into rhythms that are short and long. The history of Caucasus is battle-scarred and is a borderland between Christian and Muslim worlds. The Caucasus is the front line of a sometimes-problematic clash of cultures. One of the two distinct regions that make up the Caucasus are Armenia and Georgia, who are both historically Christian cultures. The Armenians have a solid wisdom of distinctiveness...
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...Musical styles were changing rapidly, in part owing to the movement of musicians between different regions of Europe.[26] Many northern musicians moved to Italy, the heart of the Renaissance, attracted by the Italian nobility's patronage of the arts; while in Italy, these composers were influenced by the native Italian styles, and often brought those ideas with them back to their homelands. The sinuous musical lines of the Ockeghem generation, the contrapuntal complexity of the Netherlanders, and the homophonic textures of the Italian lauda and secular music began to merge into a unified style; indeed Josquin was to be the leading figure in this musical process, which eventually resulted in the formation of an international musical language, of which the most famous composers included Palestrina and...
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...Methods * Categories | * Communicative Language Teaching | The Grammar-Translation Method | * * * * * * * * * * * * * * * * * * Theory of Language * * * * * * * * * * * * * *...
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...How far do you agree that women had made significant gains in their fight for equality by 1980? Equality is ensuring individuals or groups of individuals are treated fairly and equally on the grounds of their race, gender, religion, disability, age or sexual orientation. One such group of individuals who are in an unremitting fight for equality in context of gender and race are woman within the United States exemplified by the World economic forum global gender gap report of 2015, ranking the country 28th in terms of equality between men and woman. Although in terms of the global demographic the ranking appears adequate – impressive even by some accounts, the unwavering determination of the feminist movement leading up the 1980’s, disappointingly appears to pale in vain to the statistic. Indeed this trait of gender inequality is consistent not only today but also throughout America’s history. On the 3rd February 1870 the 15th Amendment to the constitution of the United States of America declared that all US citizens had equal voting rights. Indeed this would prove to be an unequivocally vital development in socio-political dynamic of the country, however the amendment ultimately marginalised and repudiated a fundamental gender arguing that they served no purpose other than to adhere to gender roles ministering to a man and reproducing. – The female. In perspective one could argue that the recognition of US citizenship within the parameters of voting rights proved to be the...
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...the effects of social networks on students’ performance in online education which uses networking as an adjunct mode for enhancing traditional face-to-face education or distance education. Using data from a 40-student course on Advanced Management Information Systems (AMIS), we empirically tested how social networks (friendly, advising, and adversarial) related to students’ performance. First, advising network variables are positively related to student performance both in the class and on the forum. Adversarial variables are negatively correlated with almost all students’ performance. Second, advising and adversarial network variables are good determinants for overall academic performance; however, adversarial network variables are not influential on students’ performance on the forum. Friendship network variables are not determinants of students’ performance. Implications for the results are also discussed. KEYWORDS Learning Effectiveness, Social Network Analysis, Asynchronous Learning, Forum 93 JALN Volume 7, Issue 3 — September 2003 I. INTRODUCTION The impact of the Internet on education is an important issue that has caught both educators’ and practitioners’ attention in recent years [1-4]. According to...
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...Introduction “Up, you mighty race, accomplish what you will.” Marcus Garvey Rastafarianism is a religious movement born out of black slums of Jamaica which harnessed the teachings of the Jamaican born black nationalists, Marcus Garvey and conditionally uses selective Old Testament Christian writings to support its teachings and practices. Among Jamaican society, members of the Rastafarian movement were commonly perceived as social outcasts because of their anti-establishment way of life and their pride in identifying themselves as people of African ancestry. The inspiration which led to its genesis in the 1930’s was Messianic or millenarian in nature has been sustained and pervaded by a sense of African triumphalism. Although physical repatriation to Africa has not been fulfilled as Garvey or the founding Rastafarianism originally hoped, followers learned the “idea of Africa as home” can be a psychologically, culturally and spiritually empowering experience- all of which are important ingredients for creating positive ethno-racial self- conceptions of self and community. (Singh 2001) To participate in a form of active engagement towards liberation, Rastafarianism practice “reasonings”. The purpose is to heighten awareness by discussing local and worldly issues in an open communal environment and also emulating what theologian and educator Paulo Freire called conscientization. Conscientization arouse people’s consciousness and sense of self-redemption from the bottom up...
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...4.0. CONCLUSION 4.1. APPENDIX 5.0. REFERENCES 5.1 BIBLIOGRAPHY TITLE: AN EVALUATION OF PERSONALITY- JOB FIT AT ZANTECH Limited 1.0 INTRODUCTION Choosing the right person for a job, or for promotion, is a critical undertaking by any organization, for incorrect employee selections lead to frustrated employees and poor on-the-job performance. Personality-Job fit theory is a widely used selection tool that assists organizations in employee selection. It is widely believed that personality is related to job performance and career success. According to the theorist (Holland, 1985) cited in (Robbins and Judge, 2013) on Personality-Job fit theory, “a theory that identifies six personality types and proposes that the fit between personality type and occupational environment determines satisfaction and turnover.” Also according to Holland, quoted by (Arnold, et al., 2010) Holland’s main theoretical propositions, states that “People find environments satisfying when environmental patterns resemble their own personality patterns = Congruence. It encourages stability of behaviour and better work performance.” By the use of the personality-job fit...
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...Diasporic Cross-Currents in Michael Ondaatje’s Anil’s Ghost and Anita Rau Badami’s The Hero’s Walk HEIKE HÄRTING N HIS REVIEW of Anil’s Ghost, Todd Hoffmann describes Michael Ondaatje’s novel as a “mystery of identity” (449). Similarly, Aritha van Herk identifies “fear, unpredictability, secrecy, [and] loss” (44) as the central features of the novel and its female protagonist. Anil’s Ghost, van Herk argues, presents its readers with a “motiveless world” of terror in which “no identity is reliable, no theory waterproof” (45). Ondaatje’s novel tells the story of Anil Tessera, a Sri Lankan expatriate and forensic anthropologist working for a UN-affiliated human rights organization. Haunted by a strong sense of personal and cultural dislocation, Anil takes up an assignment in Sri Lanka, where she teams up with a local archeologist, Sarath Diyasena, to uncover evidence of the Sri Lankan government’s violations of human rights during the country’s period of acute civil war. Yet, by the end of the novel, Anil has lost the evidence that could have indicted the government and is forced to leave the country, carrying with her a feeling of guilt for her unwitting complicity in Sarath’s death. On one hand, Anil certainly embodies an ethical (albeit rather schematic) critique of the failure of global justice. On the other, her character stages diaspora, in Vijay Mishra terms, as the “normative” and “ exemplary … condition of late modernity” (“Diasporic” 441) — a condition usually associated...
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...The Tragedy of Hamlet, Prince of Denmark is a tragedy by William Shakespeare. Set in the Kingdom of Denmark, the play dramatizes the revenge Prince Hamlet exacts on his uncle Claudius for murdering King Hamlet, Claudius's brother and Prince Hamlet's father, and then succeeding to the throne and taking as his wife Gertrude, the old king's widow and Prince Hamlet's mother. The play vividly portrays both true and feigned madness – from overwhelming grief to seething rage – and explores themes of treachery, revenge, incest, and moral corruption. Hamlet is Shakespeare's longest play and among the most powerful and influential tragedies in the English language, with a story capable of "seemingly endless retelling and adaptation by others." The play was one of Shakespeare's most popular works during his lifetime It has inspired writers from Goethe and Dickens to Joyce and Murdoch, and has been described as "the world's most filmed story after Cinderella". Shakespeare based Hamlet on the legend of Amleth, preserved by 13th-century chronicler Saxo Grammaticus in his Gesta Danorum as subsequently retold by 16th-century scholar François de Belleforest. He may also have drawn on or perhaps written an earlier Elizabethan play known today as the Ur-Hamlet. He almost certainly created the title role for Richard Burbage, the leading tragedian of Shakespeare's time. In the 400 years since, the role has been performed by highly acclaimed actors and actresses from each successive age. Three...
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...Art history From Wikipedia, the free encyclopedia Jump to: navigation, search This article is about the academic discipline of art history. For an overview of the history of art worldwide, see History of art. For other uses, see Art history (disambiguation). This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2011) Venus de Milo on display at the Louvre Art history has historically been understood as the academic study of objects of art in their historical development and stylistic contexts, i.e. genre, design, format, and style.[1] This includes the "major" arts of painting, sculpture, and architecture as well as the "minor" arts of ceramics, furniture, and other decorative objects. As a term, art history (also history of art) encompasses several methods of studying the visual arts; in common usage referring to works of art and architecture. Aspects of the discipline worms. As the art historian Ernst Gombrich once observed, "the field of art history [is] much like Caesar's Gaul, divided in three parts inhabited by three different, though not necessarily hostile tribes: (i) the connoisseurs, (ii) the critics, and (iii) the academic art historians".[2] As a discipline, art history is distinguished from art criticism, which is concerned with establishing a relative artistic value upon individual works with respect to others of...
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...Narrative A narrative is a sequence of events that a narrator tells in story form. A narrator is a storyteller of any kind, whether the authorial voice in a novel or a friend telling you about last night’s party. Point of View The point of view is the perspective that a narrative takes toward the events it describes. First-person narration: A narrative in which the narrator tells the story from his/her own point of view and refers to him/herself as “I.” The narrator may be an active participant in the story or just an observer. When the point of view represented is specifically the author’s, and not a fictional narrator’s, the story is autobiographical and may be nonfictional (see Common Literary Forms and Genres below). Third-person narration: The narrator remains outside the story and describes the characters in the story using proper names and the third-person pronouns “he,” “she,” “it,” and “they.” • Omniscient narration: The narrator knows all of the actions, feelings, and motivations of all of the characters. For example, the narrator of Leo Tolstoy’s Anna Karenina seems to know everything about all the characters and events in the story. • Limited omniscient narration: The narrator knows the actions, feelings, and motivations of only one or a handful of characters. For example, the narrator of Lewis Carroll’s Alice’s Adventures in Wonderland has full knowledge of only Alice. • Free indirect discourse: The narrator conveys a character’s inner thoughts...
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...The Influence of Music on Self and Society - Values in Music in Eastern and Western Cultures David Eaton July, 2003 Throughout history the unspoken but highly evocative language of music has exerted powerful influences on individuals and societies alike. Felix Mendelssohn once remarked that music is more specific about what it expresses than words written about those expressions could ever be. That music has the power to express, convey and illicit powerful emotions is without question, however the issue of music's moral and ethical power, and how that power affects individuals and societies, is one that receives too little attention in our post-modern world. Ancient cultures held strong beliefs in the moral and ethical power of music and as such it was imperative for artists within those cultures to exercise a certain moral and ethical responsibility in their creative endeavors. As a professional musician for over thirty years I concur with that premise and it is primarily from the axiological, rather than a theoretical or aesthetic viewpoint that I approach this discourse. The responsibility of artists to the social environment in which they live and work is something that I have always had strong sentiments. As we now find ourselves beginning a new millennium, questions with regards to music's origins, its spiritual, religious and mystical properties, its moral and ethical power, its transcendent qualities, the role of the arts and artists and the importance of art in general...
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...COMM 3673 Test #2 Study Guide, Fall 2015 Media/Society, Ch. 6: Social Inequality & Media Representation · Comparing Media Content and the “Real World”: four issues raised by this comparison (pp. 188-189) o First – literature in media and cultural studies reminds us that representation are not reality, even if media readers or audiences may sometimes be tempted to judge them as such. § Representations are the result of process of selection that invariably mean that certain aspects of reality are highlighted and others neglected. § All representations re-present the social world in ways that are both incomplete and narrow. o Second – the media usually do not try to reflect the “real” world. o Creators of media products use entertainment media to comment on the real social world. Readers and audiences develop at least some sense of the social world through their exposure to both entertainment media and news media. · Third – Concerns the troublesome term real. o The concept of a “real” world may seem like a quaint artifact from the past. o Social constructionist perspective. § No representation of reality can ever be totally “true” or “real” because it must inevitably frame an issue and choose to include and exclude certain components of a multifaceted reality. o Fourth- Seems to imply that the media should reflect society. o For many people, media are an escape from the realities of daily life. o Therefore, how “real” media...
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...rightful Duke of Milan, plots to restore his daughter Miranda to her rightful place using illusion and skilful manipulation. He conjures up a storm, the eponymous tempest, to lure his usurping brother Antonio and the complicit King Alonso of Naples to the island. There, his machinations bring about the revelation of Antonio's lowly nature, the redemption of the King, and the marriage of Miranda to Alonso's son, Ferdinand. There is no obvious single source for the plot of The Tempest, but researchers have seen parallels in Erasmus's Naufragium, Peter Martyr's De orbe novo, and eyewitness reports by William Strachey and Sylvester Jordain of the real-life shipwreck of the Sea Venture on the islands of Bermuda, and the subsequent conflict between Sir Thomas Gates and Sir George Somers. In addition, one of Gonzalo's speeches is derived from Montaigne's essay Of the Canibales, and much of Prospero's renunciative speech is taken word for word from a speech by Medea in Ovid's poem Metamorphoses. The masque in Act 4 may have been a later addition, possibly in honour of the wedding of Princess Elizabeth and Frederick V in 1613. The play was first published in the First Folio of 1623. The story draws heavily on the tradition of the romance, and it was influenced by tragicomedy and the courtly masque and perhaps by the...
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...Case studies are helpful in numerous ways. The definition offered by (Seawright and Gerring, 2008 p. 296) is useful: “the intensive (qualitative or quantitative) analysis of a single unit or a small number of units (the cases), where the researcher’s goal is to understand a larger class of similar units (a population of cases). There is thus an inherent problem of inference from the sample (of one or several) to a larger population. By contrast, a very different style of case study (so-called) aims to elucidate features specific to a particular case. Here the problem of case selection does not exist (or is at any rate minimized), for the case of primary concern has been identified a priori.” (Barzelay, 2007) identifies the first group as instrumental case studies (they are...
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