...make,” said George R.R. Martin. Being a tragic hero doesn’t mean you have to sacrifice yourself for your entire town, or die for the greater good. Just like George R.R said, being a tragic hero comes down to the choices you make, why you make them, and how they pan out. In the play Antigone there is a woman named Antigone who breaks the law to bury her brother, and a king named Creon who punishes her. When reading this play, Antigone stands out to most people as a tragic hero because she is burying her brother and the known consequence of that action is death, but she does it anyway. Creon is the king that makes the law and punishes her because he believes that...
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...Antigone, a distinction is made between Creon and Antigone that defines an understanding of who the tragic hero is. While it is seemingly established that Antigone is, for her suffering fate and her will to do what is right in the face of grave consequences. However, upon considering the details of the story, and the definition of a “tragic hero” as defined by Aristotle, it seems that, while Antigone may be considered the hero or martyr of the story, Creon is the true Tragic Hero. Creon represents the characteristics of a morally sound man who is nonetheless subject to error. His fate is evidently greater than the error committed, and in spite of his pride, he comes to the realization that the curse of his fate was brought by his actions. These defining traits establish Creon’s significance as the tragic hero of “Antigone”. One of the most compelling factors to prove that Creon is a tragic hero as opposed to Antigone is his depiction as a noble, or “good” person, in the context of his fate. As described in Poetics, “Concerning "character" there are four points to aim at. The first and most important is that the character should be good. The play will show character if… the...
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...Antigone Essay The Tragic Hero in Antigone According to the dictionary, a tragic hero is a literary character who makes an error of judgment or has a fatal flaw that, combined with fate and external forces, brings on a tragedy. In the story "Antigone," by Sophocles, Antigone has all the necessary traits to be qualified as the tragic character of the story. She is an honorable and important person, she has a fearless attitude, and she ends up facing a downfall because of her deeds. Antigone is an honorable and important person in Thebes. She obviously has a very good heart because she has decided to give her brother Polynieces a proper burial even though her uncle, Creon, has forbidden anyone to and has states that if someone does then they will be put to death. Antigone tells her sister, Ismene, "Ismene, I am going to bury him" (Antigone Prologue. 31) Even though she has Creon's threat in her mind, she takes the responsibility of bringing "honor to her family" by burying Polynieces. This shows good character as she is showing love for her family. Also, she does not let Ismene take part in her "crime". This shows how considerate she is of her sister's well being. Another important trait which Antigone has is her fearless attitude and her consistency. Throughout the play, Antigone sticks to her believes. Once she has made the decision to bury Polynieces, she does it without any fear. "Creon is not strong enough to stand in my way" ...
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...or before 441 BC. I will focus in on tragic hero’s. A tragic flaw is an error or defect in the tragic hero that leads to his downfall, such as greed, pride, or ambition. This flaw may be a result of bad character, bad judgment, an inherited weakness, or any other defect of character. Examples of a tragic hero are Antigone four main characters Antigone, Ismene, Creon, and Haemon. Using the text as proof each and everyone one of those four characters are written with a tragic flaw that is their undoing. The major literary elements I will be concentrating on are characterization, tone, and theme. These elements are most important in determining and explaining what makes a character a tragic hero. Without characterization I can’t describe what traits make our hero before a tragic one. Tone will also help with reading in between the lines because as we know sometimes our characters say one thing, but mean something else entirely. The overall theme of Antigone is tragedy so without the characters having the tragic flaws the theme would change. Literally elements are crucial in accurately explaining my topic....
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...Hamartia in Oedipus the King According to the Aristotelian characteristics of good tragedy, the tragic character should not fall due to either excessive virtue or excessive wickedness, but due to what Aristotle called hamartia. Hamartia may be interpreted as either a flaw in character or an error in judgement. Oedipus, the tragic character in Sophocles’ Oedipus the King, certainly makes several such mistakes; however, the pervasive pattern of his judgemental errors seems to indicate a basic character flaw that precipitates them. Oedipus’ character flaw is ego. This is made evident in the opening lines of the prologue when he states "Here I am myself--you all know me, the world knows my fame: I am Oedipus." (ll. 7-9) His conceit is the root cause of a number of related problems. Among these are recklessness, disrespect, and stubbornness. Oedipus displays an attitude of recklessness and disrespect throughout the play. When he makes his proclamation and no one confesses to the murder of Laius, Oedipus loses patience immediately and rushes into his curse. Later, he displays a short temper to Tiresias: "You, you scum of the earth . . . out with it, once and for all!," (ll. 381, 383) and "Enough! Such filth from him? Insufferable--what, still alive? Get out--faster, back where you came from--vanish!" (ll. 490-492) If an unwillingness to listen may be considered stubbornness, certainly Oedipus would take advice from no one who would tell him to drop the matter of his...
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...English 4 Argumentative essay What makes someone a tragic hero? A tragic hero is someone who makes judgement error that inevitably lead to their own destruction. A hero’s downfall comes from specific traits that cause their destruction. Between the two major characters Antigone and Othello, Othello exemplifies a tragic hero the most from the following reasons error of judgment, reversal of fortune and recognition of change in fate. The tragic hero trait that Othello displays is recognition of reversal was brought by his own actions. The general of the Venetian army, Othello married to wife Desdemona was friends with a trustable man named Iago. Othello made the decision to make Cassio his lieutenant instead of Iago....
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...Aristotle's Ideal Tragic Hero. Oedipus follows all of the rules, with a hamartia, an anagnorisis, and a peripeteia. The audience is introduced to the hamartia, or tragic flaw, of Oedipus early in the play. Oedipus believes he can dodge the oracle given to him at Delphi that he will kill his father and marry his mother. By leaving the city of Corinth and heading to Thebes, Oedipus thinks that he can outsmart the will that the gods have for him. However, the audience knows that one cannot run away from an oracle. The oracle will come true no matter what is done. Therefore, the hamartia of Oedipus is his belief that he can evade his oracle. Oedipus' anagnorisis, recognition, later comes when he is told that it was he who killed the former King Lauis and that he is, in fact, now married to his own mother. The city of Thebes had been searching for King Lauis' murderer in order to drive him out of Thebes to save the city from the plague. With this anagnorisis Oedipus is finally led to his peripeteia, or downfall. First of all, Oedipus is put to shame in front of his entire city because of his incestuous act of marrying his mother. But, more importantly, he realizes that he had not successfully avoided the oracle. In order to try to save himself he blinds himself. If he is not able to see the truth with his own eyes, he should not be able to enjoy the gift of sight. http://personal.monm.edu/ysample/aristotle.htm Oedipus follows ten of the points of Lord Raglan's Hero Pattern: Sophocles'...
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...Willy and Oedipus Tragedy Essay Oedipus is a play by Sophocles about a man who saves a town from a sphinx, becomes king,weds with his mother, and kills his father. His whole path is driven by fate. Death of a Salesman is a drama by Arthur Miller about a salesman named Willy Loman who has this big dream to be successful. He ends up failing and commits suicide. Both Oedipus and Willy are exquisite tragic figures, but Willy is superior because he has a higher relation to the audience, had a chance to make it, and Oedipus had no control over what happened to him. Aristotle and Arthur Miller had very different views on what a tragedy entaled. Aristotle thought that a tragedy must start out great, but end in a tragedy. It must have magnitude and...
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...it relates to the drama III. The Tragic hero definition and how that applies to the play IV. The big revaltion in the play that Oedipus sees V. Talk about Apollos power and the meaning of that and conclude to paper with that. The first criterion of a Greek tragedy is that the protagonist be a good person; doubly blessed with a good heart and noble intention. Sophocles reveals immediately at the start of the play that Oedipus is such a man. As is common in the Greek tragedy Oedipus is also an aristocrat. Born of the King and Queen of Thebes he is of true nobility. Oedipus on the other-hand believes his parents are the King and Queen of Corinth. Oedipus was abandoned as a baby and adopted by them. Because that information is known to the audience and not to Oedipus prior to the start of the play, it is a perfect example of tragic irony because when he declares that he will find the murderer he is the man that he pursues. Here he is told by Tiresias,” I say you are the murderer you hunt” (1235). The theme of Oedipus the King is not clear-cut. The theme in this tragic play seems to be you can‘t escape your fate. Contentment leads to ignorance as Oedipus lends fate a hand in his bitter end. This trait is touched-on in these lines spoken by Creon. “Look at you, sullen in yielding, brutal in your rage- you’ll go too far. It’s perfect justice: natures like yours are hardest on themselves” (Sophocles 1242-1243). Oedipus is a true hero in the Greek tragedy. He has the fate...
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...as uncontrolled by fate but possesses the power to influence 1. The role of arrogance and self-confidence in the fulfillment of the prophecy 2. Arrogance as a result of experience 3. Self-confidence as contributed by the people of Thebes 4. Arrogance and self-confidence as his response against fate III. Fate according to Epictetus A. Fate must not be feared and wanted B. Fate must be accepted with grace and dignity C. Fate must be embraced as the will of gods D. Refusal to accept fate results in tragedy Name: Marc Krishke Instructor’s Name: Professor Karen Richie Course: English 1220 Date: 18 December 2008 Oedipus the King: A Story of Fate The tragic play Oedipus the King by...
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...Surname 3 Student's Name Professor's Name Course Date Antigone vs. Macbeth In attempting to discern the legitimate and analytical issues in the two plays, Antigone and Macbeth, it is important to take into account the two key characters that all actions revolve around (Antigone and Lady Macbeth). In both plays, the characters appear to have comparative destiny and fate intertwined deeply within their societies. (Powell et al. 12). Antigone stands harshly rebuked by the state whose rule she contradicts. Antigone's fierce deviance is fully displayed when she declares that she'll bury Polyneices in total disregard of Creon's law. It is this rebellious act and Antigone's innate loyalty to the memory of her brother that forms the spine of the play. On the other hand, Lady Macbeth stands denounced by the laws of God and man having so eagerly disregarded them for the purpose of affection and enthusiasm towards her husband. The inclination that destiny appears to have in setting up these sorts of plays is portrayed undeniably by Sophocles in his piece of work, as well as Shakespeare in his Macbeth. The authorial intent ( a tragedy in contemporary society) as developed by both plays is similar in context. This is mainly detectable while considering the way both playwrights depict the condition that has befallen a nation. Aristotle, an outstanding scholar, and craftsman described tragedy as a mimic of a movement that is morally right. He further came up with guidelines towards...
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...FULL TITLE · The Canterbury Tales AUTHOR · Geoffrey Chaucer TYPE OF WORK · Poetry (two tales are in prose: the Tale of Melibee and the Parson’s Tale) GENRES · Narrative collection of poems; character portraits; parody; estates satire; romance; fabliau LANGUAGE · Middle English TIME AND PLACE WRITTEN · Around 1386–1395, England DATE OF FIRST PUBLICATION · Sometime in the early fifteenth century PUBLISHER · Originally circulated in hand-copied manuscripts NARRATOR · The primary narrator is an anonymous, naïve member of the pilgrimage, who is not described. The other pilgrims narrate most of the tales. POINT OF VIEW · In the General Prologue, the narrator speaks in the first person, describing each of the pilgrims as they appeared to him. Though narrated by different pilgrims, each of the tales is told from an omniscient third-person point of view, providing the reader with the thoughts as well as actions of the characters. TONE · The Canterbury Tales incorporates an impressive range of attitudes toward life and literature. The tales are by turns satirical, elevated, pious, earthy, bawdy, and comical. The reader should not accept the naïve narrator’s point of view as Chaucer’s. TENSE · Past SETTING (TIME) · The late fourteenth century, after 1381 SETTING (PLACE) · The Tabard Inn; the road to Canterbury PROTAGONISTS · Each individual tale has protagonists, but Chaucer’s plan is to make none of his storytellers superior to others; it is an equal company. In the Knight’s...
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...\nvt'$ mvmj of thf "i'emW^ le$t ^mH, THE DISCOURSES OF EPICTETUS. WITH THE ENCHEIRIDION AND FRAGMENTS. TRANSLATED, AND A WITH VIEW NOTES, OF HIS A LIFE OF EPICTETUS, PUILO80PUY. By GEOKGE long, M.A. NEW YORK: A. L. BURT, PUBLISHER, EPICTETUS. Very that he little was a is known* native of and of the life of in Epictetus. Phrygia, the in Maeander the a it is saia Hierapolis, a town tween be- the the to Mgeander branch of named of Paul it in the of Lyons. the Hierapolis of Colossi that time is mentioned epistle from people (Coloss. there of the was iv. a 13); which church date of fact his master has been concluded at Christian The Hierapolis birth of the apostie. The Epictetus life is that is unknown. he a was a only Rome, recorded and of broke the his was early slave in Epaphroditus, There is a profligate that the freedman master to on emperor his slave's dence evi- Nero, story leg by torturing of or him; but the that it is better trust to the Simplicins, who an commentator the weak how Encheiridion in he Manual, from but says Epictetus It is not in was body became that found and a lame early age. said modern slave; parents it has the this ...
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