...Chapter 1 – Mass Communications: A Critical Approach Culture and the Evolution of Mass Communication * Culture * can be narrowly associated with art – forms of expression such as music or painting that provide enlightenment or insight * can also be viewed as a broader category that includes the entire spectrum of ways that people express themselves at particular historical times * including art, beliefs, customs, games, technologies, traditions, and institutions * it also encompasses modes of communication * the process of creating symbol systems that convey information and meaning * is made up of the products a society makes and the processes that create those products * can be defined as the symbols of expression that groups and societies use to make sense of daily life and to articulate their values * Mass media – the cultural industries and channels of communication – can then be seen as the distributors of culture. * the history of mass media can be traced through five main eras: * oral * written * print * electronic * digital * Mass communication – the process of delivering cultural messages to large and diverse audiences through media channels. Oral and Written Forms Begin the Dialogue * The oral and written ears spanned many centuries, from around 1000 BC to the mid-fifteenth century. * Knowledge was passed along through word of mouth ...
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...Cultural Blueprint A public-private partnership for securing the future vitality of the arts and culture of Metro Louisville and Southern Indiana September 20, 2004 • [pic] ▪ Preamble 1 ▪ Cultural Blueprint Goals ← Goal 1 6 ← Goal 2 8 ← Goal 3 10 ← Goal 4 12 ← Goal 5 14 [pic] Imagine if you will: • Walking in downtown Louisville and having every weekend evening feel like the First Friday Gallery Hop, with people popping in and out of galleries, retail stores and restaurants, getting on the trolley for a next stop and meeting and greeting neighbors and friends… • Experiencing the excitement of going to your church, where four gospel groups have come together in celebration of vocal music… • Attending a school theater performance where the audience is made up of your neighbors, other parents, and arts patrons who don’t have children in that production but have come to experience that night’s show… • Our region will be considered a premier destination by cultural tourists… • Attending an arts or cultural event, knowing that all of our arts and cultural institutions are financially healthy and will continue to grow and thrive… • Being proud of the arts and cultural programs that you, your family and children attend together right in your neighborhood, produced by an arts group...
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...scenario, cultural diversity has become an important aspect of human life. Human beings are exhibiting a stronger appeal for cultural aspects than ever. They are incorporating aspects such as housing designs, clothing, eating habits and languages to their life. Others are going for collections of arts, galleries and artefacts that exhibit their connection to certain cultures. These aspects of cultural diversity have been a key thing in promoting global tourism and increasing value of product in areas such as real estates. Tourists have been carrying along souvenirs when they visit the cultural destination to leave a lasting memory of their trips. This recognition and acceptance of diversity among the human race has led to some aspects of culture being embraced at international level. For instance, in the United States, several institutions have started courses that seek to familiarize Americans with African languages. Besides languages, the hospitality sector has embraced diets from other parts around the globe. These foods are costly than local ones in efforts to show regard for culture. Besides the effort by the private sector, many governments have found themselves in the midst of cultural and artistic recognition. They have dedicated resources to building cultural centres that embrace fashions, galleries and caving, housing and other aspects of culture. Museums have also become an vital aspect of modern day life that is not only being considered as part of cultural preservation...
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...Pop Art is a 20th century art movement that utilized the imagery and techniques of consumerism and popular culture. It does not describe a style; it is rather a collective term for the artistic phenomena in which the sense of being in a particular era found its concrete expression. When we apply the word “Pop” to art, we tend to associate with it various superficial aspects of society. The increasing commercialization which permeates our social reality has reduced notions of value such as “the good, the true and the beautiful”. The rules of civilization mould our images of people and things, and of nature and technology. Pop is cheerful, ironic and critical, quick to respond to the slogans of the mass media, whose stories make history, and whose clichéd models determine our behaviour. Pop is entirely a Western cultural phenomenon, born under capitalist, technological conditions in an industrial society. The centre of this was America, so as a result the cultures of the entire Western world have become Americanized. Pop Art analyses this and provides a visual response of our societies achievements in industry and fashion, but also of their absurdities; it traces the limits of a mass media society bursting out at the seams. Pop culture and lifestyle became closely intertwined in the sixties. The subject matter, forms and media of Pop Art reveal the essential characteristics of a cultural atmosphere and way of life we tend to associate with the sixties. The subject matter...
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...period of time the specific pattern on which leadership evolved is 'Culture'. The deep thought of social engineering brought into light by Lenin and carried out by many leaders following him. The permanent impact of this leadership was very vital on the cultural issues. While most of them wanted to strengthen the soviet regime, paved ways to the other leaders too through cultural influence. In this paper I will argue that, the use of culture throughout the period between October revolution and glasnost was to 'combine' the reformation of values ,renewal of economic system and establishment of leadership. Cultural is an essential tool to motivate the norms of behavior of the citizens. To analyze how this was done by the Bolshevik party and later on follow up leaders we need to understand the three factors associated with it. So based on this three factors I will establish logics associated with the reformation of the values using culture. Firstly, the intention of the Bolshevik party with cultural politics. The arts were a necessary component of the communist project. The Bolsheviks saw the arts as playing an important role in the creation of a truly communist society. It is clear that a progressive and 'proletarian'(1) art could educate the masses and can change their mentalities from the old traditional values. This would allow them to embrace communism. ''Their ideology called for an establishment of a temporary state apparatus led by the communist party to control production...
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...THE EFFECTIVENESS OF THE IMPLEMENTATION OF THE SPECIAL PROGRAM IN THE ARTS IN THE SELECTED HIGH SCHOOL: TOWARDS AN INTERVENTION PROGRAM BY: ELLEN S. TALACTAC MASTER OF ARTS IN EDUCATION Chapter I THE PROBLEM AND ITS BACKGROUND THE EFFECTIVENESS OF THE IMPLEMENTATION OF THE SPECIAL PROGRAM IN THE ARTS IN THE SELECTED HIGH SCHOOL: TOWARDS AN INTERVENTION PROGRAM The Special Program in the Arts (SPA) is a nationwide program of the Department of Education for the students with potential or talent in the arts namely: music, visual arts, theater arts, media arts, creative writing and dance. The school shall offer a comprehensive secondary educational program centered on the arts, covering a range of art forms and disciplines. Arts education is an integral component of a balanced educational program in all year 2 levels, which provides the background for post - secondary level work. BACKGROUND OF THE STUDY San Francisco High School was chosen as one of the schools to implement the Special Program in the Arts because it satisfies the criteria set in the guidelines. (DECS Memorandum # 135 s. 2001) The SPA school is / has: * A financially autonomous regular high school * Is strategically located in the region and surrounded by resources such as libraries, museums, instructional...
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...http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Citations: http://ann.sagepub.com/content/611/1/31.refs.html >> Version of Record - Apr 30, 2007 What is This? Downloaded from ann.sagepub.com at NATIONAL UNIV SINGAPORE on October 14, 2011 Capital, Consumption, Communication, and Citizenship: The Social Positioning of Taste and Civic Culture in the United States By LEWIS FRIEDLAND, DHAVAN V. SHAH, NAM-JIN LEE, MARK A. RADEMACHER, LUCY ATKINSON, and THOMAS HOVE In this article, the authors analyze the field of cultural consumption in the United States. Using the 2000 DDB Lifestyle Study, they examine a cross-section of Americans in terms of their occupational categories, media usage, consumption practices, social behaviors, and indicators of civic and political engagement. In doing so, the authors find many parallels to the determinants of taste, cultural discrimination, and choice within the field structure observed by Bourdieu in 1960s French...
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...culture and identity. According to Oxford Art Online, the Simultaneous explosions of the Australian art market in the 1990s, gained international recognition for Aboriginal Art that emerged into the contemporary Aboriginal art that appealed to White Australia's conflicting a desire for cultural reconciliation. The recognition of artistic production in Aboriginal communities across Australia enabled artists to explore themes of cultural alienation. The first wave of contemporary Aboriginal painters including Clifford Possum, Rover Thomas, Paddy Bedford and Emily Kame Kngwarreye, utilized repertoires of dots, blocks of color, with stimulating negative spaces or gestural brushstrokes to evoke the sense of a sacred, collective 'knowledge'. Collectors and museums began to actively collect contemporary Aboriginal works, whose conceptual paintings reinterpreted Australian colonial history. Our Guarantee To You No Quibble Money Back Guarantee! We are so confident in our ability to produce top level academic work that we are prepared to back it with a "No Quibble, Money Back" guarantee! Guarantee Information Essay Writing Service Today Aboriginal Australians are producing art in the remote regions where artists continue to explore their connections with their ancestral land and traditions of ground designs, body art, painted canvases, and bark paintings using contemporary materials. The practice of art is seen differently by indigenous art-makers than their contemporary artist...
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...In Iranian jails, artists, musicians and filmmakers are held as prisoners on charges of “insulting Islamic sanctities” through their work. Coordinated by Amnesty International, the #FreeArtists social media campaign recently launched to secure artists’ release. Considered the “nail in the coffin for freedom of expression in Iran,” the imprisonment of these artists was an attempt by Iranian authorities to silence what was considered sacrilegious rhetoric in their works. For most Americans, the ability to freely practice artistic expression is often taken for granted. For Muslim Americans, the opportunity for freedom of expression is taken and used to further the aims of their community. As a community, Muslims in the United States face increasing...
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...The use of text within to the visual arts can be traced back as far as the inscribed carvings found on cave walls created by the Indigenous population of Australia approximately 46000 years ago. However, over the past few years, the use of text in art, also known as the art of typography, has become a frequent means of communication for artists in the creation of their works. Text within art can be projected, scrawled, painted, computerised and carved to the point that a work may be created of nothing but language. The art of typography is the technique of arranging type in such a way that makes language visible. It treats fonts as individual entities to be enjoyed by the audience. Some artists deal with language as a character on its own as opposed to a surface to draw upon. These artists place texts in ways that are intended to stimulate the way an audience perceives a work, to evoke emotion or to create a statement. However, others, particularly graphic designers, tend to focus on the decorative powers of text. Regardless of the artist’s intentions, the appearance of text within art can shift our appreciation of their sound and meaning. Artists that explore text in art include: Barbara Kruger, Yukinori Yanagi, Katarzyna Kozyra, Jenny Holzer, Wenda Gu, Shirin Neshat, Miriam Stannage, Colin McCahon and Jenny Watson. Artists such as Jenny Holzer, Wenda Gu and Shirin Neshat explore the cultural implications of language in art and the importance of language to identity through...
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...Visual Art is a two year independent study course offered during the 11th and 12th grades IB diploma program. Over two years the students are required to create a body of work reflecting their individual creativity and focus. In the spring of their senior year the students will present their work in a solo exhibition and articulate their process and ideas in a one on one interview. In addition the students are required to complete one or more Investigation Workbooks during the course that correspond to their studio work. Course Objectives: Students will: • Experiment with a variety of media and studio techniques. • Choose a specific direction and media for the focus of their work. • Work towards bringing together a cohesive body of work with a specific focus and media. • Maintain a Investigation workbook which correlates with their studio work. • Participate in classroom discussions. • Participate in group and individual critiques. • Mount a solo exhibition of a cohesive body of work • Complete a one on one interview articulating process and ideas • Participate in final all class exhibition Course Aims: Students will: • Investigate past, present and emerging forms of visual arts and engage in producing, appreciating and evaluating these • Develop an understanding of visual arts from a local, national, and international perspective • Build confidence in responding visually and creatively to personal and cultural experiences...
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...Hispanic Community. Art is not just a picture on a wall or in a museum, art comes in many forms. Throughout history, it has always been the case that art has the power to change society, especially when new media are used to express an idea. You can perceive the art in many ways. However, in many other ways, the creator's expression of ideas and feeling may influence the spectator. Frequently, art in the Hispanic community is highly influenced by the artists’ feelings towards the socio-political concerns and aspirations. Consequently, artist of Hispanic Heritage all over the world using art as an expression of their thoughts and feelings towards their surroundings. Therefore, artistic expression is considered...
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...Bahria university Karachi campus Business plan Art on wheel Group members: Anjali Pinjani Aqsa Rajput Hina Kumari Samia Irshad Sumbal Saleem TABLE OF CONTENTS Description of Business: 3 1.0 Executive Summary 3 Business Idea: 6 Type of Organization 7 Marketing and sales strategy 7 Key success factors: 8 Short-term business goals: 8 Long-term business goals: 8 Mission 9 Vision 9 Socially responsible organization. 10 4.0 Opportunity Analysis & Research 10 Target customer: 11 4.1 Industry Analysis 11 Future Outlook and Trends 12 Market Segmentation 12 Industry and Market Forecast 13 4.2 Environmental Analysis 13 SWOT Analysis 13 Competitive Analysis 14 Analysis of Competitors 14 5.1 Products/Services 17 Products 17 2.2 Services 19 Meeting customer needs: 20 Pricing 21 Type of Payment 21 5.3 Promotion 22 Publicity for your organization 25 Public Relations & Publicity 25 Distribution 26 Access routes : 26 6.0 Management & Operations 27 6.1 Management Team 27 6.2 Research & Development 29 6.3 Facilities 30 Machinery and Equipment 30 Technology Utilization 30 Inventory, Production, & Quality Assurance 30 Production process 30 Production-distribution channel 31 Flow of Orders 31 7.0 Financial Analysis & Projections 34 Record keeping system. 34 7.1 Sources & Uses of Capital 34 Cash reserve & start-up capital: 35 Sources of financing 36 Bootstrap financing...
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...Scott / CULTURAL-PRODUCTS INDUSTRIES REVIEW / March 2004 10.1177/1078087403261256 URBAN AFFAIRS ARTICLE CULTURAL-PRODUCTS INDUSTRIES AND URBAN ECONOMIC DEVELOPMENT Prospects for Growth and Market Contestation in Global Context University of California, Los Angeles ALLEN J. SCOTT The article begins with a brief definition of the cultural economy. A first generation of local economic development policy approaches based on place marketing and associated initiatives is described. The possibilities of a more powerful second-generation approach are then sketched out with special emphasis on localized complexes of cultural-products industries. An extensive review and classification of these complexes is laid out, and their inward and outward relations to global markets are considered. On this basis, a critical discussion of local economic policy options focused on cultural-products industries is offered. Contrasting examples of development initiatives in major global cities, in selected old manufacturing towns, and in the Multimedia Super Corridor of Malaysia are briefly presented. It is suggested that the growth and spread of localized production agglomerations based on cultural-products industries are leading not to cultural uniformity but to greatly increased diversity at the global level. Keywords: agglomeration; cultural economy; globalization; industrial districts; local economic development; place marketing Over the past decade or so, the industrial profile...
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...Reflections on The Cultural Value of Film Statistics can be used to show that Britain’s film industry is now the third biggest in the world and a prime destination for inward investment. This success story was heralded by James Purnell, new Minister for the Creative Industries, in a speech to the Institute of Public Policy Research in June this year.[1] But what is the relation of this economic success to the vibrancy and breadth of our film culture? A further look at the statistics provided by the UK Film Council for 2004 shows that last year domestic production fell from 44 films to 27, where domestic is taken to be films made by a UK production company shot wholly or partly in the UK. In 1997, the year when the government set up the Department of Culture, Media and Sport, UK production had been at a record high, and 84 domestic productions were registered. In terms of what UK audiences could see in 2004, beyond American features and American co-productions, the rest of the world share of the market in UK and Ireland was just 2.7%, a figure which betrays the failure of film policy to encourage interest and understanding in the stories of what goes on beyond our shores. Last year also saw the consolidation of companies operating in the exhibition sector and a series of momentous deals which changed the landscape of UK exhibition. In August 2004, Terra Firma acquired both the Odeon and UCI cinema circuits for a total of 580 million pounds, acquiring a 35% share of...
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