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Cultural Revolution in China

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History 103 001

Cultural Revolution in China: views on Mao’s Era.

Yi Jie Yang

40223109

Professor: Steven Hugh Lee

Chinese culture has had great misunderstandings particularly in the western countries owing to the views represented by socio-cultural scholars, historians and literature writers. This paper reviews two books that explore the Cultural Revolution in China with a major focus on the Authors’ Writing Style and their views on Mao’s Era.

Writing Style

In the book “Born red: a chronicle of the Cultural Revolution.” The author, Yuan Gao, explores the first violent years of China’s Great Proletarian culture revolution. Gao provides an account of his own experience as a Red Guard in the Cultural revolution bringing out the readers as close as they can get to the political vortex that shaped the views of millions of teenagers behind the national movement that brought China to the blink of civil war[1]. Born Red entails more than the recollection of a political nightmare including a concise narrative of an adolescent torn by conflicting loyalties as the author is called upon to participate in the destruction of the world that has nurtured him.

The author’s story provides tribute to the durability of cultural traditions at a time when nihilism was at its best. Gao clearly outlines the Cultural Revolution in China in an attempt to create a way for a more egalitarian and participatory society[2]. According to Gao, through the mass political struggle and ideological transformation, bourgeois bureaucracy was to give way to proletarian democracy, self interest to self-sacrifice, and cultural elitism to populism in the arts. Gao explains the events of the cultural revolution through accounting on his own personal experiences with his father coming under brutal

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