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Das Bild

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Das Bild stellt drei Personen in einer Lichtung der wilden Natur dar. Ein alter Eichbaum und Efeuranken bilden einen umschließenden Rahmen um die zwei links und rechts stehenden Männer und die junge Adelige. Durch das Licht und der Anordnung der umliegenden Bäume und Sträucher wird der Blick des Betrachters zuerst auf die Frau gelenkt. Aufreizend und vergnügt sitzt sie auf der gepolsterten Schaukel und genießt ihre zentrale Position. Die Pausbacken und großen Augen in ihrem Gesicht zeigen eine offensichtliche Anwendung des Kindchen-Schemas. Auffallend ist die glatte, helle, rosige Haut. Ebenfalls außergewöhnlich sind die sehr kleinen Extremitäten. Ihre gespreizten, angespannten Finger und Beine verfehlen ihre theatralische Wirkung nicht. Das Kleid ist, für die damalige Mode nicht untypisch, sehr füllig, spielerisch und dekorativ, also kostbar. Die rosa Farbe steht im Kontrast zu dem Grün der umrandenden Natur. Sie symbolisiert die Jugend und Schönheit.
Der jüngere Mann befindet sich links unterhalb von ihr. Angelehnt an den Sockel einer Engelsstatue liegt er ihr unterwürfig zu Füßen. Sein Rüschenhemd, der Hut und der kostbare Anzug lassen auf seine soziale Stellung schließen. Hierbei handelt es sich übrigens um den Auftraggeber, einen Baron. Fasziniert streckt er der Frau seinen linken Arm entgegen, in dem er auch den schwarzen Hut hält. Sein sehnsüchtiger Blick und die gespreizten Finger lassen auf sein Begehren schließen. Das Annähern und Entfernen, bedingt durch das Schwingen der Schaukel, reizen den begeisterten Mann. Er findet offensichtlichen Gefallen an dem galanten, neckischen Spiel. Grade die Kürze der Momente, die er hat, um der Frau unter den Rock zu sehn, erhöhen den abenteuerlichen Aspekt und somit sein Verlangen. Nicht die schnelle Erfüllung seiner Begierde ist hier wichtig, sondern die Stimulierung der Reize. Der Baron spielt den Verführer, der sich auf die Kosten anderer amüsiert. Dass der Ehemann sich nichts ahnend im Hintergrund befindet, hatte eher einen zusätzlich anregenden Effekt. Obwohl er als einziger im Schatten steht und am schlechtesten zu erkennen ist, sieht man an den Falten in seinem Gesicht, dass er einige Jahre älter, als die andern ist. Durch ziehen an dem mit der Schaukel verbundenen Seil, setzt er diese in Bewegung. Auch er findet Gefallen an dieser Freizeitbeschäftigung. Die Unwissenheit und Naivität des Ehemannes machen ihn zum bemitleidenswerten Voyeur.

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