...Does Antigone Deserve to Be Punished? Antigone has been acclaimed as a model that challenges authority and insists on just acts. However, according to Aristotle, a tragedy requires a man’s harmartia, which means error. Therefore, as a main character of a great tragedy, Antigone must possess flaws. Antigone’s self-certainty is one of her mistakes that contribute to her tragic fate. She regards burying dead people as absolute just behavior under any circumstance. This rite is important in Ancient Greek culture, but weather or not gods desire appropriate arrangement of Polyneices’ body is under question. It is Zeus that brings death to Polyneices because Polyneices brings war to his country and undermines the peace of Thebes. He “sought to consume utterly with fire the city of his fathers and the shrines of his father’s gods, -sought to taste of kindred blood, and to lead the remnant into slavery”. In Creon’s opinion, Polyneices is so wicked that even gods do not want to see him buried. When asked whether the gods have covered Polyneices’ body, Creon replies angrily that “was it for high reward of trusty service that they sought to hide his nakedness, who came to burn their pillared shrines and sacred treasures, to burn their land, and scatter its laws to the winds”. Creon ‘s opinions are reasonable before Teiresias gives out the correct interpretation of gods’ wills. If Antigone realized the limit of her wisdom, she would hesitate to kill herself and Haemon...
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...Who is the tragic hero of Antigone? Aristotle defines a tragic hero as one with a fatal flaw that leads to a reversal of fortune, or peripeteia. This fatal flaw is often Hubris, which is excessive pride. Creon fits all these roles, therefore he should be labelled as the tragic hero of Antigone. Creon also faces anagnorisis, in which the tragic hero realizes the situation they're in and is often followed by regret. Not only that, but Creon's fatal flaw, excessive pride, impacts the story more than Antigone did. As previously stated, Creon's flaw is his excessive pride and arrogance. In the story of Antigone, Creon gives Antigone's brother, Eteocles, a proper burial, but refuses to bury Polynices for betraying their city and leaves him out to rot. Antigone was appalled by this and for the sake of family and love went against Creon's wishes and buried Polynices. Antigone is eventually caught doing so and is sent to Creon. Creon, being arrogant as always, insists on Antigone being killed for her actions....
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...In Antigone, Sophocles presents a perfect example of civil disobedience. Antigone does what she feels she morally needs to do, no matter the consequences that she will be faced with afterwards. She disobeys the laws of state in order to be true to herself. Fate deals Antigone a bad hand, but she is able to stand up for what she believes in and give her brother what she feels that he rightly deserves. After Antigone’s brothers kill each other fighting over the power to rule, Creon becomes the new ruler. He sees Polynices as a traitor because Polynices brought in troops to attack Thebes. Creon does not feel he deserves a proper religious burial; He forbids anyone to burying Polynices. Creon thinks his body should just rot instead. Burial was very important in this time because they believed a proper burial was essential for afterlife. Antigone thinks her brother deserves to be buried and she will not let anything stop her from giving Polynices a proper burial. Antigone is following her moral compass and disregarding Creon’s opinions on the matter. It is important that Antigone was a hero and stood up for what she believed. Civil disobedience is doing what is morally justified even if it does break laws of the state. Civil disobedience is necessary for change to occur. Without people, or heroes, like Antigone, government or even life would never improve. Some rules are meant to be broken. Government is meant to be for the people, but sometimes laws can only benefit...
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...of fate, destiny, or will of the gods. The tragic hero also has a desire to do good deeds, exhibits virtues, and displays character traits or morals “better” than the other characters. In the play, Antigone, written by Sophocles, Antigone embodies the tragic hero because she achieves recognition of the will of the gods, she displays better character traits and morals than the other characters, and she has a desire to do good for her family. Throughout the play, Antigone achieves recognition of the will of the gods regarding the death and burial of her brother, Polyneices. Antigone strongly believes that the fulfillment of the will of the gods is much more important than obeying an order from Creon, a mortal king. For example, Antigone retorts to Creon, “Nor did I think your orders were so strong that you, a mortal man, could over-run the gods’ unwritten and unfailing laws” (Sophocles 14). Antigone explicitly states that she will not obey Creon’s orders since they infringe on her duty to the gods. This statement reveals Antigone’s tenacity and passion for fulfilling this duty. When Antigone states “unwritten and unfailing laws” it shows how she believes...
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...knows? In the world below perhaps such actions are no crime,” (lines 795-96) Antigone retorts when Creon labels her brother as ‘evil’ for fighting against Thebes. Throughout the play, good and evil-right and wrong, influence many of the character’s words and actions. Likewise, as the plot progresses, Creon is educated on a sense of justice not known by many kings; righteous justice. And through his interactions with Antigone, the king is informed of the sense of justice he had overlooked for so long. But by the time he realizes the fatal flaw, his entire life had already spiraled out of control. Antigone’s sense of justice lied with that of the gods; whereas, Creon’s lied with the laws he had set forth and the belief that anything that stood against his laws was evil. “Zeus did not announce those laws to me. And justice living with the gods below sent no such laws for men.” (lines 509-10) Antigone states to Creon in an effort to show that his laws were feeble in comparison to that of the gods. However,...
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...ANTIGONE Antigone is a tragedy by Sophocles written in or before 441 BC. Chronologically, it is the third of the three Theban plays but was written first. The play expands on the Theban legend that predated it and picks up where Aeschylus' Seven Against Thebes ends. This play is based on the life story of Antigone, the daughter of Oeudipe and Jocaste. It is a legend of her sacrifice for her loved ones, her believes and her honour. Antigone’s brother Polynice had betrayed his country and died during the war. Creon, the king of Thebes had refused to give him a burial. Antigone is outraged by this decision and goes as far as sacrificing her life, to give her brother a burial he deserves. Even law of the king does not stop her from doing what she thinks is right. Antigone is the tragic heroine of the play and this play revolves around her struggle against the autocratic laws of the state. Even she manages to give Polynice a rightful burial but, this burial costs Antigone her life. SYNOPSIS In the beginning of the play, two brothers leading opposite sides in Thebes' civil war died fighting each other for the throne. Creon, the new ruler of Thebes, has decided that Eteocles will be honored and Polyneices will be in public shame. The rebel brother's body will not be sanctified by holy rites, and will lie unburied on the battlefield, prey for carrion animals like worms and vultures, the harshest punishment at the time. Antigone and Ismene are the sisters of the dead Polyneices...
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...816-819) Haemon’s conflicting actions with his father cause Creon’s similarities with Antigone, Teiresias, and Ismene to stand out far more. The differences in the two’s motivations prove Creon to be a tragic hero by emphasizing his poor judgement that eventually leads to his downfall and having all of the characters at some point in the play disagree with Creon’s words and actions causes the plot to prolong. Haemon contrasts with his father’s characteristics by him being more respectful and compassionate towards people. This is shown in the play when Creon is fighting with his son on what should be done with Antigone, he says “ Since I caught her clearly disobeying, the only culprit in the entire city, I won’t perjure myself before the state. No—I’ll kill her. And so let her appeal to Zeus, the god of blood relationships.” (lines 743-747) Haemon disagrees with this 100% when “I could not find your words somehow not right— I hope that’s something...
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...Abraham and Antigone: Facing Superior Orders Abraham from the Bible and Antigone from Sophocle’s tragedy Antigone share a very similar dilemma: both characters receive higher orders that would hurt their family members. Abraham receives the command from God to kill his only son as a sacrifice while Antigone is under the state’s decree that forbids her brother the honor of burial. Under the comparable situation, the two characters exhibit different responses: one decides to kill his son under command without hesitation, but the other is willing to defy the law for the sake of her brother. Abraham’s unquestioning attitude towards God’s inhumane order is startling and throws the credibility of his character into question. On the other hand, Antigone’s insistence of respect for her family, regardless of the city’s laws, makes her appear to be a more believable and relatable person. However, Antigone’s motivations to bury her brother also stems from her obedience towards the laws of her gods. Abraham and Antigone thus share the same absolute obedience towards divine authority, but Antigone’s will to also fight for her family’s dignity and honor differentiates her from Abraham as a more believable character. Abraham’s character seems unbelievable because he is willing to kill his own son without questioning and hesitation solely because God asks him to. In Genesis chapter 22, God commands Abraham to take Isaac, Abraham’s only son, to the land of Moriah and offer him as a sacrifice...
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...“ To kill a mockingbird” by Harper Lee and “Antigone” by Sophocles are both dramas having to do with justice, the main characters in both dramas are struggling to bring justice to a society or situation that was lacking. In Sophocles’ drama, Antigone was trying to bring justice by burying her brother Polyneices against the kings, Creon’s, orders. While in “To kill a mocking bird” Atticus is an attorney in a case where race is a major issue and he is trying to save Tom Robinson from being convicted of a crime where there’s overwhelming evidence of his innocence. Both “Antigone” and “To kill a mockingbird’s” themes seem to revolve around justice which is proven when Antigone buries her brother and Atticus agrees to take on Tom Robinsons case. Another large theme in both dramas is the idea that women are somehow ‘lesser’ because of their femininity, a cause of this might be because of the era that the dramas are set in. Throughout “To kill a mockingbird” Scout does her best to avoid ‘girly’ things so that she can keep playing with her brother Jem, its only later in the novel that Scout begins to realize that being a girl is more about having positive traits than lacking them. This theme continues in “Antigone”, most pointedly when Ismene states “Bethink thee, sister, we are left alone; Shall we not perish wretchedness of all, If in defiance of the law we cross A monarch's will?--weak women, think of that, Not framed by nature to contend with men. Remember this too that the stronger...
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...best “Not seen and not heard”. When a woman won an argument against a man, it was thought of as emasculating. Aristotle agreed that: “He endows women with sufficient virtue to maintain sōphrosunē (Self-control, chastity), to fulfill their function in the household and to obey their men.” Authors such as Sophocles, Euripides and Aeschylus used their plays to portray characters that go against how women were supposed to act during this time. Characters such as Clytemnestra, Antigone, along with Hecuba and Helen, all are...
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...QMHS Antigone by Sophocles 7/3/14 In this story the theme loyalty is portrayed through Antigone when she defies her uncle to bury her brother Polynices. Apparently Antigone couldn't bear for one brother to be buried with honor and the other left to rot in the sun. Since she felt that it was her duty to give Polynices a burial because he was her brother and was deceived by Eteocles when it was his turn to rule the kingdom. Unfortunately Antigone was caught and she believed that her Uncle Creon's order was an act of betrayal to their family. 7/7/14 The setting of the play takes place in Thebes which is located in Ancient Greece. The setting is important because in Ancient Greece two rulers were allowed to rule a kingdom. Also wars took place between family members on who had the right to rule. Apparently this was the reason on why Eteocles and Polynices fought and killed each other in battle. This leads to influence Antigone's decision and have a major impact on her life as well because of the ruling from Creon. 7/8/14...
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...Sophocles Oedipus the King Translated by Ian Johnston Malaspina University-College Nanaimo, British Columbia Canada Richer Resources Publications Arlington, Virginia USA Sophocles Oedipus the King copyright 2007 by Richer Resources Publications All rights reserved Cover Art by Ian Crowe. No part of this book may be reproduced in whole or in part without express permission from the publisher except for brief excerpts in review. Reprint requests and requests for additional copies of this book should be addressed to Richer Resources Publications 1926 N. Woodrow Street Arlington, Virginia 22207 or via our web site at www.RicherResourcesPublications.com ISBN 978-0-9797571-1-2 Library of Congress Control Number 2007931684 Published by Richer Resources Publications Arlington, Virginia Printed in the United States of America 3 Translator's Note In the following text the numbers in square brackets refer to the Greek text; the numbers without brackets refer to the English text. In the line numbering for the translated text a short indented line is normally included with the short line above it. The translator would like to acknowledge the valuable help provided by Sir Richard Jebb’s translation and commentary. Background Note Sophocles (495 BC-405 BC) was a famous and successful Athenian writer of tragedies in his own lifetime. Of his 120 plays, only 7 have survived. Oedipus the King, also called Oedipus Tyrannos or Oedipus Rex, written around 420 BC, has long been...
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...POLITICS, THEOLOGY AND HISTORY RAYMOND PLANT CAMBRIDGE UNIVERSITY PRESS Politics, Theology and History is a major new book by a prominent academic and an active politician. It ranges widely across the disciplines of theology, political theory and philosophy and poses acute questions about the basic moral foundations of liberal societies. Lord Plant focuses on the role that religious belief can and ought to play in argument about public policy in a pluralistic society. He examines the potential political implications of Christian belief and the ways in which it may be deployed in political debate. The book is a contribution to the modern debate about the moral pluralism of western liberal societies, discussing the place of religious belief in the formation of policy and asking what sorts of issues in modern society might be the legitimate objects of a Christian social and political concern. Raymond Plant has written an important study of the relationship between religion and politics which will be of value to students, academics, politicians, church professionals, policy makers and all concerned with the moral fabric of contemporary life. r ay m on d pl an t is Professor of European Political Thought at the University of Southampton and a Member of the House of Lords. He was a Home affairs spokesperson for the Labour Party from 1992 to 1996, and Master of St Catherine's College, Oxford, from 1994 to 2000. Lord Plant's main publications are Social and Moral Theory in Casework...
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...62118 0/nm 1/n1 2/nm 3/nm 4/nm 5/nm 6/nm 7/nm 8/nm 9/nm 1990s 0th/pt 1st/p 1th/tc 2nd/p 2th/tc 3rd/p 3th/tc 4th/pt 5th/pt 6th/pt 7th/pt 8th/pt 9th/pt 0s/pt a A AA AAA Aachen/M aardvark/SM Aaren/M Aarhus/M Aarika/M Aaron/M AB aback abacus/SM abaft Abagael/M Abagail/M abalone/SM abandoner/M abandon/LGDRS abandonment/SM abase/LGDSR abasement/S abaser/M abashed/UY abashment/MS abash/SDLG abate/DSRLG abated/U abatement/MS abater/M abattoir/SM Abba/M Abbe/M abbé/S abbess/SM Abbey/M abbey/MS Abbie/M Abbi/M Abbot/M abbot/MS Abbott/M abbr abbrev abbreviated/UA abbreviates/A abbreviate/XDSNG abbreviating/A abbreviation/M Abbye/M Abby/M ABC/M Abdel/M abdicate/NGDSX abdication/M abdomen/SM abdominal/YS abduct/DGS abduction/SM abductor/SM Abdul/M ab/DY abeam Abelard/M Abel/M Abelson/M Abe/M Aberdeen/M Abernathy/M aberrant/YS aberrational aberration/SM abet/S abetted abetting abettor/SM Abeu/M abeyance/MS abeyant Abey/M abhorred abhorrence/MS abhorrent/Y abhorrer/M abhorring abhor/S abidance/MS abide/JGSR abider/M abiding/Y Abidjan/M Abie/M Abigael/M Abigail/M Abigale/M Abilene/M ability/IMES abjection/MS abjectness/SM abject/SGPDY abjuration/SM abjuratory abjurer/M abjure/ZGSRD ablate/VGNSDX ablation/M ablative/SY ablaze abler/E ables/E ablest able/U abloom ablution/MS Ab/M ABM/S abnegate/NGSDX abnegation/M Abner/M abnormality/SM abnormal/SY aboard ...
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