...Fiction Sexuality in The Picture of Dorian Gray Oscar Wilde’s The Picture of Dorian Gray alludes to homosexuality throughout the entirety of the novel. While homosexual relations between the characters are not directly discussed, the context and conversations between the characters points to homosexual relations between all of the male characters. Oscar Wilde, himself, was part of the Decadents movement at the end of the Victorian period. Decadents are known for undermining the mainstream Victorian ideals. There has been a significant change in society’s morals since the publication of the novel in 1891. A person reading The Picture of Dorian Gray in today’s culture may see nothing wrong about the context of the novel or the relationships between the characters within it but, at the time of publication, it was seen by society as an immoral book and even used in the trial against Oscar Wilde that resulted in two years imprisonment and hard labor. I will argue that using the characters of Dorian Gray, Lord Henry Wotton, and Basil Hallward, Oscar Wilde supports the common Decadents belief that open sexuality in mainstream Victorian culture would make for a better, happier society. From the very beginning of the novel, homosexual relations are apparent through the conversation about Dorian Gray between Basil Hallward and Lord Henry. As Lord Henry questions Basil about the mysterious person in his painting, Basil’s odd obsession with Dorian becomes evident. He describes their meeting...
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...The Picture of Dorian Gray. Yet, Dick is right; under specific circumstances, insanity can be righteous, such as in William Shakespeare's Hamlet. In both The Picture of Dorian Gray and Hamlet, with influence, the titular characters descend into madness. However, the similarities in their stories end there. In The Picture of Dorian Gray, the nominal character is selfishly chaotic, thus, his madness can never be forgiven. Contrarily, Hamlet, in the play titled after him, becomes deranged...
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...countertransference. Without being fully aware of ourselves, countertransference becomes hard to recognize. By understanding our own thoughts, feelings, and values, these issues can be recognized and resolved (Hepworth et al., 2013). As such, this reflective journal is an exercise in self-awareness, recognizing countertransference, and application of clinical practice. I will begin this journal with a summary of the novel The Picture of Dorian Gray by Oscar Wilde in order to fully expound on the themes of mental illness existent in the novel. From there, I will present my assessment of the mental illness and describe the clinical approach that I would take to address these issues. A discussion on issues of countertransference that arose while reading will be included, followed by an exploration of field work experiences, and current events related to the novel. Summary The novel begins as painter Basil Hallward is near completion of what he believes to be his masterpiece. It is a portrait of a young and wealthy youth named Dorian Gray. It becomes evident rather quickly that Basil is obsessed with him, as he...
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...Sparknotes – Dorian Gray • Written by Oscar Wilde in 1890. • Devoted to a school of thought and a mode of sensibility known as aestheticism, Wilde believed that art possesses an intrinsic value—that it is beautiful and therefore has worth, and thus needs serve no other purpose, be it moral or political. • Dorian is a cultured, wealthy, and impossibly beautiful young man who immediately captures Basil’s artistic imagination • Although Lord Henry is a self-proclaimed hedonist who advocates the equal pursuit of both moral and immoral experience, he lives a rather staid life. • The Victorians believed that art could be used as a tool for social education and moral enlightenment, as illustrated in works by writers such as Charles Dickens and George Gissing. The aestheticism movement, of which Wilde was a major proponent, sought to free art from this responsibility. • “We are punished for our refusals. Every impulse that we strive to strangle broods in the mind, and poisons us.” • The Picture of Dorian Gray has often been compared to the famous German legend of Faust. The legend tells of a learned doctor who sells his soul to the devil in return for knowledge and magical abilities. Although Dorian Gray never contracts with the devil, his sacrifice is similar: he trades his soul for the luxury of eternal youth. • He is the last Lord Kelso's grandson. His mother was a Devereux, Lady Margaret Devereaux. Poor chap was killed in a duel at Spa a few months after the marriage. They...
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...The Picture of Dorian Gray Oscar Wilde This eBook was designed and published by Planet PDF. For more free eBooks visit our Web site at http://www.planetpdf.com/. To hear about our latest releases subscribe to the Planet PDF Newsletter. The Picture of Dorian Gray Chapter I The studio was filled with the rich odor of roses, and when the light summer wind stirred amidst the trees of the garden there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pinkflowering thorn. From the corner of the divan of Persian saddle-bags on which he was lying, smoking, as usual, innumerable cigarettes, Lord Henry Wotton could just catch the gleam of the honey-sweet and honey-colored blossoms of the laburnum, whose tremulous branches seemed hardly able to bear the burden of a beauty so flame-like as theirs; and now and then the fantastic shadows of birds in flight flitted across the long tussore-silk curtains that were stretched in front of the huge window, producing a kind of momentary Japanese effect, and making him think of those pallid jade-faced painters who, in an art that is necessarily immobile, seek to convey the sense of swiftness and motion. The sullen murmur of the bees shouldering their way through the long unmown grass, or circling with monotonous insistence round the black-crocketed spires of the early June hollyhocks, seemed to make the stillness 2 of 250 The Picture of Dorian Gray more oppressive...
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... The Power and Destruction of Vain Pursuits in the Picture of Dorian Gray “In fact, despite his power of rationalization and the continuing influence of Henry. Dorian is increasingly disturbed by doubts about his moral freedom and stung by the pangs of the conscience that will not die” (Liebman 10). Oscar Wilde’s The Picture of Dorian Gray is centered upon the effects of liberty of the soul and degradation that results from it. If one chooses to always act on inner desires and passions, ignoring ethical values, one’s life will be destroyed by vain pursuits. Dorian Gray a wealthy young man has been challenged to “embark upon a hedonistic life, after having feared it for so long, developing every intellectual, aesthetic and sensual appetite to the utmost. Despite the look of his innocent beauty...”(Magill Book Reviews 1) Dorian becomes very vain with the pursuit to simply fulfill his desperate desires without looking into the ethical importance of his actions and thus becomes hopeless and defenceless to his own desires. When one becomes aware of the fear to venture in life, one will pursue to fulfill every incomplete/unfulfilled passion without limits. This in turn leads to an amoral representation of one’s life. For once in his life, Dorian Gray was inspired. He was woken up to a world of freedom. Lord Henry Wotton opened his eyes to a world of hedonism saying “You, Mr. Gray... with your rose-red youth... and ... boyhood ... you have had passions...
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...shows him his painting of Dorian Gray. That is where the story starts. The story has one flashback, what I remembered. That was at the first pages of the book, Basil telling the Lord how he met Dorian. The book interested me because of the time it is wrote in, 1890. The story took place in the Great-Britain, London, to be precise. 3. Think about the role that social class and/ or gender plays in the novel that you've read. What social classes are represented in the novel? To what extent is each class/gender depicted? How does class/gender influence the choices that are available to the characters and the decisions that they make? What I see is that Lord Henry is a rich Lord, and what I also see is that he is interested in art. Basil, the painter, is a loved painter by Lord Henry, and a friend too. He is neither rich nor poor. He belongs to the upper classes of the painters in his region. The other person is Dorian Gray, he is wealthy and belong to the same social class as Basil. You see that the Lord belongs to a higher social class, that is one of the reasons why he has influence on Dorian. When Sybil fell in love with Dorian, Dorian is more wealthy then she is, Dorian broke with her. She is so upset that she takes her own life. What is in some way the influence of Dorian, indirectly. 4. If you could ask the author a question, what would you ask? What do you think he or she would answer? The book ends with the suicide of Dorian Gray, that is why I’d like to ask...
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...set out a series of doctrines which detail his personal philosophy on the relationship that exists between art and life, and the rolls that they should play. Chiefly these are: art should only express itself, expressing life and nature makes for bad art, life imitates art more than art imitates life, and that lying is the true aim of art . When applied to his novel The Picture of Dorian Gray these doctrines add an extra layer of meaning to the themes already presented, and this allows for a greater level of understanding. There are several instances during the narrative of the novel which show a relationship between the roles of art and life, and the ways in which they are separated, combined, and reversed. Understanding the theories set out by Vivian helps with comprehending the relationship between Dorian and his portrait, as well as with his friends Lord Henry and Basil Hallward. The Decay of Lying is presented as a slightly confusing and seemingly contradictory essay on the relationship between art and life which treads the border between being sincere and ironic, while The Picture of Dorian Gray is a metaphor infused novel which blurs the lines between art and life as actively as it seeks to separate them. Both writings leave room for speculation regarding their interpretations, be they the more obvious meanings or their ironic opposites. This is entirely suitable for an essay which aims to bring back the art of lying and the beauty of untruth. The inconsistency of interpretation...
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...found in Oscar Wilde ’s preface to his novel The Picture of Dorian Gray. “There is no such thing as a moral or an immoral book,” writes Wilde, “Books are well written or badly written. That is all.” His claim is that works of art are legitimate objects of aesthetic judgement, but not of moraljudgement. Wilde added this preface when the novel was reprinted a year after its initial publication in a literary magazine. The preface was Wilde’s considered response to various reviewers who had found his book to be immoral. The extent of this antagonism should not be exaggerated. Only a few reviewers had condemned the novel in these terms, and there was never any serious campaign for it to be banned. Wilde also replied separately, by letter, to each of the magazines and newspapers which had published these condemnatory reviews. These letters were collected together after his death and republished in a little volume entitled Art and Morality. (Today, they can be found more easily in the collected edition of Wilde’s correspondence.) It is worth our while to read and compare the various arguments he puts forward. He makes his first statement of the principle later enunciated in his preface in his letter to The St. James’s Gazette: “The sphere of art and the sphere of ethics are absolutely distinct and separate.” However in a second letter to the same magazine he makes the surprising claim that “The public… will find that [Dorian Gray] is a story with a moral. And the moral is this: All excess...
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...James hates the "young dandy" who is courting his sister. He warns his sister that the man wants to enslave her and repeatedly threatens to kill the "gentleman" if he does Sibyl any wrong. Why was it added? The absence of Dorian and Lord Henry from this chapter makes it seem like filler. It is a chance for the reader to catch a breath after the whirlwind engagement announcement that ended the previous chapter. However, this short chapter serves an important function in the novel; it introduces and describes characters and sets up events that will be developed later in the story. After controversy of the first publication, this innocent girl is introduced to cool the situation. It can also be argued that chapter 5 was added in order to humanise Sibyl – before she is a ‘creature’ and this makes her seem more ‘real’. The characters Sibyl is described as "the girl" -> infantile like Dorian -> naivety, innocence -> "pouted" childish again -> her dismissal of the importance of money is presented as idealistic and childish "love is more than money" -> "the joy of a caged bird was in her voice" reference to bird is like description of Lord Henry's wife, shows she is not respected -> "prison of passion" foreshadowing of how falling in love with Dorian means she will end up dead -> "how serious you both are" childlike incomprehension of the gravity of...
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...into artistic and like-minded groups of people, quickly soaring with his excessive wit and notorious flourish. One can presume Wilde’s company were of course of some social standing, whether it be favour in the literary world or by the girth of their fortunes. After what seemed a brief spur of criticism from periodicals such as Punch and others, Wilde went to lecture in the Americas despite the press’ disdain for his choices of both fashion and style. In 1884, Wilde married Constance Lloyd and sired two children, Cyril and Vyvyan between 1885 and 1886. In the meantime, Wilde made money being a reviewer and editor, publishing on the side. As time progressed, Wilde’s major debut into fame was launched by his sole novel, The Picture of Dorian Gray (1891)—a novel immersed in Gothic themes and decadence. While critics seemed to find some of Wilde’s novel immoral, it only spurred his creative genius—producing some of his more famous satirical comedies and poetry, even the essays. With a theme of secret sins seen throughout his work, it was only appropriate that in 1891 Wilde would meet the primary muse and eventual harbinger of destruction—Lord Alfred Douglas. Despite being a married man and the societal and legal distaste for homosexuality, Wilde indulged himself in the pleasure of falling in love with Douglas. With this brash and rather negligent quest to challenge the norm, Wilde eventually fell into hot water for his homosexual relationship. All at once, Wilde was thrown into a...
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...Biography An exuberant nonconformist and controversial playwright, eminent author Oscar Wilde produced critically acclaimed literary works that defined the essence of late Victorian England. Posthumously recognized for his only novel The Picture of Dorian Gray and satiric comedy The Importance of Being Earnest, Wilde initially acquired criticism for his immoral and unconventional style of writing. Additionally, to his dismay, strife followed Wilde in his personal life as he was notoriously tried and incarcerated on allegations of “gross indecency” (homosexuality). Emotionally depleted post-imprisonment and stricken with poverty, Wilde was diagnosed with meningitis and died soon thereafter at the ripe age of 46. Born October 16, 1854 to father...
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...read The Picture of Dorian Gray, what struck me most, and what inspired me to write my essay, was the irony that Dorian exhibited in his life. In pursuing aestheticism—a philosophy based in the simplistic beauty of things—the pursuer may, in the end and without notice, emerge uglier than ever before. Dorian, the once wide-eyed innocent, buckles and caves in to depravity while practicing an aesthetic lifestyle, despite the beauty that such a life idea claims. I began to wonder what Oscar Wilde intended to convey with his portrayal of the Aesthetic Movement incarnate and its often harsh consequences, especially given the well-documented involvement of Wilde in promoting aestheticism in his contemporary society. The juxtaposition of Wilde’s support for the Aesthetic Movement with Dorian’s corruption at the hands of it provided a great jumping-off point and a lingering question with which to begin an essay. What exactly is Wilde’s view of aestheticism when one bears in mind the story of Dorian Gray? In writing my essay, I realized Wilde’s outlook is not as straightforward as it may first appear. Throughout the writing process, a difficult task I faced was to encapsulate the aesthetic position when the philosophy often meant different things to different people. In researching the movement, I found that the moral philosophies of various proponents of aestheticism often varied and, thus, it became difficult to nail down the aesthetic tenets and apply them to Dorian Gray. In retrospect,...
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...Des Esseintes vs. Dorian Gray During the last 20 years of the nineteenth century, France and England saw the rise of the Decadence Movement. It was known as the wake up call, which signified civilization’s acceptance of the ethical and moral standards of life. This movement included the changing of society’s concept of the “norm” and allowed them to become more open to abnormal aspects of life; unnatural forms of style became accepted and approved. During this movement, many artists expressed their views and opinions and these artists each took a stand in either the arts or in literature. Two of the most prominent artists during this movement were: Joris-Karl Huysmans and Oscar Wilde. Oscar Wilde published works of Dorian Gray and the most famous picture was, “The Picture of Dorian Gray.” The significance of this picture was tremendous and so there was no surprise when it was turned into a book, and then later, a movie. In the picture, Wilde depicts Gray as a young innocent boy who, through the course of his life, becomes lost and eventually transforms into an evil villain. Gray was a complex yet interesting man; he was known to have a split personality and this was truly expressed in the painting. The portrait portrayed a form of youth and old age, and Gray managed to express a wish of undying youth. The portrait also exposed Gray’s true inner self—the many lies, deception, crime, homosexuality, and immortality that was evident in the novel. Dorian Gray was a complex artist...
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...OsWilde always created and maintained a deep connection between art and his characters. He focused on thoroughly examining the relationship between beauty, art, life, religion and morality. The picture of Dorian Gray is based on the same theme of love for art and art’s ability to depict life’s harshness. The picture of Dorian Gray.” It is a masterpiece, which not only represents Wilde’s brilliance in his writing, but also displays dark and personal aspects of his life. *****The story display the reflections of the author’s personality in the novel’s three main characters, Dorian Gray, Lord Henry Wotton and Basil Hallward. Each character shows a kind of approach towards life which is similar in its philosophy to Oscar Wilde’s real life approach. **Oscar Wild says: “Basil Hallward is what I think I am: Lord Henry what the world thinks me: Dorian what I would like to be- in other ages, perhaps. Oscar has crafted Dorian Gray as a symbol of art which can truly be appreciated with no regard to morality and ethics.*** He is characterized by pure soul which was polluted by the vices in society and got transformed him into a selfish, who lives to seek pleasure. The author and the character mirror each other because, both had a pleasure seeking nature with no regards to ethics and morals in the society. . According to Oscar Wild Pleasure is the only thing one should live for. As you know Oscar Wild was homosexual and there was a man he loved, Alfred Duglas. I read several letter...
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