...interpreted from L. Frank Baum’s book published in 1900. We have all seen the film as a child and enjoy it equally as adults. It is a film we watch repeatedly to experience the wonders of our imaginations. There are many key elements that have made this film a notorious childhood memory as well as an American classic that we have treasured for generations. How could we forget the magical characters, the music, and the outstanding cinematography? The theme of the film can be summed up simply from one of the many notable phrases, “there’s no place like home”. Dorothy, a Kansas farm girl dreams of a better place and life. During a tornado she is struck in the head and there begins her journey to Oz. There she meets magical characters, many of which travel on with her also in search of better things. Who can forget the Munchkins, the first of the strange but charming characters Dorothy encounters? Dorothy and her dog Toto also come across the wicked witch the of the west and Glenda the good witch, introducing the good vs. evil of the fairy tale. She sets out on her quest to find a way home when she stumbles upon the Scarecrow who is in search for a brain, the Tinman in search of a heart and the Lion in search of courage. There are parallels to the characters she meets in relation to her family and neighbors back in Kansas, therefore reinforcing her homesickness and the determination to return home. As their adventures down the yellow brick road begins, it takes them on...
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...ENG:225 Introduction to Film Professor Daniel Burrello April 20, 2015 The Wizard of Oz - A Film Analysis The 1920's and 30's marked the beginning of a new world for movie directors and audiences alike, prompting directors to challenge traditional American values and push the filming process to new boundaries. The early part of the 20th century was tainted with the Great Depression and the beginning of World War II, millions of Americans were losing their jobs, and security became a big concern for the people of the States. Although citizens struggled during these times, they remained hopeful as cinema became the drug of choice through the expensive use of color and sound to transfer audiences from reality to a fairy tale place. Director Victor Fleming's classic film, The Wizard of Oz (1939), gave the audience an 'identity', touching on social attitude and the way people play a powerful role in their own lives through escapism and symbolism throughout the film. In 1939, MGM director Victor Fleming, in collaboration with Harold Rosson as cinematographer, released the classic blockbuster fantasy film The Wizard of Oz, starring Judy Garland as young and innocent Dorothy Gale, a young girl from Kansas who is swept away during a tornado along with her dog Toto. During her adventure in the land of Oz she kills The Wicked Witch of the West played by Margaret Hamilton, and embarks on a journey to find the almighty and powerful Wizard played by Frank Morgan in order to find her way home...
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...Jake Arnott’s The Long Firm includes may discussion about crime and punishment, law and order and justice and in justice. Do you regard novels as useful sources of legal theory or merely irrelevant distraction? It has been argued by recent legal theorists that novels are useful sources of legal theory. In Ian Ward’s book Law and literature: possibilities and perspectives , he argues that by studying literature, students are able to better understand law. He suggests, for example, that it is worth in the examination of ‘... the psychology of English property law ... [to look]... at the pictures in the Tale of Peter Rabbit Arguably, novels which have law as a central theme are a mirror by which lawyers or legal researchers can examine contemporary attitudes to the law and professionals working within it. Current participants in the debate as to the usefulness of literature and law have examined works such as Kafka’s The Trial or Dickens novels as sources of legal theory for these same reasons. Professor R.M. Dworkin argued that law is similar to literature in that we seek to find meaning in the same by process of interpretation. He argued that this process is adopted by judges in that they interpret the law. He attacked legal positivists, who simply examine the law in isolation from society, who find only the meaning of the law and not its substance. The debate as to the usefulness of novels sees the creation of the distinction between ‘law in literature’ and ‘law as...
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...Gay Language in Cape Town: A study of Gayle – attitudes, history and usage AXL 5301W - Minor Dissertation by Kathryn Luyt, BA (Hons) Cape Town Student number: LYTKAT001 Minor Dissertation submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS BY COURSEWORK AND DISSERTATION LINGUISTICS SPECIALISATION in the Department of African and Gender Studies, Anthropology and Linguistics Faculty of Humanities UNIVERSITY OF CAPE TOWN February 2014 Supervisor: Professor Rajend Mesthrie The financial assistance of the National Research Foundation (NRF) towards this research is hereby acknowledged. Opinions expressed and conclusions arrived at, are those of the author and are not necessarily to be attributed to the NRF. University of Cape Town The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or noncommercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town 1 MA in Linguistics Minor Dissertation PLAIGIARISM DECLARATION 1. I know that plagiarism is wrong. Plagiarism is to use another’s work and pretend that it is one’s own. 2. Each significant contribution to and quotation in this minor dissertation from the work(s) of other people, has been acknowledged through citation...
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...500 extraordinary islands G R E E N L A N D Beaufort Sea Baffin Bay vi Da i tra sS t a nm De it Stra rk Hudson Bay Gulf of Alaska Vancouver Portland C A N A D A Calgary Winnipeg Newfoundland Quebec Minneapolis UNITED STATES San Francisco Los Angeles San Diego Phoenix Dallas Ottawa Montreal ChicagoDetroitToronto Boston New York OF AMERICA Philadelphia Washington DC St. Louis Atlanta New Orleans Houston Monterrey NORTH AT L A N T I C OCEAN MEXICO Guadalajara Mexico City Gulf of Mexico Miami Havana CUBA GUATEMALA HONDURAS b e a n Sea EL SALVADOR NICARAGUA Managua BAHAMAS DOMINICAN REPUBLIC JAMAICA San Juan HAITI BELIZE C a r PUERTO RICO ib TRINIDAD & Caracas N TOBAGO A COSTA RICA IA M PANAMA VENEZUELA UYANRINA H GU C U G Medellín A PAC I F I C OCEAN Galapagos Islands COLOMBIA ECUADOR Bogotá Cali S FR EN Belém Recife Lima BR A Z I L PERU La Paz Brasélia Salvador Belo Horizonte Rio de Janeiro ~ Sao Paulo BOLIVIA PARAGUAY CHILE Cordoba Santiago Pôrto Alegre URUGUAY Montevideo Buenos Aires ARGENTINA FALKLAND/MALVINAS ISLANDS South Georgia extraordinary islands 1st Edition 500 By Julie Duchaine, Holly Hughes, Alexis Lipsitz Flippin, and Sylvie Murphy Contents Chapter 1 Beachcomber Islands . . . . . . . . . . . . . . . 1 Aquatic Playgrounds 2 Island Hopping the Turks & Caicos: Barefoot Luxury 12 Life’s a Beach 14 Unvarnished & Unspoiled 21 Sailing...
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