...Main Characters Revelation: Mary Shelley’s Frankenstein In Mary Shelley’s Frankenstein “imprisonment” seems to be an interesting point to discuss. The main characters represented by Frankenstein, the Monster and Robert Walton seek to break free of the rules imposed upon them by hierarchical societies. Moreover, each character is obsessed by its idee fixe: their inability and unwillingness to cope with it makes them “imprisoned” in their own egos. Speaking about Victor Frankenstein one can say he is imprisoned in several ways. Starting with his workshop which is more likely a prison cell where Victor stays for months leaving only by perforce: “My cheek had grown pale with study, and my person had become emaciated with confinement” (Shelley, 1818). Hence, Victor is obsessed by an ambition to create a living monster out of dead body parts, and this is how he becomes a prisoner of his own conscience. Hence, Victor’s death becomes a release from the “prison” in some way. The Monster is associated with his monstrosity; that means he has no option but to be a monster, to hurt people and even to kill. Hated by all mankind Monster accuses Victor of giving him life and making him horrifying: “Shall each man find a wife for his bosom, and each beast have his mate, and I be alone?” (Shelley, 1818). From this point of view he is obsessed with the idea of revenge, especially after Victor denying his promise to create a companion for the Monster. After that the Monster proves his obsession...
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...The author seemed to have been inspired by other novels over the subject of supernatural and unconventional science that goes over the law of the nature. The novels is often linked with Mary Shelley famous novel Frankenstein: Jekyll and Frankenstein both experimented things they couldn’t control and ends up trap by what they did. The opposition of science and nature display the romantic elements of the book. Furthermore, the concept of “mad scientist” was first realized by Christopher Marlowe with his character Doctor Faust created in 1594. The subject of split personality is the main theme of the book. A man’s double personality was a huge subject often used during the 19th century. The German literary term “Doppelgänger” was used to characterize...
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...Frankenstein Notes ------------------------------------------------- Some Interesting Points * There is a chilling logic in the creature's arguments. Why should he not respond in kind to the way that he has been treated by both his maker, who should have cared for him and looked after him, and by mankind as a whole? If the creature is inhuman, it is only because he is imitating the inhumanity of the human species. Therefore, I think that the novel presents Victor as being more inhuman. * Victor is alien in his society in the way that he removes himself from others, for example when he goes about creating the daemon/creation. Victor is very secretive and seems to like it that way... he doesn't really try to understand people like the creation does. The creation tries again and again to belong in the community, its his greatest desire. With Victor, on the other hand, there seems to be a gulf between him and the rest of society. * Justine’s trial testifies to the inhumanity of man. What is important to note is the way this links in to a vital theme of the novel, which is the presentation of the creature himself. He starts off innocent and wanting a relationship with his maker. It is the way that he is shunned by his maker and by humanity and treated cruelly that forces him into cruelty, but this cruelty is only paralleled by the monstrous nature of humanity as displayed in incidents such as the trial of Justine. We cannot expect the creature to be good when...
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...Frankenstein by Mary Shelley Key facts full title · Frankenstein: or, The Modern Prometheus author · Mary Wollstonecraft Shelley type of work · Novel genre · Gothic science fiction language · English time and place written · Switzerland, 1816, and London, 1816–1817 date of first publication · January 1, 1818 publisher · Lackington, Hughes, Harding, Mavor, & Jones narrator · The primary narrator is Robert Walton, who, in his letters, quotes Victor Frankenstein’s first-person narrative at length; Victor, in turn, quotes the monster’s first-person narrative; in addition, the lesser characters Elizabeth Lavenza and Alphonse Frankenstein narrate parts of the story through their letters to Victor. climax · The murder of Elizabeth Lavenza on the night of her wedding to Victor Frankenstein in Chapter 23 protagonist · Victor Frankenstein antagonist · Frankenstein’s monster setting (time) · Eighteenth century setting (place) · Geneva; the Swiss Alps; Ingolstadt; England and Scotland; the northern ice point of view · The point of view shifts with the narration, from Robert Walton to Victor Frankenstein to Frankenstein’s monster, then back to Walton, with a few digressions in the form of letters from Elizabeth Lavenza and Alphonse Frankenstein. falling action · After the murder of Elizabeth Lavenza, when Victor Frankenstein chases the monster to the northern ice, is rescued by Robert Walton, narrates his story, and dies tense · Past foreshadowing · Ubiquitous—throughout...
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