...Faith Ringgold is a prominent African American, mixed media artist from Harlem, New York known for her painting, quilting, and activism. Ringgold’s artistic journey is intertwined deeply with her experiences as a black woman in America. Some of Ringgold’s most influential pieces are her narrative quilts. The designs, colors, and fabric are all woven together to represent the personal and historical stories from the African American perspective. Through her quilts, Ringgold brings attention to overlooked histories and celebrates the resilience of her community. Her artwork explores themes like race and gender, which challenge societal norms and advocates for equality. Born in Harlem, New York in 1930, Faith Ringgold was brought up in a community that embraced creativity. The Harlem Renaissance exposed her to many African-American artists, such as Duke Ellington and Langston Hughes. Additionally, art was very intertwined with her own family, particularly fiber arts. Her mother was a fashion designer who taught Faith how to sew and create patterns with fabric at a young age (Seiferle). Ringgold’s great-great-great-grandmother made quilts as...
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...drawings, photos, sculpture, etc. to get a message across to the audience. I feel artist strive to get their point across and art is the best way for them. Art is actually the creativity of man as opposed to nature and appreciation of beauty. Art is beautiful to someone no matter what it looks like. There are several different forms of art they vary from paint to sculptures and graphic design to movies. My favorite art form is film. I like film because it an actual visual experience for me that you can watch time and time again. Painting and sculpture are interesting also but I feel like you can get more from a film because you can view it at home rather than at a museum. 2. Faith Ringgold was the “creator” of story quilt. When she makes her quilt she uses oil on a canvas and attaches it fabric. When faith started out back when racism was going on. She tried to get her biography published but since everyone denied her she put her story on a quilt and that’s how story quilting for her. My second art is Zaha Hadid. She’s an architect. A lot of her buildings are over the top. In some of her buildings, she wasn’t always able to do everything that she wanted because her ideas couldn’t be built. Her goal is to make things airy and with lots of outside light rather than being stuffed all in. My third artist is Pablo Picasso. I have always heard of him but I never seen any of his art. He had several different styles, and lots of his painting dealt with love. Picasso is significant to history...
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...Black Feminism Michelle Smith African American History Winter Quarter 2010 Purdue University Instructor: Professor Wilkens Introduction When the Black Feminist movement was developed, it was a revolution for black women. It gave them power, liberation, and a voice to overcome the emasculating efforts of white male power (Harrold, Hine, and Hine, 2009). When I first began this research, I discovered that Black Feminism is too broad of a topic to elaborate on as a whole. This paper defines the term “Black Feminism. It will explore two published articles that report on the theory and practice of how black feminism is making waves and what role of education in the development of the Black Feminist Thought from 1860 to 1920. This paper will examine when the National Black Feminist Organization was founded and lastly, how two outstanding women who made an impact in the Black Feminist Movement. According to Encyclo (n.d.) online encyclopedia the definition of black feminism is “A strand of feminist thought which highlights the multiple disadvantages of gender, class and race that shape the experiences of nonwhite women. Black feminists reject the idea of a single unified gender oppression that is experienced evenly by all women, and argue that early feminist analysis reflected the specific concerns of white, middle-class women.” In other words, black feminist argue that the liberation of black women entails freedom for all people since it would require the end of...
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...applied as such, though too often courts mask their implicit validation of these patterns in the now-conventional "caseby-case" application of the statutoryfair use "factors"to the defendant's use of the copyrighted work in question. A more explicit acknowledgment of the role of these patterns in fair use analysis would be consistent with fair use, copyright policy, and tradition. Importantly, such an acknowledgment would help to bridge the often difficult conceptual gap between fair use claims asserted by individual defendants and the social and cultural implications of accepting or rejecting those claims. In immediate terms, the approach should lead to a more consistent and predictable fair use jurisprudence.When viewed in light of recent research by cognitive psychologists and other social scientists on patternsand creativity, in broader terms, the approach should enhance...
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