...Little Red Riding Hood as Depicted in Matthew Bright’s Freeway (1996) Name: Course: Lecturer: Date: Little Red Riding Hood as depicted in Matthew Bright’s Freeway (1996) [pic]Mathew Bright’s film Freeway is literal work that presents the Little Red Riding Hood with a preface of the verbal and visual texts. The film draws ideas from different books starting from Charles Perrault’s little riding text of 1697 (Catherine, 2002). The film further contains the depiction of the Little Red Riding Hood by Jacob and Wilhelm Grimm in the 1982 text. In addition, the film is based on a book review of Little Red Riding Hood as portrayed by Charles Delarue’s works on French oral tales (Zipes, 2010). The books reviews have a historical dimension in their examination of the Little Red Riding Hood. Mathew Bright’s film was produced in 1996. It features the Little Red Riding Hood. The film is referred to as the freeway and it was cast in California. Little Red Riding Hood is depicted as a generation X character discerning from the way the character is clothed. The Little Red Riding Hood is shown in the film wearing saggy trousers, a jacket made of leather and combat boots that are prominent feature in hip-pop artist attires. In examining the attire it is discerned that the attire represent the people from social underclass who are closely associated with the hip-pop culture. The Little Red Riding Hood is further characterized by a voice peculiar...
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...society which are imposed upon the female protagonists which causes them to have to leave their assumed role in society and assume a more independent and masculine role. Both authors use revisionism throughout their tales so as to allow both their feministic values to be expressed and to allow the female narrative voice to be heard and thus emphasise the sense of female empowerment and independence which permeates both volumes. As Sarah Gamble writes, both writers use the fairy tale as a vehicle for the perpetuation of female oppression in culture.[1] Transformation is a traditional theme of the fairy-tale with it being a key aspect of Carter's 'Cat tales.' In 'The Courtship of Mr Lyon', the love of Beauty is a catalyst for the metamorphosis of Mr Lyon which causes a transformation from his strong bestial qualities with his “unkempt” looks and his “rough, hot, stiff stubble” into the stereotype of the gentleman who walks calmly in the garden with his wife. Her enduring love for Mr Lyon develops him from the “leonine apparition” into the “handsomest of all beasts.” In ‘The Tiger’s Bride’ Carter inverts the classic tale and instead, it is Beauty that undergoes the change. In this tale, we see the female protagonist objectified and “lost to the beast at cards.” In this tale, after the daughter releases the responsibilities of caring for her father, the girl sees her role in a masculine dominated society in the reflection of...
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...Feminism and what it means to people has changed greatly over the past century. Feminism is not just about males and females being equal there is much more to it. Feminism explores gender roles affecting both males and females, sexuality, and breaking the molds society has set for females. Feminism has an affect on literature, whether it be a lack of or inclusion of it. In Howl’s Moving Castle by Diana Wynne Jones feminism is an apparent theme throughout the novel. Jones’ tale is one like no other. Her traditional feminist ideas and beliefs are not left out in the story. Critics say that Jones’ feminist ideas are not the same of today’s “modern feminists”. (Rudd 2) Although Howl’s Moving Castle may seem like a typical fairy tale, Jones makes...
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...Engineer Patricia Galloway believes that serving as the first woman president of the 151-year-old American Society of Civil Engineers — a historically male bastion if there ever was one — makes her a role model to women in the industry. It's high times for women leading construction-related engineering groups, with three others currently in high office. The same goes for construction organizations. Nova Group's Carole L Bionda is chairelect of Associated Builders and Contractors. Meanwhile, the US House Education and Workforce Committee last month passed the Family Time Flexibility Act (H.R. 1119) which could undermine workers' most basic rights by altering the Fair Labor Standards Act (FLSA), which currently requires employers to pay overtime to certain employees when they are required to work beyond the normal 40 hour work week.( Peterson 98) At home, we're aware (perhaps painfully so) that men and women often have different communication styles. But it's easy to forget that such differences can show up at work, too. To do an effective job of communicating, keep in mind gender-related communication styles. Young boys are socialized to give an immediate answer or solution to a problem. Young girls want answers, too, but tend to talk things over to solve problems. So while a man might prefer to work things out for himself, a woman is more likely to want to discuss them. According to researcher Deborah Tanhen, author of Talking from 9 to 5, when a woman starts to discuss an...
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...Women in our society Engineer Patricia Galloway believes that serving as the first woman president of the 151-year-old American Society of Civil Engineers - a historically male bastion if there ever was one - makes her a role model to women in the industry. It's high times for women leading construction-related engineering groups, with three others currently in high office. The same goes for construction organizations. Nova Group's Carole L Bionda is chairelect of Associated Builders and Contractors. Meanwhile, the US House Education and Workforce Committee last month passed the Family Time Flexibility Act (H.R. 1119) which could undermine workers' most basic rights by altering the Fair Labor Standards Act (FLSA), which currently requires employers to pay overtime to certain employees when they are required to work beyond the normal 40 hour work week.( Peterson 98) At home, we're aware (perhaps painfully so) that men and women often have different communication styles. But it's easy to forget that such differences can show up at work, too. To do an effective job of communicating, keep in mind gender-related communication styles. Young boys are socialized to give an immediate answer or solution to a problem. Young girls want answers, too, but tend to talk things over to solve problems. So while a man might prefer to work things out for himself, a woman is more likely to want to discuss them. According to researcher Deborah Tanhen, author of Talking from 9 to...
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...Disney and the American Princess: The Americanization of European Fairy Tales [pic] Marina Alexandrova Student number 3021874 MA Thesis, American Studies Program Utrecht University Course code 200401064 23943 words 12 August 2009 Contents Title page………………………………………………………………1 Contents……………………………………………………………….2 Introduction……………………………………………………………3 Chapter 1: European Fairy Tales and Values about Gender and Class………………………………………10 Chapter 2: Disney Animation and American Culture…………………24 Chapter 3: Disney Animation and (Gender) Commodification…………………………………………..55 Conclusion…………………………………………………………...73 Bibliography…………………………………………………………78 Introduction Among the various aspects which define contemporary life, popular culture – and in particular, American popular culture – is undoubtedly one of the most ubiquitous and long-lasting. Throughout the twentieth century, people around the world have enjoyed film, music, animation, and written works by various authors and artists. One of the most famous and significant American entertainers of the lot has been Walt Disney, introducing millions of children and adults to his world of limitless (or so is widely believed) imagination and magic, from the earliest short cartoons produced in the 1920s, to full-length feature animations such as Snow White and the Seven...
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...is relevance because it appears to oppose the feminist movement in history that advocated for female advancement and empowerment within society. It is imperative that Disney’s skewed recreation of the beloved tale, The Little Mermaid be analytically criticized because it was meticulously portrayed to perpetuate anti-feminism. It is also important to analyze the use of language, images and other affecting factors and how they too contribute to sexism depictions in this film. There are various examples within the film where the female characters’ bodies and minds are demeaned and undervalued because of the imposing dominance the characters imposed upon them. One of these includes the exchange of Ariel’s voice for legs and the declaration in “Kiss the Girl” that could win over Eric without saying a word because of her good looks....
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...1.) Analysis of all characters Belle: A bookish young woman who falls in love with the Beast and finds the kind-hearted human inside him. She is beautiful, deep, intelligent and loves to read. Belle at times can also be stubborn but she is not afraid to speak her mind. She usually wears a blue outfit along with a blue ribbon in her hair. She is"unaware" of her own beauty and made her "a little odd”. Beast: A cold-hearted prince transformed into a beast as punishment for his selfishness, but later warms, with the help of Belle, and ends up being transformed back into a handsome prince as a reward. He was once a selfish, greedy prince because a poor young beggar asked him for shelter for the night, and he refused. The beggar was actually an enchantress and turning him into a monster. After, Beast fell in love with belle and became a good man for he refused to kill Gaston and didn't want to stoop to his level. Gaston: A highly egotistical hunter who vies for Belle's hand in marriage and is determined not to let anyone else win her heart, even if it means killing her true love. He is a big line-ups of good-looking men with deep voices". Gaston is the main villain in the “Beauty and the Beast” movie. He is a sexist, chauvinistic hunter who wants to marry Belle just so he can brag about it and to give him sons that he can mold at his will. Belle sees him as nothing more than a rude, selfish, chauvinist, barbarian-brained lunkhead and sexist man who is unworthy of her time. Lumiere:...
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...“Canada is an unknown territory for the people who live in it, and I’m not talking about the fact that you may not have taken a trip to the Arctic or to Newfoundland, you may not have explored as the travel folders have it – This Great Land of Ours. I’m talking about Canada as a state of mind, as the space you inhabit not just with your body but with your head. It’s that kind of space in which we find ourselves lost. What a lost person needs is a map of the territory, with his own position marked on it so he can see where he is in relation to everything else. Literature is not only a mirror; it is also a map, a geography of the mid. Our literature is one such map, if we can learn to read it as our literature, as the product of who and where we have been. We need such a map desperately; we need to know about here, because here is where we live. For the members of a country or culture, shared knowledge of their place, their here, is not a luxury but a necessity. Without that knowledge we will not survive.” Margaret Atwood, Survival As Atwood’s statement demonstrates, Canadian literature is concerned with place and displacement, and with the development of an effective identifying relationship between self and environs. Canada’s literature whether written in English or French reflects three main parts of Canadian experience. First, Canadian writers often emphasize the effects of climate and geography on the life and work of their people. Second, frontier’s...
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...Vračević Željka University of Banjaluka Faculty of Philology English Language and Literature REPRESENTATIONS OF FEMININITY IN DISNEY CARTOON PRODUCTION: An Analysis of Selected Examples The purpose of this essay is to explore how media, especially Disney cartoons, affect gender, particularly young girls and how the representations of females within the media affect the viewers through stereotypes or ideals to live up too. THE INTRODUCTION (the explanation of media influences and basic notions of women representations in Disney Production) A good deal of feminist writing in the field of culture has been concerned with the representations of gender and of women in particular, and it is claimed that these representations of females reflected male attitudes and constituted misrepresentations of “real women”. Meehan (1983) analyzed the stereotypes into which women are commonly cast on television and the analysis showed that “good women” are, or are expected to be submissive, domesticated and home-centered while “bad women” are rebellious and independent. She concludes that “American viewers have spent more than three decades watching male heroes and their adventures, muddied visions of boyhood adolescence repete with illusions of women as witches, bitches, mothers and imps “. All researches about the media influence give the same conclusion that the mass media is a powerful resource through which viewers develop their...
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................................................................................... 13 References............................................................................................................................... 14 Introduction Fairytales have become an integral part of children literature. The various tales have been reinvented as picture books, novels, animated and real-life films. The stories have been twisted and shaped by an ever changing society to represent a wide range of the dominant society’s views. Among these they show perspectives on social class, women’s roles, cultural differences, religion, and human behaviour. As time goes on, the original tales are discarded and the altered stories become widely known and read. This can lead to the underlying perspectives of the altered stories become subconsciously engrained in the new generation. The effect of this can have a large impact on the views of individuals and groups. The question asked is do fairy tales actually have that much power to influence people’s viewpoints? Are they really biased towards the dominant culture? This essay will critique the popular tale of Aladdin, focusing on the Disney version. Three perspectives will be...
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...“The role of women in the gothic genre is as victims, always subject to male authority.” Compare and contrast the extent to which this interpretation is relevant to your three chosen texts. “The wolf consumes red riding hood – what else can you expect if you talk to strange men, comments Perrault briskly. Let’s not bother our heads with the mysteries of sadomasochistic attraction” Angela Carter; Foreword to Perrault’s Short Stories. In much of today’s feminist writings, the Gothic era is frequently defined as a period in which the oppression of females was at its most intense. In response to fin de siècle anxieties of a social revolution in which gender stereotypes could be overhauled, gothic writers, it is claimed, sought to reassert cultural and gender norms – a reassertion which inevitably resulted in the oppression of women. In view of such contemporary analysis, it is thus all too tempting to offer a sweeping judgement of gothic literature as victimising, oppressive and misogynistic; Dracula’s “victims” are all “unambiguously women[1]”, Poe victimises through an “idealised and dehumanising image of women[2]”, while Carter is a “pseudo feminist” who merely “reinforces patriarchal views” with her “pornographic” writing[3]. Yet such views are largely artificial, and are primarily based on potted summaries of the above works, rather than a closer textual analysis. If one takes the definition of a victim as a being who is subject to the successful predatory actions of...
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...Disney’s dolls Institution Name Disney's dolls In Disney's dolls current animated movies the color of the female skin characters Might be diverse and the promotion more complicated. However, Kathi Maio suggests that beneath the entire fleece and the balance there are still contented homemakers searching for a man. It is so ironical that the Walt Disney Company’s current animated attribute which is Mulan, repeats Chinese fights of foreign invasions that are an ancient legend. The first animated Destiny dolls feature the snow white and the seven Dwarfs. It was animated in 1937. Disney recognized a new pattern for its hero and set an average animation full-length. The Snow White is an attractive, young, submissive and sweet-natured doll. She is not put off by the domestic grind since she is aware that one day, a gorgeous chap will save her. Whenever the Snow White is faced the threat, she runs very first on her high-heeled shoes and fall on a lament heap. She gets shelter from a dusty chalet and feels obligated to clean it up. Snow White’s one antagonist is her immoral and dominant stepmother, who is the Queen. However, the Queen is ultimately smashed just like most Disney clones. After feeding her lovely, step-daughter a disillusioned Apple puts her into a death-like coma. Snow White is affectionately awakened by her housemates who put her on a bier. However, she is only naked when Prince charismatic puts one on her lips. After a moment of thought, Snow White rides missing with...
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...Carol Ann Duffy's dramatic monologue, 'Mrs Beast' is a complete contrast to the original fairy tale. The authors concentration on Belle’s virtue within her tale produces a clear moral. This is laid bare by Beauty when she says to the Beast “I am well pleased with your kind heart; when I think of that you no longer seem so ugly to me." Beauty sees past the Beast’s outward Appearance and hence portrays a stereotypical female character who does not objectify based on appearance.. However,the authors portrayal of Belle as a submissive, obedient daughter to her father and servant to the Beast is anything but feminist. an in-depth analysis of Belle’s character reveals that she is in fact a stereotypical representation of Disney heroines. First, her name0 itself literally translates to “Beauty.” In addition, Belle’s appearance conforms to Disney’s ideals of beauty. Also, it seems she has an inherent need to look after the men that are important to her. She is described as “strange”, “funny” and “peculiar” by the townspeople because she loves to read and They seem to think it is useless for a pretty girl to read. The storybook character Belle conf orms to the “cute but essentially helpless” f emale stereotype. However, since the 18th century both ‘Beauty and the Beast’ and ideas about women and power have been developed, taking many different forms and adaptations. Duffy re-works the tale ‘Beauty and the Beast’ to explore her...
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...author of Pride and Prejudice. The book mainly talks about lives of four girls in the March family during the Civil War. The four girls are: Meg who takes care of her three little sisters maternally and chooses to live a poor life with her beloved one; boyish Jo who is brave and decisive and has her own dream; Beth who is angelic and sweet but unfortunately dies of scarlet fever; Amy who is delicate and tender and later becomes a true lady. Their lives are not so easy as they face crisis and roughness. But they manage to make life meaningful and beautiful. And through all the difficulties they build themselves up as perfect, elegant ladies. As stated above, Little Women had made an inspiring and directive effort on the development of feminism. The characters in this book presented the feminist spirit and thinking of the author. All the four girls in the book were more optimistic and independent than other characters appearing in the book. But among the four girls, the second daughter of the family, Jo, represented the thought most intensively. She was superior to the other women on being much closer to fighting with sexism. Very close, but not there yet. The reason why Jo stood out can be best illustrated by her characteristic. It was her characteristic that made her different from all the other girls in the family. Unlike other girls who behaved like quiet water,...
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