...of the complex and textured manner in which author’s attempt to express what it is to be human. To be human is a diverging experience between the sexes, both biological and socially, and consequently the extent of gender equitability within society has always been a prevalent and contended concern. An engagement with this contention will define gender politics for this essay. Jane Austen and Mary Shelley, writing at the beginning of the nineteenth-century, joined their female contemporaries in a growing generation of authoresses who forged careers in discipline of male authority. In this respect, they are inescapably engaging with gender politics. Margaret Kirkham comments that ‘this burgeoning of the female talent...was bound to have a profound effect upon any young woman beginning to write once it had occurred’, suggesting that, regardless of whether the female intended to represent female concerns within their work; a female, in becoming ‘an author, was, in itself, a feminist act’ (Kirkham 33). With the status of the authoress in mind whilst analysing Northanger Abbey and Frankenstein, this essay will focus how Austen and Shelley engage with gender politics through characterization and narrative form, and the female concerns they address, both implicitly and explicitly, throughout their texts. Austen predominately engages with gender politics through her protagonist Catherine. Catherine is presented as the unlikely heroine; ‘no one...would have supposed her born to be a...
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...Refashion the Grand Self and Embrace Feminism? The romantic atmosphere is ideal for recognizing women as deserving equals. In this period, the feminist writings was brought and create a debate on the merits of women’ rights. A surge of women began writing and expressing themselves through novels and other literary works, such as Mary Shelley, Jane Austen. The feminist novels have tested the central “I” of women and also have shaken up gender roles of men. The female writers focused on the moral and ideological issues arising out of daily life and basic human relationships, and they advocate for female equality during romantic period fought to obtain better rights for women. The images of women across genres can be varied as the authors themselves. Mary Wollstonecraft is the radical feminist who contributed to those debates and typically revolted against the social condition of women. In her work of A Vindication of the Rights of Woman, she believed in a push for growth in women and was disturbed by the lack of education. For most romantic feminists, their literary works focused on both the source of women’s inequality and its potential solution. The feminist novels in romantic era raised concerns about the ability of women to reject silence and express themselves. A feminist view from William Blake pointed out that female liberation some kind can make men free from the relationships based on power. Mary Shelley in her novel Frankenstein questioned prescribed social roles of...
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...Reading Between the Lines: An analysis of Mary Shelley’s Frankenstein, or, the Modern Prometheus, using Horace Walpole’s The Castle of Otranto as an example of male discourse about women Louise Othello Knudsen English Almen, 10th semester Master’s Thesis 31-07-2012 Tabel of Contents Abstract ................................................................................................................................................ 3 Introduction .......................................................................................................................................... 5 Historical Context .............................................................................................................................. 10 The View on Women and Their Expected Roles in the late 18th and 19th Century ....................... 11 - Mary Shelley disowns herself .................................................................................................. 11 - Mary Shelley’s Background .................................................................................................... 12 Women’s Role in Frankenstein ..................................................................................................... 13 Men’s Role in Frankenstein ........................................................................................................... 13 - Women in Society and Women as Writers .........................................................
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...Frankenstein by Mary Shelley Key facts full title · Frankenstein: or, The Modern Prometheus author · Mary Wollstonecraft Shelley type of work · Novel genre · Gothic science fiction language · English time and place written · Switzerland, 1816, and London, 1816–1817 date of first publication · January 1, 1818 publisher · Lackington, Hughes, Harding, Mavor, & Jones narrator · The primary narrator is Robert Walton, who, in his letters, quotes Victor Frankenstein’s first-person narrative at length; Victor, in turn, quotes the monster’s first-person narrative; in addition, the lesser characters Elizabeth Lavenza and Alphonse Frankenstein narrate parts of the story through their letters to Victor. climax · The murder of Elizabeth Lavenza on the night of her wedding to Victor Frankenstein in Chapter 23 protagonist · Victor Frankenstein antagonist · Frankenstein’s monster setting (time) · Eighteenth century setting (place) · Geneva; the Swiss Alps; Ingolstadt; England and Scotland; the northern ice point of view · The point of view shifts with the narration, from Robert Walton to Victor Frankenstein to Frankenstein’s monster, then back to Walton, with a few digressions in the form of letters from Elizabeth Lavenza and Alphonse Frankenstein. falling action · After the murder of Elizabeth Lavenza, when Victor Frankenstein chases the monster to the northern ice, is rescued by Robert Walton, narrates his story, and dies tense · Past foreshadowing · Ubiquitous—throughout...
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...According to dictionary.com, the term ‘responsibility’ is defined as the state or the fact of being answerable, or accountable for something within one’s power, control, or management. In the novel Frankenstein by Mary Shelley, one certain character attempts to avoid his responsibility caused by his genuine desire and determinism for knowledge and fame, which eventually brings a catastrophic tragedy for the novel as a whole. Mary Shelley incorporates themes such as nature of man, curiosity, dangers of knowledge, expectations versus reality, the pursuit of fame and popularity to achieve and depict the character’s actions and reactions. In Shelley’s novel, Victor Frankenstein is depicted as a character that creates the creature and is the primary...
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... it is Jake’s preserved sense of morality and his ability to sympathize with the other characters that give him his sense of humanity. However, in Vincenzo Natali’s Splice (2009), the victory does not lie with the most human characters, but rather with the dehumanizing corporation, which threatens to recreate all of humanity in its likeness. Natali argues that the creation of Dren (Delphine Chanéac) represents the future of humanity in the sense that humans are becoming creatures with equal parts human and technological – a shift that threatens to change society’s perception of what is “human”. Splice is in many ways a modern retelling of Mary Shelley’s Frankenstein: The Modern Prometheus – a point highlighted by Natali’s choice to name the protagonists Clive and Elsa; a direct homage to the stars of James Whale’s The Bride of Frankenstein (1935), Colin Clive and Elsa Lanchester. In the...
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...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...
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...Beginning theory An introduction to literary and cultural theory Second edition Peter Barry © Peter Barry 1995, 2002 ISBN: 0719062683 Contents Acknowledgements - page x Preface to the second edition - xii Introduction - 1 About this book - 1 Approaching theory - 6 Slop and think: reviewing your study of literature to date - 8 My own 'stock-taking' - 9 1 Theory before 'theory' - liberal humanism - 11 The history of English studies - 11 Stop and think - 11 Ten tenets of liberal humanism - 16 Literary theorising from Aristotle to Leavis some key moments - 21 Liberal humanism in practice - 31 The transition to 'theory' - 32 Some recurrent ideas in critical theory - 34 Selected reading - 36 2 Structuralism - 39 Structuralist chickens and liberal humanist eggs Signs of the fathers - Saussure - 41 Stop and think - 45 The scope of structuralism - 46 What structuralist critics do - 49 Structuralist criticism: examples - 50 Stop and think - 53 Stop and think - 55 39 Stop and think - 57 Selected reading - 60 3 Post-structuralism and deconstruction - 61 Some theoretical differences between structuralism and post-structuralism - 61 Post-structuralism - life on a decentred planet - 65 Stop and think - 68 Structuralism and post-structuralism - some practical differences - 70 What post-structuralist critics do - 73 Deconstruction: an example - 73 Selected reading - 79 4 Postmodernism - 81 What is postmodernism? What was modernism? -...
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