...Giovanni and Lusanna Love and Marriage in Renassiance Florence Florence, Italy during the fourteenth century was a place that men and women didn't have individual freedom. They were not allowed to portray any personal identity outside of their social class; values and demands of their family, state, and church according to Jacob Burckhardt. Women of noble and aristocratic lineage during this period had limited rights, few opportunities, and they had no value in society. A woman of this time was viewed as passive and powerless objects. A women’s primary function was to bare children to maintain the family lineage. When it came to marriage they were arranged, young women typically married between the ages of twelve and eighteen to ensure that they were virgins on their wedding night. Men married in their early thirties to acquire a large enough fortune and status in society. Upon marriage they would gain a dowry from the bride's family, the dowry amount was based on the value of the groom. Marriage was a social and economic contract between families as well as to form alliances between families. The contract was typically sealed in a series of social rituals. There would be an exchange of gifts and rings; the wedding banquet displayed the grooms social position and assets. Giovanni and Lusanna, written by Gene Brucker is a tale of a Renaissance love affair that was taken to trial by Antonio the brother Lusanna to determine whether or not the two lovers were indeed married...
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...Dannette Tejeda 10/03/10 Family & Gender Comanducci Public Rituals of Marriages Flowers, a white gown, a venue or perhaps a church, family and friends, a ceremony, a reception, and above all love are the fundamental essentials for a wedding, let a lone a marriage. Yet, occasions such as weddings were not as passive in the fourteenth century as they are now. During the renaissance, weddings were not just the bond of two individual people who wished to be committed to each other by the law or their religion; but it was the binding of a patrilineal alliance and for that reason it was vital for all aspects of a marriage to be a public, communal spectacle. This notion took away from all that was personal from a woman as it was inscribed in her code of honor to accept her public passing from her father’s legal possession to her new husband. The wedding in itself had at the least four different steps, which were: the impalmamento, the sponsalia, the matrimonium, and the nozze. They were specific transactions because during the Renaissance women were in some terms irrelevant and were only allowed to walk the streets to attend masses in church. However, when these stages were taken in action, the publicity announced the benefit of the alliances made between families and that is what makes them so significant. The first stage towards a marriage was the impalmamento. The impalmamento signifies “engagement, a promise of marriage, specifically, as a confirmation of...
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...The Renaissance: Artists and Concepts The Italian Renaissance occurred from 1330 to 1550 on the heels of the Middle Ages in Italy and is described as one of the most influential times in art history. It brought about new ideas about art, science, and government. Feudalism which had been fiercely popular during the Middle Ages was beginning to trickle out of popularity while concepts such as humanism and Neo-Platonism started taking hold. The Renaissance is divided into the Early Renaissance which lasted from 1330 to 1450 and the High Renaissance which continued from 1450 to 1550. Many legendary artists such as Leonardo Da Vinci and Botticelli acquired their claim to fame during this time period. The Early Renaissance which began in 1330 introduced the concepts of Neo-Platonism and humanism. Neo-Platonism sought to reconcile humanism with Christianity, to blend the teachings of Plato and other ancient philosophers with the teachings of the Church. Humanism strove to portray lifelike human forms with correct proportions and realistic clothing and expressions. Artists developed new techniques to give paintings a more three-dimensional, life-like quality, and commonly studied human and animal anatomy in efforts to better understand their subjects. Sandro Botticelli is probably the best known and most influential painter from the Early Renaissance, although his works remained relatively unknown until several centuries later. The concept of Neo-Platonism and humanism can both...
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...Often when thinking of the Renaissance, the flourishing arts, influential families, and in particular powerful men come to mind. In Italy during the fourteenth century, women did not seem to hold power, and were often seen as inferior, stuck to labor within the household, and holding few rights. However, while women were treated as inferior to men during the age of the Italian Renaissance, woman exerted some power. Through a reflection of Renaissance art, one can not only see the historical subjugation of women but also the hidden power that women held. Women during this time in Italy were essentially controlled by men, who determined what they could do, where they could go, and even who they could marry. Women’s roles were limited since they were denied political rights and left with little autonomy. Within a marriage, often arranged without her consent...
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...The Renaissance in Italy and Europe The French word Renaissance means “rebirth” and is the period in European civilization immediately following the Middle Ages. It relates mostly to the growth of artistic and intellectual creativity which is also used by artists and thinkers to recover and apply the ancient learning and standards of Greece and Rome. The Renaissance was basically an intellectual and also cultural movement that imparted some sort of intellectual quality which made it one of the most important events in universal history. This movement was carried on between the fourteenth century and the sixteenth century. The Renaissance was believed to be restricted to Italy somewhere during the late 15th century. This great movement made a huge and advance difference in the world today and also back in the days. It brought major contrasts with civilization in Europe during this time period. This has become of my interest not only because it is one of the world’s most known events, but also because it is a movement that benefited and contributed intellectual developments in most parts of the world today. It is most commonly known that one of the reasons the Renaissance period took place was because theology was rejected by the Middle Ages and was taken over by science. The outlook and institutions of the Middle Ages disintegrated and conspicuous modern forms, like science, emerged. Because of the different levels in society during the time of this intellectual movement, all...
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...Giorgio Vasari (1511-74), painter and architect, born near Florence, and employed by the powerful, Florentine family, the Medici. In 1550 and then in 1568 he wrote a multi-volume book, The Lives of the Most Excellent Painters, Sculptors, and Architects. Vasari’s art historical narrative, seemingly a record of the lives of certain Renaissance artists, is the account of how art gradually achieved perfection, by building upon the achievements of the past in order to ultimately attain that perfection at the beginning of the 16th century. A process Vasari himself confirms in The Lives when he says, Having very carefully turned all this over in my mind, I have come to the conclusion that it is inherent in the very nature of these arts to progress step by step from modest beginnings, and finally to reach the summit of perfection.” Vasari’s work was the first systematic history of art, and, as such, it represents an important milestone in the history of Renaissance art. It is important to recognize the structure he gave his book, for it is revealing about the kind of historical narrative that he wanted to create. Vasari wrote biographies of individual artists, thereby acknowledging the distinctive achievements of each. He then organized these separate lives into three distinct periods, introduced by prefaces in which he described the common characteristics of their artworks and also placed their work—as he sees it—into a larger narrative about what happens to art over time. Vasari’s...
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...Florence in the Renaissance was the home of a galaxy of men of talent and genius who find no parallel in history except in ancient Athens. A sketch of the history of the city cannot "explain" the presence of so many outstanding individuals nothing can do that. It can only present some idea of the conditions in which they flourished. From at least as far back as the eleventh century we can discern some features of Florentine history that were to remain fairly constant. The governing class at this time consisting of small nobles and rich merchants was divided by bitter conflicts among its members; the city was expanding into the surrounding countryside, and it was coming into conflict, economic and military, with neighboring cities. The struggle with Pisa was to last for centuries. Until 1250, when the last great medieval emperor, Frederick II, died, Florence had to struggle against the attempts of emperors to assert lordship over the city. That none of these struggles prevented Florence from prospering is shown by the coinage in 1252 of the gold florin, which became a medium of international exchange, like the Venetian ducat already mentioned, because of the consistency and reliability of its gold content. The Florentine coin may not be the earliest gold coin created in this period; at about the same time, and perhaps a little earlier, Genoa began issuing its first gold coins. In the next century, the example was followed not only by other Italian cities but by the states of Europe...
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...Machiavelli Born on May 3, 1469, in Florence, Italy, Niccolò Machiavelli was a diplomat for 14 years in Italy's Florentine Republic during the Medici family's exile. When the Medici family came back to power in 1512, Machiavelli was dismissed and briefly imprisoned. Machiavelli as an individual has been described as aloof, as standing to one side of life ‘with a sarcastic expression continually playing around his mouth and winking from his eyes’. This report is based on Machiavelli’s most famous work, The Prince, which was written in 1513-14. While The Prince was not the foremost book of this kind, it was the first to propose a government that dominates with no respect for religious belief or morality. Machiavelli did not particularly pay heed to religious law in the manner he lived his life, but he likewise did not particularly care for the Catholic Church of the time because of the lack of ethics demonstrated by the Pope's and other supposedly "religious men's" actions at the time. The Prince, a handbook for politicians on the employment of ruthless, self-serving cunning, inspiring the term "Machiavellian" and establishing Machiavelli as the "father of modern political theory."(History.com) There are many types of leaderships that after being present over the centuries. Leadership styles have developed over time, with a prominent shift from the autocratic and directive leadership in the twentieth century to a more participative and democratic style of the younger generation...
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...Decline of the Church The Renaissance Italy: Birthplace of the Renaissance Italian Renaissance Humanism Machiavelli and Power Politics Leonardo Da Vinci Global Travel and Trade The African Cultural Heritage West African Kingdoms The Europeans in Africa Native American Cultures Maya Civilization The Empires of the Incas and the Aztecs The Spanish in the Americas and the Aftermath of Their Conquest The Impact of Technology Christian Humanism and the Northern Renaissance Luther and the Protestant Reformation The Spread of Protestantism The Catholic Reformation 2 WESTERN CIVILIZATIONS The French Revolution Napoleon Bonaparte The Industrial Revolution Advancing Industrialism Colonialism China and the West Social and Economic Realities Nineteenth-Century Social Theory: conservatism, liberalism & socialism The Radical View of Marx and Engels Picasso and the Birth of Cubism Futurism, Fauvism and Non Objective Art The Birth of Motion Pictures Freud and the Psyche Total War and Totalitarianism The First World War The Russian Revolution Nazi Totalitarianism The Second World War Identity and Liberation: Gandhi, Martin Luther King and Malcolm X 3 WESTERN CIVILIZATIONS The Black Death The most devastating natural catastrophe of the early modern era was the bubonic plague, which hit Europe in 1347 and destroyed one third to one half of its population within less than a century. Originating in Asia and...
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...Giotto and Giovanni Scrovegni Chapel The Chapel was commissioned by Enrico Scovegni; his family fortune was through the practice of usury, (which meant the charging of interest when loaning money; a sin so grave resulted in exclusion from the Christian sacraments). Enrico’s father, Reginald was an erroneous case; he appears in the “Dante’s Inferno as the pro-typical user). Scrovegni called for two of the most famous artists of that time period, Giotto and Giovanni Pisano. Their talents and skill were needed for Scrovegni to atone for his sins; as well to bring an understanding of his power and importance. The Chapel described as a simple barrel-vaulted room that provides broad walls, a boxlike space. A boxed space that becomes the showcase of Giotto’s paintings. When we study about the Gothic Churches the structure the strength of its walls, we tend to as well look upon it now as a book that opens as we walk within its halls. We sense the projectory of the architecture, the history and the paint that is often held within its walls. We think of the debate of the structure, the formation of the history of the church. The kings, the servicemen and to simple town folk that walked upon the great stone and within the story itself. As Architectural as the Gothic quarter foil framework, the dimension of the linear perspective as it presents a coverage of the human mind of the time period as well as it vanishes into a linear motion of stone. We lean upon understanding of the differentiation...
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...CHAPTER 1 Italy in the early nineteenth century INTRODUCTION In September 1870, the troops of King Victor Emmanuel II of Italy entered Rome. Italian unification, the bringing together different states of the Italian peninsula under one government, was complete. The Risorgimento, the reawakening of Italy, had reached its climax. However, the creation of the new Italian state was neither inevitable nor had it been planned. Although Italian unification had taken place, there was little enthusiasm for the new state among the Italian people. In 1861, an Italian politician named Massimo d’Azeglio remarked to Victor Emmanuel: ‘Sir, we have made Italy. Now we must make Italians.’ The story of what follows is of how Italy was made, but it is also a story of division and the failure to ‘make Italians’. THE STATES OF THE PENINSULA Towards the end of the eighteenth century the peninsula of Italy was home to a number of states. The Kingdom of Sardinia (Piedmont) From its capital city of Turin, the House of Savoy ruled this relatively poor part of Italy. Despite its poverty, successive rulers built up a strong army and governed with an effective civil service. The island of Sardinia was particularly backward and was sparsely populated. Until 1815, the important port of Genoa was part of the Republic of Genoa. It was politically separate from the Kingdom of Sardinia. Lombardy and Venetia In the 1790s, Lombardy was part of the Austrian Empire. Its capital, Milan, was the second largest city of that...
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...MEDIEVAL WEAPONS Other Titles in ABC-CLIO’s WEAPONS AND WARFARE SERIES Aircraft Carriers, Paul E. Fontenoy Ancient Weapons, James T. Chambers Artillery, Jeff Kinard Ballistic Missiles, Kev Darling Battleships, Stanley Sandler Cruisers and Battle Cruisers, Eric W. Osborne Destroyers, Eric W. Osborne Helicopters, Stanley S. McGowen Machine Guns, James H. Willbanks Military Aircraft in the Jet Age, Justin D. Murphy Military Aircraft, 1919–1945, Justin D. Murphy Military Aircraft, Origins to 1918, Justin D. Murphy Pistols, Jeff Kinard Rifles, David Westwood Submarines, Paul E. Fontenoy Tanks, Spencer C. Tucker MEDIEVAL WEAPONS AN ILLUSTRATED HISTORY OF THEIR IMPACT Kelly DeVries Robert D. Smith Santa Barbara, California • Denver, Colorado • Oxford, England Copyright 2007 by ABC-CLIO, Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publishers. Library of Congress Cataloging-in-Publication Data DeVries, Kelly, 1956– Medieval weapons : an illustrated history of their impact / Kelly DeVries and Robert D. Smith. p. cm. — (Weapons and warfare series) Includes bibliographical references and index. ISBN-10: 1-85109-526-8 (hard copy : alk. paper) ISBN-10: 1-85109-531-4...
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...as ‘barbarian’ ‘savage’ and ‘primitive’. In classical antiquity the Europeans used the word ‘barbarian’ to refer to a foreigner who was regarded as inferior (Ogutu and Kenyanchui, An Introduction To African History, 1991 p33). Do you think this is still the way we use the word barbarian? The Latin speakers referred to hunters, food-gatherers as savage. In the 17th century this term ‘savage’ referred to a person without art, literacy, or society who lived in fear of existence and death. ‘Primitive’ on the other hand, in Latin meant ‘the first or original’. Europeans used these words interchangeably when referring to non-Europeans while the word civilization was preserved to describe historical developments of European people (ibid). Now the term civilization is no longer confined to the above development but also extends reference to non-European communities. Attributes of civilization includes observance to law, belonging to an organized society, having a society of literate people with advanced developments in urbanization, agriculture, commerce, arts and technology. The French thinkers of the 18th century referred to a person of the arts and literature as cultured. But at the present the term is used to cover more fields than just the arts and literature. Sometimes, therefore the words ‘civilization’ and ‘culture’ are interchangeably applied. In this unit, however, more use is confined to the word ‘civilization’ especially in reference to human developments over time...
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...Metaphysics From Wikipedia, the free encyclopedia Jump to:navigation, search This article is about the branch of philosophy. For the work of Aristotle, see Metaphysics (Aristotle). |Philosophy | |[pic] | |Branches[show] | |Aesthetics | |Epistemology | |Ethics | |Logic | |Metaphysics | |Social philosophy | |Political philosophy | |Eras[show] | |Ancient | |Medieval | |Modern | |Contemporary | |Traditions[show] | |Analytic | |Continental | |Eastern | |Islamic | |Marxist | |Platonic | |Scholastic | |Philosophers[show] | |Aestheticians | |Epistemologists...
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...South Carolina Social Studies Academic Standards Mick Zais, Ph.D. State Superintendent of Education South Carolina Department of Education Columbia, South Carolina State Board Approved Document – August 18, 2011 Contents Acknowledgments.......................................................................................................................... iii Introduction .....................................................................................................................................1 Social Studies Standards Page Format .............................................................................................5 Grade-Level Standards for Social Studies Grades K–3 Kindergarten. Foundations of Social Studies: Children as Citizens ...............................................7 Grade 1. Foundations of Social Studies: Families........................................................................12 Grade 2. Foundations of Social Studies: Communities ................................................................17 Grade 3. South Carolina Studies ..................................................................................................22 Grades 4–5 Grade 4. United States Studies to 1865 ........................................................................................29 Grade 5. United States Studies: 1865 to the Present ....................................................................36 Grades 6–8 Grade 6. Early Cultures to 1600...
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