...Fra Angelico Born in 1395 in Vicchio, Italy, Fra Angelico was known as Guido di, Pietro. In his existence, Fra Angelico was also called Fra Giovanni da Fiesole and Beato Angelico. On 17 October 1417, Fra joined a confraternity at the Carmine Church while still going by the name Guido di Pietro. At that period, he had started his work as a painter as seen in the records of the church of Santo Stefano del Ponte. In 1418 while still a young lad, he and his brother Benedetto took the vow to become Monks according to the order of Dominican Preachers. Consequently, he chose the name Fra Angelico while at the convent of San Domenico in Fiosele. (Tabucchi and Tim, 98) At around 1425, Fra Giovanni became a friar going under the name Giovanni da Fiesole. Not much has been recorded about his parents but presumably, he was from a wealthy background. By 1418, he had completed his novitiate in Cortona. Fra Angelico nurtured a profound religious love for humanity and an appreciation of humility before his God. Angelico started out training together with his brother as an illuminator of missals and other religious books before later pursuing fresco painting. At around 1420, he and his brother opened a painter's workshop in Fiesole. The Order of Preachers belonged to the two new mendicant orders of the era. Unlike their predecessors, the two orders kept in close contact with the community mostly as priests, teachers, or inquisitors. Hence, Fra believed that his work created a medium for all...
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...three separate moments from Mathews gospel in one scene. Tax collectors request, peter catching a fish in lake Genezaret, as well as collecting coin which is shown both on the left and the right. This artwork is famous for the detail it shows in the painting. See the details in the transparency of the lake, or the mouth of the fish that peter caught. These figures are set according to the horizontal lines even though this painting is semicircular as well it is the start to adding depth and lines to create space. 3 [pic] This Fresco painted by Fra Angelico in 1438-1445 titled The Annunciation was showing Mary and the angle are greeting each other. In the background there are Tuscan cypresses which were very common in Fra Angelico paintings. There are also these black lines between each arch, it is unknown to why these are there but it does demonstrate Fra Angelico's control with using linear perspective in this painting to make it look 3D. The use of shadows on the ceiling of the arches also help to draw your eye to the light portion of the painting which...
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